What's in the frame
When describing his life's work, director Martin Scorsese once made the astute observation that cinema is "a matter of what's in the frame and what's out." After seeing his latest masterwork, "The Departed," thrice already, I think I can better understand what he meant. Don't fret. This is not a glowing review of "The Departed" from a longtime Scorsese devotee. I'll leave that to my esteemed colleague in this issue's Reviews section. This is, however, my attempt to decipher what exactly makes Martin Scorsese, after more than 20 feature films and 40 years in the business, the greatest American film director alive today.

