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Tuesday, Dec. 9

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Film

COLUMN: How the SAG Awards are making strides to recognize the vital people in the film industry

By Sophie Albert · Wednesday, Feb. 5 3:14 p.m.

By recognizing performances like stunt ensembles, the SAG Awards are championing undervalued positions.

COLUMN: ‘Companion’ just can’t seem to take itself seriously — and that’s a problem

By Joey Sills · Wednesday, Feb. 5 3:11 p.m.

Drew Hancock’s film is much too ironic, almost to the point of self-deprecation.

COLUMN: ‘The Seed of the Sacred Fig’ is a powerful work of protest

By Joey Sills · Tuesday, Feb. 4 4:27 p.m.

Mohammad Rasoulof’s film is a stark depiction of the extent of state violence.

COLUMN: Love is in the air and on the screen

By Ursula Stickelmaier · Sunday, Feb. 2 3:14 p.m.

Romance movies to get you in the Valentine’s Day spirit.

COLUMN: The Criterion Collection is a testament to film’s importance

By Joey Sills · Sunday, Feb. 2 12:19 p.m.

The company has released and conserved important films for over 40 years.

COLUMN: Why the use of AI in movies is a big deal

By Sophie Albert · Sunday, Feb. 2 12:13 p.m.

Oscar nominated films like “The Brutalist” open the argument of AI’s place in cinema.

COLUMN: ‘Kinsey,’ a biographical period piece, remains especially relevant

By Joey Sills · Saturday, Feb. 1 12:52 p.m.

The Buskirk-Chumley Theater screened the film Thursday night.

COLUMN: A successful experiment in form can’t save ‘Presence’

By Joey Sills · Monday, Jan. 27 6:30 p.m.

Steven Soderbergh’s supernatural thriller is unique but unengaging.

COLUMN: David Lynch’s visions of America

By Joey Sills · Thursday, Jan. 23 1:04 p.m.

The acclaimed filmmaker and visual artist died Jan. 15.

COLUMN: ‘Sing Sing’ beautifully shows the power of creativity and vulnerability

By Sophie Albert · Wednesday, Jan. 22 9:32 p.m.

The stunning film exemplifies the transformative power of Rehabilitation Through the Arts.

COLUMN: ‘Wolf Man’ is a typical, dull January horror film

By Joey Sills · Tuesday, Jan. 21 4:18 p.m.

Director Leigh Whannell’s reboot is an uninteresting, predictable mess.

COLUMN: Brady Corbet’s staggering epic ‘The Brutalist’ delivers on all fronts

By Joey Sills · Monday, Jan. 20 6:07 p.m.

The film, starring Adrien Brody, is perfectly crafted for the theater experience.

COLUMN: Behind A24’s rise to Hollywood acclaim

By Sophie Albert · Monday, Jan. 20 3:19 p.m.

A24 has been redefining the film industry with its one-of-a-kind films.

COLUMN: 10 original films to look forward to in 2025

By Sophie Albert · Thursday, Jan. 16 10:35 a.m.

In a sequel-heavy year, here are some distinctive movies coming to break the mold.

COLUMN: Pamela Anderson is a revelation in ‘The Last Showgirl’

By Joey Sills · Thursday, Jan. 16 9:01 a.m.

Gia Coppola’s film is an imperfect, but earnest, look at working-class America.

COLUMN: ‘The Brutalist,’ among others, expected to win big at the Oscars

By Joey Sills · Tuesday, Jan. 14 12:53 p.m.

Here are the films likely to receive the most enthusiasm this awards season.

COLUMN: 2024 films: a year of sequels

By Sophie Albert · Thursday, Dec. 19,2024 12:55 p.m.

With the top 2024 films being sequels and adaptations, originality is becoming rare.

COLUMN: Do movie stars still exist?

By Halie Jasinover · Sunday, Dec. 15,2024 9:25 a.m.

Has Hollywood evolved from the movie star system?

COLUMN: The ‘best’ bad movies of 2024

By Ursula Stickelmaier · Wednesday, Dec. 11,2024 6:40 p.m.

These movies are so bad, we have to laugh.

COLUMN: Must-see movie musicals for ‘Wicked’ fans

By Halie Jasinover · Wednesday, Dec. 11,2024 2:07 p.m.

You and these musicals deserve each other.

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