COLUMN: Weyes Blood paints celestial soundscape on ‘And In The Darkness, Hearts Aglow’
YesterdayThe singer’s fifth studio album is airy and heartfelt, using consistency to its advantage.
The singer’s fifth studio album is airy and heartfelt, using consistency to its advantage.
Here are some reviews of the big-name films this year.
The live album was recorded at the Guggenheim as part of an exhibit in 2011.
The rap duo opened their work up to remixes to mixed effect.
The film comes two years after the passing of Chadwick Boseman.
The new show improves on the 1994 film based on the same novel.
The “SuperMega” co-host has been making comedic music for YouTube since 2014.
Pop duo Coco & Clair Clair expand on their playgirl aesthetic with their sophomore album.
“My Policeman” is a tired tale of forbidden love that’s been done many times before.
This is Henry Selick’s first film since 2009’s “Coraline.”
The “Lord of the Flies” style satire won the Palme d’Or at the Cannes Film Festival.
The singer hadn’t released a full album of original music since 2015.
The duo’s newest EP brings minor but exceedingly promising changes.
This release is the final two parts of a four-act album.
Paul Mescal shines in Charlotte Wells’s debut loosely based on her own life.
Taylor Swift’s vulnerability on her tenth studio album only strengthens her relatability.
The smooth falsetto of frontman Alex Turner coats "The Car" in silky soundwaves.
The final film in the Halloween saga was released Oct. 14 in theaters and on Peacock.
The Beths’ songs are upbeat, their lyrics are depressing and their third album is incredible.
The singer-songwriter’s fifth solo album continues her push into punk rock territory.
Solutions by The State News