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The Indiana Daily Student

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Chris Pickrell

Go ahead and 'rent' this film

By Alyson Brodsy and Michael Mellini · Thursday, March 2,2006 12 a.m.

Now that "Rent," the film version of the hugely popular Broadway musical (itself based on Puccini's "La Boheme") about a group of 20-somethings starving New York artists struggling with relationships, identity and loss among the 1980s AIDS epidemic, is on DVD, viewers can finally see the film intact with the "Goodbye Love" scene. The moment intensely dissects the character of Mark and leads into the suffering of Mimi - and was inexcusably cut from the theatrical release. However, even with the scene's inclusion, the film is still not perfect.

Ryan Dorgan

All About Me:

By IDS staff and Alyson Brodsy · Thursday, March 2,2006 12 a.m.

Kathy Cook is a freshman who writes news scripts for local non-profit radio station, WFHB, that airs on 91.3 FM and 98.1 FM. The station is mostly comprised of volunteers. Her favorite aspect of the job is a weekly segment where they profile Bloomington volunteer organizations, such as the local food banks. "I've been working there for years. The people there are great. It's such a fun environment to work in, the news side, because it's so fast-paced."

Photos by Anne Rebeck

Organization 101

By Alyson Brodsy and Bryan Lufkin · Thursday, March 2,2006 12 a.m.

Everyone is familiar with the age old axiom, "A place for everything and everything in its place." It's a friendly reminder that good order and organization allow us to function, with the peace of mind that clutter and inconvenience will not prevent us from living stress-free lives. The real question is: are today's students able to apply this bit of wisdom to the whirlwind of college life? "Cleaning my room is definitely my last priority," says freshman Becky Burns. "I usually put if off until it gets so bad that I can't find the things I need for class."

“You gott understand, if i don’t get that gun back I’m gonna get whacked”

Please run away from this film

By Alyson Brodsy and Greg Schoenbaechler · Thursday, March 2,2006 12 a.m.

Paul Walker is back on the big screen with yet another new fast and furious action movie. However, unlike many of his past adrenaline pumping successes, "Running Scared" is a complete and utter failure. Its trailer suggests that it is an exciting thriller that will have you on the edge of your seat through the long haul, but it's quite the contrary. Walker stars as temper mental Joey Gazelle, a mob flunkie whose only role is to get rid of hot weapons that are used in murders. However, Gazelle doesn't always plan on ditching the weapons right away. Instead of tossing the firearms into the river he hides them in his basement with the intention of nobody knowing they are down there.

And the Oscar Goes To...

By Alyson Brodsy and Weekend reviewers · Thursday, March 2,2006 12 a.m.

Another year at the cineplex has passed. Box office figures might be down, but the quality of cinema we've seen this past year is anything but mediocre. While all the critic circles have handed out their awards and the Golden Globes did the same a month ago, now it all boils down to the 78th Academy Awards. Will "Brokeback Mountain" continue to steamroll over the competition? What if "Crash" overcomes all contenders -- especially after receiving top honors from Screen Actor's Guild? Or maybe "Munich," the latest from Hollywood legend Steven Spielberg, will capture the gold.

Pete Stuttgen

IDS CLASSIC ALBUMS:

By Alyson Brodsy and Dan Hopmann · Thursday, March 2,2006 12 a.m.

Although '80s hair metal had been in decline for a couple years in Los Angeles, the Red Hot Chili Peppers were ripe and ready to be harvested by the early 1990s. Cooped up in a Laurel Canyon mansion for two months, the four band members and producer Rick Rubin recorded an upbeat album that exploded on the streets of Hollywood Hills in September 1991. Whereas later albums like Californication and By The Way represent the melodic phase of the band, Blood Sugar Sex Magik is commonly known as the last release dominated by funk. On one hand, lead singer Anthony Kiedis' domineering lyrical delivery coincided with Chad Smith's crisp swank drumming. On the other, John Frusciante incorporated a piercing guitar sound with swirling chorus effects to match Flea's (Michael Balzary) signature frenzied finger-slapping bass.

The Indiana Daily Student

Pilot this column

By Alyson Brodsy and Doug Evans · Thursday, March 2,2006 12 a.m.

When our generation was young, it must have been much easier to get a strong idea made into a TV show. In the late '80s to early '90s, you didn't necessarily need a big name Charlie Sheen-caliber actor attached to star, there were no over-the-top reality shows making it more difficult for "in house" shows and creators didn't have to be so darn creative. Heck, in 1989, NBC gave financial backing to "Seinfeld," a self-admitted show about nothing. In those days, a simple yet logical idea was all it took to bump a show from treatment to pilot to prime time.

The Indiana Daily Student

Don't check out this forecast

By Alyson Brodsky and Alyson Brodsy · Thursday, March 2,2006 12 a.m.

Being a celebrity who makes a six-figure salary for working two hours a day, you would think you had it made. People would kill for that lifestyle, but it seems that living the life most people dream of isn't always what it's cracked up to be. Meet David Spritz (Nicolas Cage), a Chicago weatherman who has this cushy life. However, there's only one problem: Spritz's professional success is surpassed by his personal failures. Spritz is divorced from his neurotic wife, his 15-year-old son just completed rehab and his overweight 12-year-old daughter is known at her school as "camel toe."

The Indiana Daily Student

Proof that this film works

By Alyson Brodsy and Josh Garfinkel · Thursday, March 2,2006 12 a.m.

"Proof" is a singular film. From the outset, it is well acted, the plot is compelling and the story line pulls at the audience and doesn't stop. Adapted for the screen by the same playwright who authored the Tony-winning play, the film version demands impressive performances by the small, tight-knit group of actors. Gwyneth Paltrow, Jake Gyllenhaal, Hope Davis and Anthony Hopkins all deliver powerful and even award-nomination-garnering performances (Paltrow was nominated for a Golden Globe for her role).

The Indiana Daily Student

Classic film, mediocre DVD treatment

By Alyson Brodsy and John Barnett · Thursday, March 2,2006 12 a.m.

John Schlesinger's "Midnight Cowboy" was the first modern film to win Oscar's Best Picture prize. Before 1969, Oscar was still honoring musicals and old world celebrations like "Oliver!," "The Sound of Music," "My Fair Lady" and "West Side Story." After "Midnight," films like "The French Connection," the first two "Godfather" films, "One Flew Over the Cuckoo's Nest" and "The Deer Hunter" became prime Oscar bait. If Schlesinger's tale of awestruck Texan Joe Buck and his common trials and minor triumphs in New York City boasts one major accomplishment, it's that it goaded popular cinema into wising up and joining the real world, ushering in a decade of brutally honest films before the '80s hit us like a candy-coated hurricane.

Brandon Foltz

Dark, quirky and kinky

By -Kehla West and Alyson Brodsy · Thursday, March 2,2006 12 a.m.

The world may have lost track of Ray Davies, but fortunately, Davies hasn't lost track of the world. Other People's Lives, Davies' first solo album, is a testament to an aging genius. Once a great songwriter, it seems, always a great songwriter. The former frontman of the weirdest and quirkiest of the British Invasion bands, The Kinks, Davies took his time making a solo album. It's worth the wait. Even while writing for The Kinks, Davies was always the most British of Brits, and on Other People's Lives, he stays with what works. The first track on the disc has him sounding as British as the Queen.

The Indiana Daily Student

Girl of the "North Country"

By C. Warner Sills and Alyson Brodsy · Thursday, March 2,2006 12 a.m.

"North Country" is yet another film that chronicles a significant real life legal battle in which the underdog goes up against the system. It's a nice little combination of "Norma Rae" mixed with a pinch of "Erin Brockovich," "A Civil Action" and pretty much any other movie dealing with women fighting to have the same rights as men. While the story might seem formulaic to some, overall it is still a very good film.

The Indiana Daily Student

Black fraternity celebrates 100th anniversary

By Kasey Hawrysz · Wednesday, March 1,2006 11:59 p.m.

When Frank Motley first set foot on Columbia University's campus in 1966, he was one of only 32 black students in a class of more than 600. Joining Alpha Phi Alpha, a historically black fraternity, helped him feel more at home in his new environment. Few appreciate the tension of being a black student on a predominantly white campus, said Motley, IU associate vice chancellor for academic support. Motley was one of the first black students admitted to an Ivy League school at a time when many did not believe they belonged there.

The Indiana Daily Student

Human nature subject of lecture

By Katrina Babin · Wednesday, March 1,2006 11:58 p.m.

The works of Frans de Waal attempt to explain human nature's sexual, violent and altruistic tendencies through a theory that incorporates chimps, bonobos (a type of ape) and a Nietzschean philosophy. De Waal, a Dutch primatologist elected to the U.S. National Academy of Sciences and the Royal Dutch Academy of Sciences, will give his lecture 'Our Inner Ape: What Primate Nature Teaches Us About Human Nature,' at 4 p.m. Friday in the Indiana Memorial Union's Whittenberger Auditorium.

The Indiana Daily Student

Organization 101

By Alyson Brodsy and Bryan Lufkin · Wednesday, March 1,2006 7:43 p.m.

Everyone is familiar with the age old axiom, "A place for everything and everything in its place." It's a friendly reminder that good order and organization allow us to function, with the peace of mind that clutter and inconvenience will not prevent us from living stress-free lives. The real question is: are today's students able to apply this bit of wisdom to the whirlwind of college life? "Cleaning my room is definitely my last priority," says freshman Becky Burns. "I usually put if off until it gets so bad that I can't find the things I need for class."

The Indiana Daily Student

All About Me:

By IDS staff and Alyson Brodsy · Wednesday, March 1,2006 7:17 p.m.

Kathy Cook is a freshman who writes news scripts for local non-profit radio station, WFHB, that airs on 91.3 FM and 98.1 FM. The station is mostly comprised of volunteers. Her favorite aspect of the job is a weekly segment where they profile Bloomington volunteer organizations, such as the local food banks. "I've been working there for years. The people there are great. It's such a fun environment to work in, the news side, because it's so fast-paced."

The Indiana Daily Student

Pilot this column

By Alyson Brodsy and Doug Evans · Wednesday, March 1,2006 7:14 p.m.

When our generation was young, it must have been much easier to get a strong idea made into a TV show. In the late '80s to early '90s, you didn't necessarily need a big name Charlie Sheen-caliber actor attached to star, there were no over-the-top reality shows making it more difficult for "in house" shows and creators didn't have to be so darn creative. Heck, in 1989, NBC gave financial backing to "Seinfeld," a self-admitted show about nothing. In those days, a simple yet logical idea was all it took to bump a show from treatment to pilot to prime time.

The Indiana Daily Student

Classic film, mediocre DVD treatment

By Alyson Brodsy and John Barnett · Wednesday, March 1,2006 7:13 p.m.

John Schlesinger's "Midnight Cowboy" was the first modern film to win Oscar's Best Picture prize. Before 1969, Oscar was still honoring musicals and old world celebrations like "Oliver!," "The Sound of Music," "My Fair Lady" and "West Side Story." After "Midnight," films like "The French Connection," the first two "Godfather" films, "One Flew Over the Cuckoo's Nest" and "The Deer Hunter" became prime Oscar bait. If Schlesinger's tale of awestruck Texan Joe Buck and his common trials and minor triumphs in New York City boasts one major accomplishment, it's that it goaded popular cinema into wising up and joining the real world, ushering in a decade of brutally honest films before the '80s hit us like a candy-coated hurricane.

The Indiana Daily Student

Proof that this film works

By Alyson Brodsy and Josh Garfinkel · Wednesday, March 1,2006 7:11 p.m.

"Proof" is a singular film. From the outset, it is well acted, the plot is compelling and the story line pulls at the audience and doesn't stop. Adapted for the screen by the same playwright who authored the Tony-winning play, the film version demands impressive performances by the small, tight-knit group of actors. Gwyneth Paltrow, Jake Gyllenhaal, Hope Davis and Anthony Hopkins all deliver powerful and even award-nomination-garnering performances (Paltrow was nominated for a Golden Globe for her role).

The Indiana Daily Student

Dr. McDreamy, cast deliver

By Alyson Brodsy and Maggie Bozich · Wednesday, March 1,2006 7:08 p.m.

Before this past weekend, I had only seen three episodes of "Grey's Anatomy" and those episodes were at the recommendation of some of my girl friends. I think they got sick of me calling every Sunday night at 10 p.m. to recap my weekend. After seeing those, I was feeling a little left behind and out of the loop, so I finally broke down and bought the first season on DVD. Huge mistake because after I watched one episode I was hooked and spent the entire weekend engulfed in the smart hospital drama, instead of studying for my tests.

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