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Upon hearing the phrase "great American musical," it used to be that one's mind immediately went to Rodgers and Hammerstein shows, such as "South Pacific," or Frank Loesser's works, like "Guys and Dolls." These plays celebrated the happy-go-lucky idealisms of 1950s America. Guy meets girl, guy loses girl and of course, guy gets girl in the end. The audience wouldn't have it any other way.

