Nalgene bottles to bring discounts
The Residence Halls Association and Council for Environmental Stewardship have teamed up to bring students another way to conserve waste.
The Residence Halls Association and Council for Environmental Stewardship have teamed up to bring students another way to conserve waste.
This April, Dunn Meadow will be filled with swords, maidens and jesters as IU takes a step back into the past. A group of IU students has created a club dedicated to putting on a Renaissance fair at IU this spring, to be held April 15, in what the group members refer to as "the village of Dunnston Meadow."
While most students and Bloomington residents were gearing up for the men's basketball game versus Duke Wednesday night, I was at the IU Auditorium witnessing the best dance show in the world, literally.
Thirty different holiday plays, featuring everything from a gun-toting Santa Claus to God paying a humorous house call, opened Thursday night at the Bloomington Playwrights Project, 107 W. Ninth St.
The Department of Theatre and Drama has tackled everything from murder to gay parenthood this fall, and now it will close the semester with the intimate play "Wit," a Pulitzer Prize-winner by Margaret Edson opening at 7:30 p.m. Friday in the Wells-Metz Theatre.
At only 20 years old, Scarlett Johansson is already a veteran of the film industry. Her upcoming film, "Match Point," marks the beginning of a working relationship with Woody Allen, but also a return to the art films that established her career. Between promoting "Match Point" and filming Allen's next film, "Scoop," Johansson took a few minutes to talk with WEEKEND.
For nearly 50 years, French director Jean-Luc Godard has changed the way we look at cinema. From his early beginnings as a film critic for Cahiers du Cinéma, it was only a matter of time before Godard and fellow critics such as François Truffaut ("The 400 Blows"), Eric Rohmer ("My Night at Maud's"), Jacques Rivette ("Paris is Ours") and Claude Chabrol ("Le Beau Serge") all entered the world of filmmaking, ultimately trumpeting the arrival of the French New Wave.
As 7 p.m. approaches, the last few people straggle into screening room 251 of the TV and Radio Building and sit in the available seats. A man in a khaki coat approaches the audience and welcomes them to the weekly City Lights film series. He announces tonight's presentation is Robert Altman's 1975 film "Nashville" and discusses what films will screen in the weeks to come. The lights go down and clicking noises comes from the back of the room. It's coming from the projector and it's a noise today's moviegoers are no longer used to hearing.
It's official. The best sitcom on television has been cancelled, and "Family Guy" is still littering the airwaves. The third season of "Arrested Development has been cut short from 22 to 13 episodes by the Rupert Murdoch-owned Fox network, and "Yes, Dear" and "According to Jim" are still thriving. Yes, Freddie Prinze Jr. and Kelly Ripa still have sitcoms, but David Cross, Jeffrey Tambor and Will Arnett are about to be out of their jobs. I lament.
Every so often, Sony's in-house game developers cough up a polished gem, "God of War" being a recent example, that puts most other games out at the time to shame. Their latest epic offering is "Shadow of the Colossus," which follows a nameless warrior and his brave steed on a quest to destroy the mythical creatures that inhabit a beautiful but cursed land devoid of any humans except our warrior and his recently deceased lover.
When Satoru Iwata, the president of Nintendo, delivered his keynote address at E3 2005, he demonstrated Mario Kart DS to punctuate Nintendo's emphasis on innovation and fun as opposed to impressive hardware specifications. But as I watched his speech, I wondered just how a new iteration of a franchise that hasn't missed an entry in each successive Nintendo console since the SNES could bring anything interesting to the table -- especially on the heels of the only lukewarm and largely superficial innovations of the GameCube's Mario Kart: Double Dash.
Directing duo Michael Powell and Emeric Pressburger's love affair with cinema and the stage knows no bounds, especially when it came to conducting Jacques Offenbach's opera "The Tales of Hoffmann" for the screen in 1951. Captured in vivid Technicolor with a cast of epic proportions, "Hoffmann" is yet another high point in the careers of two of England's finest filmmakers. Dreamer Hoffmann (Robert Rounseville) is surrounded by drunken bar mates as he waxes poetic about a fantasy trip across Europe in search of love as told in three acts.
No more cute and cuddly extra-terrestrials for Steven Spielberg. His latest take on visitors from space, based on H.G. Wells' 1898 sci-fi novel, finds "E.T." and the "Close Encounters" aliens taking a back seat to a race of invaders bent on vaporizing every human on Earth and fueling themselves with our blood. Roy Neary and Elliott beware. From a technical standpoint, "War of the Worlds" is Spielberg's most accomplished film since "Saving Private Ryan" (narrowly surpassing "Minority Report").
Nearly ten years have passed since the original "RENT" debuted on Broadway, and now, it's gathering momentum as an old and new favorite among many people. A soon-to-be, if not already, beloved musical, "RENT" was written by Jonathan Larson and in 1996, it went to Broadway. If you begin listening to the soundtrack and expect it to sound something along the lines of "Chicago" or "Les Mis," you'll be greatly surprised. "RENT" is a rock opera, and Larson's lyrics amplify the theme of love. Based on Puccini's "La Bohème," the musical, movie, and lyrics are about love and making it through life with the most miniscule resources.
Picking up from where last May's installment left off, System of a Down commence part two of their double disc oeuvre, Mezmerize/Hypnotize, with "Attack!", a literal attack on our fragile ears. Vocalist Serj Tankian's atonal yelps fade in and out as guitarist and songwriter Daron Malakian's more radio-friendly voice chimes in on the leisurely bits. Meanwhile, bassist Shavo Odadjian and drummer John Dolmayan mostly try and match pace with the dueling leads. System of a Down has never been shy about employing complex prog-rock song structures on most of their tracks, which makes it all the more surprising that Hypnotize is the more immediately accessible disc of their 2005 output.
The Queens of the Stone Age's live CD/DVD Over The Years and Through the Woods, released November 22nd, came a short eight months after the band's fourth studio album Lullabies to Paralyze. The first QOTSA's album since bassist and co-founder Nick Oliveri's departure from the band, Lullabies peaked at No. 5 on the Billboard charts and proved that frontman and guitarist Josh Homme was completely capable of leading the band himself.
Returning once again to her roots, Madonna again surprises the world with a CD worth listening to. Flaunting the title "diva" in more ways than one, she co-writes and co-produces every single song on the album. Madge takes over the airwaves with her new single, "Hung Up." It's the first single from the album, and one of the most memorable songs you'll ever hear. Borrowing music from ABBA's "Gimme Gimme Gimme," this song will keep dancers and clubbers wanting more.
Are you a Basket Case? Does the word "Dookie" excite you? Have you ever classified yourself as an "American Idiot"? If any or all of these words mean something to you, then you should be all already familiar with the crazy antics of Green Day.
The charm of the "Harry Potter" series is that they bring to life what so many have read. "Harry Potter and the Goblet of Fire" is certainly no exception, but as the fourth movie in the series had to pack 734 pages of story into a little more than two and a half hours of film, imagination takes a back seat to sheer plot-driven action. The first 200 pages of the book go by in the first 10 minutes of the film.
After filling my belly with a load of mashed potatoes and cranberry sauce, I took myself to the movies! Admittedly, I entered the theater with a bit of hesitation. This was one of my favorite musicals being brought to the big screen. I own the original cast recording, had seen the show live and have been known to randomly burst into "One Song Glory." I love film, and I love theater, but that does not mean I think they should always get together.