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Friday, May 1
The Indiana Daily Student

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The Indiana Daily Student

Pretty good aim

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The Blow are an electro-pop outfit comprising Khaela Maricich and Jona Bechtolt. As a follow-up to their acclaimed album Paper Television, this twosome has re-released some of their earlier work. Poor Aim: Love Songs was originally released in 2004 as a limited release EP that only had a run of 700 copies.


The Indiana Daily Student

Revisionist history is a slippery slope

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In response to, as an IU alum living in the South, I often hear about the political correctness of removing such symbols of historic fact, tradition and heritage, such as “Rebel” mascots or Confederate flags. While some of the ideals that those symbols may represent are not enlightened, there is no disputing the fact that they are a significant part of history, some of which is good and honorable. Should we deny the past and remove any symbol that represents ideals with which we disagree? If so, then let’s remove all signs of Christianity as it represents the Crusades. Same for the Jews and the Muslims. Let’s abolish all things Middle Eastern, German, Japanese, English, American Indian, Chinese, Mexican or Spanish. Gays and gay-bashers. For all of those represent current or historical views which certainly are not in step with today’s America. For that matter, half of America disagrees with the other half on most issues and would not be able to agree on what is “best.” When I started to write this note, I was writing to agree. But as I thought through it, it seems like a very slippery slope. Racism is ugly and brings with it a long history of ugly. Let’s not ignore it, or we’ll forget it. My suggestion would be to add a plaque underneath the Wildermuth sign, as a tribute to Coffee, and tell the story of his role in the integration of IU, in the context of the story you just wrote. Agree with me or not – I applaud your column, and am glad you raised the issue to the attention of folks today. I graduated 22 years ago, and I never knew the “rest of the story.” Martin Coyne Alumnus



The Indiana Daily Student

RPS seeks online housing feedback

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Lounge housing in the fall? The possibility of it still looms for students living in residence halls next year. Now that the new Residential Programs and Services online housing system is closed for registration, RPS is looking for feedback from students.




Geoffrey Miller

Vinnie Chase is back, baby

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Season 3 was the year that launched "Entourage" from a popular cable show to full-out pop culture phenomenon. By the time you read this, the second part of Season 3 will have already started (still not sure why HBO decided to split the season), but just in case you're still not caught up, go and rent these 12 episodes. This set picks up as movie star Vincent Chase's first big blockbuster, "Aquaman," is released. The film is a huge hit and breaks "Spider-Man's" opening weekend record (which itself was, in real life, broken by the second "Pirates of the Caribean" a month after this episode originally aired) and Vince and company deal with the film's crazy success while trying to find a new project.



The Indiana Daily Student

Foot-in-mouth syndrome

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People say stupid things a lot. But when people say stupid things on national television and radio, it gets noticed. That’s what happened last week when syndicated radio host Don Imus made racially charged comments on his show — which, in addition to being aired on radio stations around the country, is simulcast on MSNBC. When discussing the NCAA women’s basketball national championship game, Imus and his co-hosts commented on the looks of the runner-up Rutgers team. Imus claimed they look like “rough girls” and called them “nappy-headed hos.” He also said the Rutgers team looks like the Toronto Raptors, whatever that means.


Forget about Stacie's Mom

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In 2003, Fountains of Wayne hit it big with the ultracatchy MILF anthem, "Stacie's Mom," transforming them from indie pop darlings into one-hit wonders. Now four years later, FOW put out their follow-up to Welcome Interstate Managers and their fourth album in their 11-year career, Traffic and Weather. The worldwide exposure the band has experienced has had no affect on their sound, sticking to their throwback power pop routine. While Traffic may not provide another mega hit, it is a likeable album from a band that has worked for more than a decade perfecting their pop.


Courtesy Photo
John R. Armstrong as Guido is surrounded by women during the Department of Theatre and Drama's prduction of "Nine, the Musical" at the Ruth N. Halls Theatre.

‘Nine, the Musical’ ends IU theater season

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The musical opening Friday at the Ruth N. Halls Theatre will take its audience somewhere outside of reality, says graduate student John Armstrong. Tony Award-winning “Nine, the Musical” follows the story of an Italian film director named Guido Contini, played by Armstrong. The musical is based on Federico Fellini’s Italian film “8 1/2.”


The Indiana Daily Student

Unjust punishment

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Immigration continues to be a hot topic for lawmakers across the country, particularly when it comes to services or resources that illegal immigrants are supposedly unjustly “stealing.” For example, according to The Chronicle of Higher Education, lawmakers in at least 22 states are considering legislation that would affect in-state tuition at public institutions for illegal immigrants. Some states want immigrants – legal or not – who graduate from high schools to pay in-state tuition. Other state legislatures hope to ban that benefit.


Rose McGowan and Marley Shelton are looking good and ready to kill zombies.

Two for the price of one

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Back in the 1970s, 42nd Street in Manhattan, N.Y., was the place to be if you wanted to see exploitation cinema at its finest. Whether it be the latest Swedish sex-bomb porno, blaxploitation or women-in-prison flick, the theaters populating the infamous street had it all. And thanks to Robert Rodriguez and Quentin Tarantino's "Grindhouse," an homage to the sleazefests of old, you can finally experience exploitation cinema in a theater where the seats aren't terrible and the floor is only sticky from popcorn butter. But I'm not here to sing the praises of QT's segment -- I'll let fellow critic John Barnett elaborate on the wonders of "Death Proof."


The Indiana Daily Student

All the world is a stage: especially NYC living rooms

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NEW YORK – The air is filled with uncertain expectancy as purple-haired 20-somethings, urbane 50-somethings and those in between stream into the loft. The 40 or so people exchange smiles without quite mingling. Some head for the pingpong table, while others put on lipstick or pull beers from the fridge. One man tries to gauge the loft’s occupants by decoding the post-collegiate minimalist decor: an entry-level sofa with a beanbag chair, utility shelves supporting books that range from Grisham to Nietzsche.


The Indiana Daily Student

LIVE FROM THE BEEHIVE

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The muscle behind Culture Shock No doubt you've heard that WIUX's Culture Shock is going to be amazing. You've heard about the incredible lineup, the sponsors, the venue and maybe even some of the drama surrounding the location of the festival. But what actually goes into planning a festival so mind-blowingly wonderful? What does it take for a college radio station to put together a 12-hour day of music with bands from all over the country (and one from Canada)? A lot.


Ever wanted to see Kurt Russell get his ass kicked by girls? See 'Death Proof.'

Tarantino revs his engine

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There's a single scene in Quentin Tarantino's "Death Proof" that's worth the entire price of admission to the 200-minute experience that is "Grindhouse." Hanging out on the back porch of Guero's, an Austin, Texas, dive where Joe Tex and Pacific Gas & Electric are jukebox regulars, Kurt Russell's Stuntman Mike sizes up his nubile, young female victims by sweet-talking one of them into a lap dance. The dialogue is pure Tarantino, and the mood is so tense that you could hear a car start in the theater parking lot. Later, when Mike dismembers and shaves the faces off the ladies with his death-proof stunt car, it's shocking not because of the gore but because the first half-hour of "Death Proof" actually made us care about Mike's doomed victims.


Music equals drowning puppies

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A Hundred Miles Or More is an odds and sods collection of songs that Alison Krauss has contributed to soundtracks, duets from other artists' albums and five previously unreleased tracks -- thus, the fact it's inconsistent is a given. Indeed, the only real constant is the sheer loveliness of Krauss' voice -- sweet and smooth and unpretentious, it elevates every song (even those that don't deserve it). Well, her voice, and that most of the tunes are incredibly depressing. To steal a Futurama joke: "Is there anything sadder? Only drowning puppies -- and there'd have to be a lot of them." So, what tracks should you buy from your favorite (legal) download service and what should you leave behind?