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Wednesday, May 20
The Indiana Daily Student

IUSA


The members of Deerhunter have let all their individual skills star on their newest release.

A different kind of animal

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Deerhunter prove their ability to still be accessible with Microcastle. Bradford Cox may be one of the better-known musicians of the band, but Deerhunter have rightfully asserted themselves as a capable entity.


By sophomore Alena Johantgen.

Eliminate the negative

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Amateur photographers say digital cameras make their hobby easier, but some still prefer the intimacy of manual cameras.


Kaiser Chiefs have delivered yet another strong album.

Off with heads, on with greatness

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This Leeds, England, group has concocted an assortment of energetic and up-tempo songs for this album, which makes the music sound much more up-beat and happier than all of their previous releases.


The Cure: still a bit weird after all these years.

Just like a dream

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Aside from a slight production sheen, The Cure don’t sound like they’ve aged a day since 1987. Although this could be considered stunted growth, it marks a comforting return to their creative peak.


Pink isn't laughing anymore.

Not your typical ‘Funhouse’

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Although Pink might never be able to shake her bad girl reputation, she has found a way to incorporate her signature voice and in-your-face lyrics to expose a more vulnerable side of herself.



Snow Patrol have expanded their sound even more.

Sunny and subtle

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Although their popularity has increased dramatically with their previous two releases Final Straw and Eyes Open, A Hundred Million Suns should make them even more accessible to audiences worldwide.



This photo is creepy on so many levels.

Jenna Jameson movies from porn to zombie porn

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If you’re looking for a formal movie that will amaze you, “Zombie Strippers” will not fit that role. But it will make you think about the government while watching somewhat of a zombie porno. And I’m not sure life gets any better than that.


Decorating your studio with Christmas lights makes for brilliant recordings.

Adams gets country rock down to a science

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You won’t hear anything new with Cardinology, but the album is another signature effort for Ryan Adams. While those older fans won’t be amazed, the album would be a great starting point for those who are unfamiliar with Adams’ 12-year event-filled music career.


Evolving never sounded so good.

'Evolver' extends the legend

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Before you pop in a John Legend album, you count on hearing a few things: beautiful, effortless vocals; superior lyrics and good ol’ sweet, baby-making music.  Evolver lives up to these standards.


Local bands shine on EP

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Bloomington music lurks in basements. Red Solo cups waving through the air, it’s not just jungle juice that drives scene – it’s the bands that emerge from the underground.Prizzy Prizzy Please and Push-Pull are two of the B-town bands that went from the Statehouse (a popular basement venue) to the Bluebird and then throughout the Midwest, spreading this college town’s nerd-electro-dance-rock gospel.




This movie is nothing more than a vehicle for Chace Crawford's hotness.

Horror for ’tweens fails again

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With its predicable plot (save the somewhat surprise ending) and the young actors walking through their roles, the burden of the movie’s success factor is on first-time director Mickey Liddell, who gets an A for effort but an F for execution.


It's like "The Wire" without McNulty.

Ritchie’s new film is ‘Rockn’

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It’s entertaining, with an ending that does turn out to be remarkable and stylistic. But it could be so much more. With the same old story, it doesn’t have much that stands out.



Clint Eastwood may be a better director than he was an actor.

Eastwood shines again

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“Changeling” attacks the structure of power, one in which police were ordered to cover things up and imprison troublemakers without cause. Though Christine Collins' search yielded no solace, her struggle is one that needed be told.


Borrowing from Judd Apatow has reinvigorated Kevin Smith's career.

Filth, nudity and heart

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With an amazing cast from both Smith’s own movies and the more recent Apatow hits, Smith has made a standout film for a demographic becoming increasingly jaded by lackluster films attempting to be the next “Superbad” or “Anchorman” (I’m looking at you, “Pineapple Express” and “Step Brothers”). Where those movies fell, “Zach and Miri” stands strong– for those with the stomach to handle it.