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The Indiana Daily Student

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So...pretty good

By C. Warner Sills and Brian J. McFillen · Wednesday, Nov. 29,2006 12 a.m.

Perhaps it's due to the extensive marketing for their (supposedly disappointing) compilation, Stop The Clocks, but with every listen to ...And You Will Know Us By The Trail Of Dead's So Divided, I can't help but think of Oasis. It's not that the two sound similar per se. Rather, with So Divided, Trail Of Dead seem to have taken Oasis' road to success (for better or worse): forget originality, artistic merit or profound lyrics; just crank out visceral, well-crafted, satisfying rock that the listeners will like. Thus, before purchasing So Divided, you should consider where you fall in this dichotomy (don't worry -- there's no right answer).

Popcorn and JC

By Chris Wisner and compiled by Chris Wisner · Wednesday, Nov. 29,2006 12 a.m.

Perhaps the best thing about going into the theater to see "The Da Vinci Code" this past May was the fact that I had never read the novel. I simply couldn't buy into the hype; a book that was seemingly being read by one out of every five people, and an even scarier ratio, that one of out of every 50 probably thought the damn thing was real, despite its place on fiction shelves in bookstores worldwide. I also knew walking into the film that I just wanted to be entertained and have some fun, the likes of which can be provided by the "Indiana Jones" series.

Kramer v. Kramer:

By C. Warner Sills and Associated Press · Wednesday, Nov. 29,2006 12 a.m.

Comedian Michael Richards said Sunday he did not consider himself a racist, and that he was "shattered" by the comments he made to two young black men during a tirade at a Los Angeles comedy club. Richards appeared on the Rev. Jesse Jackson's nationally syndicated radio program, "Keep Hope Alive," as part of a series of apologies for the incident. He said he knew his comments hurt the black community, and hoped to meet with the two men. He told Jackson that he had not used the language before.

Cinema is the road to awe

By Chris Wisner and compiled by Chris Wisner · Wednesday, Nov. 29,2006 12 a.m.

The critics are divided, people are screaming out words like "pretentious" and "too ambitious," and despite all of this, I think people missed the point of director Darren Aronofsky's third outing, "The Fountain." I am not one of these Aronofsky-philes; those who have seen "Pi" and "Requiem for a Dream" and continue to shout praises. I enjoyed "Pi" quite thoroughly, and while I recognize the importance of a film such as "Requiem," I cannot ignore the fact that I find much of it grotesque and desire to take a dozen showers after watching it. But in the realm of the aforementioned works, "The Fountain" is a film that completely stands alone with no resemblance to Aronofsky's previous exploits other than his usage of obsession.

'Happy Feet' doesn't foot the bill

By C. Warner Sills and Sean Abbott · Wednesday, Nov. 29,2006 12 a.m.

I won't lie. I'm a sucker for anything cute. Once a critter's eye-size-to-face ratio reaches a certain point, I'll follow it anywhere, giggling contentedly as I go. I'm like a Catholic schoolgirl. Or I was, until I saw "Happy Feet." Do not be taken in by the lies, my friends. Do not be swept away by the singing and the dancing and the pretty penguins, or even by the Robin Williams, for the sad truth of the matter is that this movie has little going for it besides fancy computer animation and bouncy, flightless waterfowl.

The 'Doctor' is in

By Eamonn Brennan · Wednesday, Nov. 29,2006 12 a.m.

On 2005's The Documentary, The Game became known for a few simple things: (1), a fantastic understanding of what made a rap song viscerally enjoyable; (2), the backing of OG Dr. Dre and New G 50 Cent, and (3), a tireless desire to name-drop anybody and everybody related to the rap game. Those combinations made The Documentary listenable, but not legendary; The Game, even in his first album, seemed far too comfortable in the clutches of Dre and 50 to produce anything serious or exciting. It was an entire album of by-the-numbers gangsta rap in desperate need of rebellion.

Rock Showdown

By C. Warner Sills and Amanda Lowry · Wednesday, Nov. 29,2006 12 a.m.

A few years ago, publicizing a concert meant posting a million fliers to telephone poles, getting ads in local newspapers and telling your friends to come via word of mouth. Today, it also means posting MySpace with messages, getting videos on YouTube and spreading the word via E-mail mailing lists. Telecommunications professor Mark Deuze is thrilled about this shift in advertising, and he wants his students to see its potential for innovative marketing strategies.

Love 'Love?' Can you match it?

By C. Warner Sills and Zack Teibloom · Wednesday, Nov. 29,2006 12 a.m.

I've always found "Octopus' Garden" to be a pretty average song. I mean, as far as Abbey Road goes. Then I heard the version on Love. Slowed down and mashed up with "Good Night," all of a sudden, Ringo sounds majestic. And perfect. It's moments like this and the seamless transition from Rubber Soul classics "Drive My Car" to "What You're Doing" to "The Word," all in one track that make this the most important Beatles release in over 30 years. Love is the perfect word for this compilation album. George Martin -- "the fifth Beatle" -- has done it again. It's not a best-of Beatles love songs collection or a re-hash of old songs like the Beatles 1 album. It's a mash-up, similar to what Danger Mouse tried to do when he created the Gray Album, which combined Jay-Z's Black Album with the Beatles' White Album, only ... this one is good. Really good. And who better to take on the imposing task of messing with the master tapes of all-time classic Beatles songs than Martin, with help from his son Giles?

Rice delivers masterpiece in sophomore album

By C. Warner Sills and Patrick Hurley · Wednesday, Nov. 29,2006 12 a.m.

Like many music fans, I was curious to check out Damien Rice's debut, O, back in 2003, having heard some good things about it. After giving Rice a chance and understanding what type of music he is attempting to create, I liked what I was hearing.

The Indiana Daily Student

Kinsey Confidential

By Alyson Brodsy · Tuesday, Nov. 28,2006 11:45 p.m.

Q: My girlfriend and I are both virgins. I want to have sex with my girlfriend but she is afraid of getting pregnant. I told her that I will use condoms during sex. My question is, if I am using condoms and if I ejaculate in the condom when my penis is in my girlfriend's vagina, is there any chance of getting her pregnant? Thanks for your time.

The Indiana Daily Student

Chicago holiday bazaar stirs controversy

By Alyson Brodsy and Don Babwin · Tuesday, Nov. 28,2006 11:40 p.m.

CHICAGO -- A public Christmas festival is no place for the Christmas story, the city says. Officials have asked organizers of a downtown Christmas festival, the German Christkindlmarket, to reconsider using a movie studio as a sponsor because it is worried ads for its film "The Nativity Story" might offend non-Christians.

The Indiana Daily Student

Internationally known horn player takes professorship at music school

By Katie Ingmire · Tuesday, Nov. 28,2006 11:36 p.m.

From a pig farm in western Canada to the bright lights of Broadway, Jeff Nelsen's French horn talent has taken him all over the world. Now the internationally known horn virtuoso has taken a position as an associate professor of music at IU's Jacobs School of Music. Nelsen is currently a visiting associate professor in the school, and he said spending time in this role made the decision to take the faculty position easy.

The Indiana Daily Student

SPEA professors joins EPA advisory board

By Nadia LaMantia · Tuesday, Nov. 28,2006 11:32 p.m.

Longtime IU faculty member Jim Barnes has been appointed chair of the Environmental Protection Agency's Environmental Financial Advisory Board. Barnes is a professor in the School of Public and Environmental Affairs and the IU School of Law.

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