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(01/27/05 5:29am)
I know I have barked about picking up fashion trends the masses have adopted, but I have to confess I bought a pair of furry boots and I love them. \nI had to buy them; I couldn't help it. I remember the day I saw my boots, I was flipping through the November 2004 issue of Instyle and I came across the shoe guide. I flipped through several pages and then saw a page full of boots that fit the suede/furry boot trend many of us see on campus every day. \nAs soon as I saw the "Mary" boot from S. Edelman, I fell in love. It was a unique boot -- all fur with a suede heel and suede straps that wrap around the shaft. When I called customer service, the representative told me where I could find these boots. When I finally bought them I didn't know how to get them on. The laces proved to be a challenge considering they laced around the Velcro opening. I almost ruined them trying to fit my feet into them. I was so excited that I left the huge box in the middle of the living room for the rest of the night, while I walked around the apartment in my new boots. \nOf course, when I returned to school I was elated that no one else was wearing my boots, until the worst thing happened. I was prancing around the newsroom one day when my ex-boyfriend, always the bearer of bad news, said he saw someone with my boots on. Then someone came up to me and said a fellow IDSer had the exact same boots, which she bought in London. I could have died. Not that it is a big deal, but I hate it when someone so close to me is wearing what I am wearing. Not only that, but her boots are cooler because she got them in London. It may sound crazy, but anyone in the fashion crowd knows getting shoes overseas gives it an automatic step up over anything bought in the States, Yes it's silly, but it's the exoticism of it all. \nMy boot woes continued when I saw an arts writer in the Union, and he began talking about how funny all the women on campus look in their furry boots. I quickly showed him my boots, and said, "I like my furry boots. I think they are cute." \nHe wasn't convinced.\n"They look like Eskimo shoes," he said. "All the girls on campus have turned into Eskimos."\nThen, fully equipped with a wooden sword he said, "I am Thor!" \nI burst out laughing at his reference to a heroic comic book character when describing how the women on campus look in their boots -- Vikings aren't the fashion icons we try to replicate.\nAs we sat outside of Sugar & Spice, I watched women passing by wearing everything from UGGs, Steve Maddens, Polo and j.crew boots. And I couldn't help but laugh. Yes, we do all kind of look like Eskimos, but Eskimos with style. \nSome people might think it's too late to invest in a pair of furry boots, but never fear. It is supposed to get very cold soon and they do keep your feet warm. You can by UGGs at laredoute.com, where the sale price is $200, an online exclusive. Among others, furry Edelman boots are sold at Zappos.com. The Polo boots are very beautiful and all fur, but they cost $1,500. You can find a cheaper pair at j.crew for about $250. \nFor the spring, invest in a pair of Wellingtons or rain boots. I can't wait to buy the herringbone wellies at j.crew and wear them with a skirt. Some people do not like the look, but in my opinion both wellies and fur boots look good with A-line skirts and denim mini skirts, which was a hot look among fashion editors and writers at September's Fashion Week. So, women, wear your warm furry boots with a skirt or tight black pants or cuffed jeans and a sweater. And if you can hop on a plane and buy them in London, then so be it.
(01/26/05 5:10am)
There are many ways to keep warm during the winter months, but the question on any college girl's mind is, "What can be worn out that will keep me warm but also give me sex appeal?" This season there are plenty of options with turtlenecks, wide-legged pants and everything that sparkles. \nA look that is in this season is the empire waist dresses worn as shirts with jeans. These work well at the bars, because it's in fashion, it's warm and feminine all at the same time. One such dress in the window of Urban Outfitters has proven to be a must-have this season for girls in Bloomington. \n"We have had a lot of girls looking at the empire waist purple dress," Jeffrey Hunsinger, a manager at Urban Outfitters said. "We only have a few a left."\nIf it is a really chilly night, experts suggest wearing a turtleneck underneath the empire waist dress. A brown turtleneck under a purple or pink dress works well, especially if the dress has sequins, says sophomore Laura Steichen, an apparel merchandising major and sales associate at Guess in Chicago. \n"I have seen brown paired with a lot of pastel colors for fall," Steichen said. "When we were getting our fall stuff in at Guess we got a lot of pink and purple paired with brown. Lilac and pale pink are in. I feel like purple is coming back." \nA-line skirts and denim skirts are in this season, too, and pairing them with tights or leggings can work well together. Hunsinger says the tights put a trendy spin on a more traditional collegiate look. \nHe also advises girls to wear leggings or tights for a warm, but fashionable look. Hunsinger says leather boots can be dressed up by putting leggings on the outside of the boots and wearing them over the knees and pairing that with a denim skirt. For something a little more fashionable, denim skirts paired with turtlenecks and sleeveless sweaters are a nice combination. Wear tights underneath with knee-high boots and the look is collegiate yet stylish enough for a night out. Try pairing denim miniskirts with Uggs, Steve Maddens or any pair of furry boots. The boots are more comfortable than stiletto heels and provide warmth for a night out in the winter season.\n"Take time to put a twist on your classics. The vintage jacket and denim skirt with gray tights and brown riding boots aren't an obvious match," designer Cynthia Vincent said in the October issue of Glamour. \nSteichen said girls are also wearing gaucho pants or cuffed capris with knee-high leather stiletto boots to combat the cold while staying in fashion. \nSteichen also said when it comes to partying in the cold, women should definitely have something that covers their arms when they go out. She has suggestions that may work: layering longer shirts are in now, and can be paired with a shorter shirt for a colorful layer.\n"Wearing longer tops to cover your waist and layering it over something with longer sleeves and a longer waist is good," Steichen said. "You can accentuate the front by pairing a light-colored top with a longer waist shirt and long sleeves with a shrug that ties in the front," Steichen said. \nHunsinger said denim is also a must for layering and denim jackets are always on a to-buy list for college girls. Of course not everyone is a fan of covering up from head to toe, so coats are necessary during the winter months. To avoid walking to bars bare-armed and goose-bumped, invest in a stylish yet warm coat. Try a knee-length satin jacket or a faux fur coat. Knee-length coats are good for going out to the bars during winter because you can pair them with a short skirt and it will not look too revealing. \n"Wear only one overtly sexy item at a time," said designer Nanette Lepore in the October issue of Glamour. \nIf you want to adopt a style for bar-hopping without looking layered try wearing a deep V-neck sweater with a pair of leggings and furry boots. Wearing the V-neck sweater backwards with a denim skirt, embroidered belt and furry boots is also a hot look. \nFor any girl, accessories are a must and adding big hoop earrings or chandelier earrings can add sparkle and glamour to any outfit. \n"Big watches, costume jewelry and anything that sparkles is in," Steichen said. "People are getting away with wearing four carats that aren't real. Broaches are also in, I wear a broach with everything." \nInvest in a pair of gloves with a fur trim or a fur hat. If you end up going out after work or class, Steichen suggests adding a pashmina-like scarf to your outfit. \n"People are wearing pashminas," Steichen said. "Definitely take one with you to the bars. Cashmere scarves with tight sweaters are good and warm. I know a lot of people wear only pashminas to the bars." \nTie a pashmina around your neck and let it hang to the front, Steichen says. The great thing about these scarves is that they come in so many different colors, so you can add a splash of color to any outfit.\nSo, no matter where you are going, experts suggest remembering the basics. Classics, leggings, a coat and sparkling jewelry will make you stand out in a crowd and look starlit against the snow.
(01/13/05 5:35am)
When Meenal Mistry Fashion editor from Women's Wear Daily, came to visit IU in 2003, she told me she could see there was an aesthetic sense among the students on campus. She said she thought the students on campus had their own sense of style and they were not as cookie cutter as other fashion school's students. I thought to myself, "'cookie cutter,' that's a good phrase." Actually it is a phrase that could describe what I have been seeing on campus lately. It's funny how a year changes things.\n"Cookie Cutter" is a way to describe someone who does not have a personal sense of style, those people who look like they walked right out of an Old Navy commercial and blend in with everyone else on campus. Of course, I am not bashing these people, but I will bash the "cookie cutter" ideal. Looking down on others because they don't dress like you and because you don't understand fashion is a no-no. There is nothing wrong with having your own sense of style, it is okay. I remember when I saw Meenal she had on a scarf, jumper pants, and a shirt and jacket that did not match but she pulled it off. It was her own quirky style and it looked good. \nThis year I plan to embrace my own quirky style a little more. It is weird being on a campus where almost everyone wears a Northface jacket and carries a Kate Spade bag. The college uniform of choice has become yoga pants, a head band and New Balance sneakers. There is nothing wrong with that, because comfort is essential, but it shouldn't be the only accepted style of dress. One should not feel a necessity to look like a cut-out from a magazine either. I love blazers and tuxedo pants, but when too many people start wearing them, when is the line between drone and unique crossed? On a college campus of 36,000 people might feel they have to dress a certain way to be accepted, but I disagree. It's better not to care about what other people think. \nI have been a victim of caring about what others think as far as my way of dress. There was a time when I only felt comfortable at home, but that is no longer true. I have realized I have a penchant for green, so now I embrace both it and my love for black, because it makes my butt look smaller. When I woke up Tuesday, one of the first things I reached for was my New Balances, but I just couldn't do it. I remembered Stephanie Bay, my Trends and Concepts in Fashion professor, who said too many stores and people are suffering from the "sameness disease." \nThis disease is spreading to too many clothing stores, where everything looks the same and you can't tell the difference. That did it for me! I went for my black and white checkered Vans that I got backstage at the Luella Bartley show. For some reason they looked so good with my black pants and green shirt -- I just had to wear them. As I walked around campus I felt proud because I had embraced my personal style; there are more things in my closet that are as quirky as the Vans and I want to wear to wear them. \nI used to get upset when people would gibe at my style, but now I don't care. As I take a look around I realize they all look alike. They might have adopted the latest fashion, but they don't have any style. Style is personal, it is something only you alone can figure out for yourself. One of my favorite dashionistas, Dena Downham, once said, "Don't you hate that you can't wear certain kinds of clothes on this campus?" I remember saying yes, but now I say "skip it." I will wear my leopord-print fur coat and she will wear her big fur coat and we will be examples of the anti-"cookie cutter" fashion, because it is like being on a bad acid trip when you see an army of cookies walking to class.
(09/10/04 6:01am)
NEW YORK CITY -- Fashionistas descended on New York City this past Wednesday for the Spring 2005 Olympus Fashion Week. This is the second year Olympus has hosted the event, and with it, they have brought many changes. \nThe week started off buzzing as Olympus along with coordinator Jacque Kelleher set aside room for the Olympus NCCRA auction press conference. Mayor Michael Bloomberg attended the conference. He warmly greeted visitors, thanking everyone for coming to Fashion Week.\nBloomberg then spoke about security concerns and the heightened Terror Alert because of the approach of 9-11's anniversary. He told the crowd that no one should worry. The mayor used the National Republican Convention as an example, saying everyone thought it was going to be like the 1968 Democratic National Convention in Chicago with riots and chaos plaguing downtown. He pointed out how this year's convention had been a success. \nThere are many events happening in New York City this week, including the U.S. Open and the third anniversary of 9-11. These affairs, along with Fashion Week, have attracted many journalists to the tents at Bryant Park. The tents were full as journalists waited to receive their Kipling gift bag full of free items from Olympus. Photographers were also allowed to check out the new Olympus E-1 SLR camera as a part of Olympus' royal treatment given to journalists and photographers. Journalists also received free manicures and bags from Woman's Entertainment Network as they waited for the shows to begin.
(08/26/04 5:00am)
I was in New York on 52nd Street preparing to go shopping when it hit me. I had already been shopping a day earlier, so why was I doing it again? I asked myself, "Do I really want fashion to be the death of me?" I had hit my usual spots like Barami, Kenneth Cole and Aerosoles when I realized fashion is work.\nNot only is being fashionable hard work, but you have to have a fashination with the world around you. \n"Fashination," a word I came up with after all my pondering, means to have a sense of all things artistic and beautiful while having fun at the same time. \nThe keyword is fun. It doesn't mean being pretentious and saying words like "fabulous" every time you feel joy or bragging about the your new Versace skirt even though it's as ugly as sin. Sometimes you have to stop and look at yourself in that out-of-date sweater and hat and say, "Damn I look good, and I don't care if silver isn't in this season." Having fashination means opening up your mind and having fun with fashion, art, food, culture and everything in between.\nThough being passionate about fashion is a big part of having fashination, tunnel vision leaves you boring and one-dimensional. You have to enjoy the art of dressing and living; it can't be a job. Appreciating a good book, watching a stylish movie with friends, eating almond crème brulee after a swordfish entrée at Malibu Grill and then going to see an opera in that really cute black dress and pumps from Cactus Flower is really what it's all about.\nMany people have said fashion is no longer fun and is taken too seriously. I agree. It is more about the money spent than about the design, the beauty and the clothes. Yes, those tweed and patent leather heels in La Redoute are to-die-for, but they would be even better worn while out having fun with friends.\nWouldn't a gray A-line skirt and a pink cashmere pearl button sweater look so good at the chocolate, tea and coffee exhibit at the Lilly Library? That pair of Adidas mules will look so fresh in your Hip-hop class. There is a point when you have to see the world beyond the runways and status-driven Louis Vuitton bag. You have to live a little; no, you have to live a lot.\nAs an arts editor and fashion columnist, I have found that fashion is at its worst when you try too hard, over do it, or just don't have fun with it. So I vow to take responsibility for my sometimes-unfashionable behavior and give the readers of the arts page the most fashionable coverage on events and the arts in Bloomington. This semester, my co-editor Jenica Schultz and I will try hard to bring this town to life through the arts section. We want our section to be a prime example of what fashination is all about. \nWhat is the point of anything if you can't have fun? There is no point. So put on your ballerina sleepers and that wrap-around sweater and go eat a ton of cheesecake while reading about the Saxophone Cartel in the Indiana Daily Student. You can't just wear the clothes, you have to live in them. If you can't have a fashination with life right now, you never will.
(08/26/04 4:52am)
The Black Film Center/Archives has been described as a treasure undiscovered at IU. Located on 10th Street inside the Smith Research building, it is a resource for many students researching black film, black history and black culture.\nAudrey McCluskey, director of the archives, said the center was founded in 1981 to save a dying art form.\n"It started as an attempt to rescue and pursue black history," McCluskey said. "Old films were being kept in people's garages."\nNow the archives boast more than 2,500 movies, documentaries, shorts, posters and interviews, all pertaining to black culture and the black experience. Ketwana Wilson-McCormick, a 2003 graduate assistant and assistant editor of "Black Camera: A Micro Journal of Black Film Studies," a newsletter produced twice each year by the BFC/A containing critiques of old movies, interviews with filmmakers like Spike Lee and articles on how film has affected black culture, said she thinks highly of the BFC/A.\n"I think it has an abundance of material; it is a wealth of information," McCormick said.\nMcCluskey said many students come to the Archives Center to watch a film for class or an assignment, and many instructors use the films in their classes.\n"I think students can access more from watching the films at the Center because if they have more in depth questions about the films, they can really learn from McCluskey answering their questions," McCormick said.\nThe center also receives world-wide attention as result of its Web site. All the films in the archives are listed there. \n"Usually, scholars doing research on black films come here," she said.\nMcCluskey said the Web site has had more than 100,000 hits about every six months, especially from the Arab world. People in Canada, Ghana and West Africa also visit the site. \nThe BFC/A is one of the only Black Center Archives in the United States, McCluskey said.\n"We are truly global. Everybody is interested in black film," she said. "Black film has few experts, and we are one of them."\nThe success of the Black Film Archives can be attributed to the support the BFC/A has received from outside sources. They are funded by internal grants and have also had support from the chancellor.\n"The support we receive isn't necessarily monetary, but sponsors will lend their names to endorse us," she said.\nThe BFC/A has been endorsed by the likes of Ruby Dee, Ossie Davis, Blair Underwood, Tavis Smiley, Sidney Poitier, Renee Poussaint, Melvin Van Peebles and Spike Lee. \nThe archives have attracted many people to the University and to the BFC/A, said Natasha Vaubel, professor of contemporary black film. Two years ago, Peebles was at IU as an artist-in-resident at the BFC/A and taught a class on script writing. Director Lee has also come to IU to speak and check out the film archives.\n"It brings very important filmmakers here so they can teach the students about the films and interact with them," Vaubel said.\nVaubel said at least four of the filmmakers whose works she shows in her class have come to visit IU and the BFC/A. Vaubel and McCluskey said showing the films from the BFC/A in their classes has enhanced the experience, and the students are able to learn more about the history through film.\nMcCluskey said she feels many black students have very little knowledge about black history and the Black Film Archives is a way for students to learn and engage in discourse.\n"Film becomes a venue for discussion. It gives a chance to talk and have open dialogue about issues facing the black community," she said. "If I lecture about it, you might be interested at first, but then you get bored. If I show you, it affects your conscious in a different way."\nMcCluskey uses some of the films in her class "Africana Women Filmmakers in the Diaspora." McCluskey uses the film to get emphasize her lectures, but also to deconstruct the negative models portrayed in many Hollywood films. \nVaubel said she also uses the films to talk about the history of film and to show how some filmmakers work to deconstruct the essentialist view in films.\n"There is an emphasis on black films counter to Hollywood. We look at old stereotypes continue today in film," Vaubel said.\nMcCluskey said she is not interested in having every black film made and denounces movies like "Booty Call" and "Sprung." She said the Black Film Archives wants to reflect the diversity in black films and that is why she also is partial to independent filmmakers like Julie Dash and Charles Burnett.\n"We prioritize age films from the 1920s through 1930s. We have a collection policy that focuses on age, value and diasporic independent filmmakers," she said. "We are interested in filmmakers who may not be household names but have an important message to give about the everyday life in the African-American world."\nThe collection contains film shorts dating back to 1894, films such as "Birth of Nation," made in 1915, and several movies by Oscar Micheaux, the first black director. The collection also includes modern films.\n"We try to select films that generate discussions, like "Monster's Ball" and "Training Day," because of their content, and both lead actors have won academy awards," McCluskey said.\nThough it is called the Black Film Center Archives and most of the films are black films, McCluskey has extended the collection to include Africans in the Diaspora. McCluskey insists that everyone has a story and that the story of apartheid in South Africa is waiting to be told on film.\n"When you get out into the world, you have to step back, and there is a whole different existence and experience outside of America," she said, "and you get to see a different kind of film."\n-- Contact arts editor Patrice \nWorthy at pworthy@indiana.edu.
(04/29/04 4:45am)
School is almost out and everyone is anticipating the summer weather. I, for one, can't wait. I love hot weather, though I do not like what comes with the hot weather, like mosquitoes and having to take a shower three times a day. I appreciate summer fashion, or the lack thereof. The summer is like a three-month fashion show. All kinds of fashion events are going on, such as Marshall Fields' Fash Bash, and the weather usually permits a full day of shopping and lying around. \nOne of my favorite aspects of the summertime is getting up really early in the morning, putting on my hoochie gear and white Nikes and hanging out on the block. In the city, and everywhere else for that matter, this is a very popular summer activity. Me and my girls will get all decked out in our summer dresses, flip-flops and white Nikes and walk around the neighborhoods socializing with everyone. It is the best. People will get all dressed up just to hang out and go sip smoothies. The summer is perfect for people watching and window shopping. \nWhile l am a big fan of linen pants and long silk dresses, sometimes it is just too hot for clothes. I have to give in to the "video ho" look, and wear a tank top with no bra and a pair of lightweight pants or shorts. It is hot and who cares. I remember the first time I took my boyfriend home with me in the summer. He put on this really fresh outfit to go and hang out in the park. Halfway into the journey his shirt was off and he was sporting a wifebeater with jeans shorts and Timberlands. After that I had to tease him, because a couple of blocks into the journey we stopped at a pizzeria and he couldn't help but comment about the girl behind the counter wearing a tank top and a pair of shorts that let everything hang out when she bent over. I tried to explain to him -- the city swelters, it gets really hot, and sometimes high fashion is not the way to go. Of course he realized this when he was walking around looking like someone out of a hip-hop video. \nI have found that hanging around Bloomington for the summer is much different. For one, there are a lot of mosquitoes and bugs here. I am usually forced to wear pants and a linen shirt with long sleeves, because I cannot stand mosquito bites. Though it gets really humid, I have found that dresses do the trick, along with a lot of hair care products. Though Bloomington gets hot, it does not swelter like the city, so walking around half-naked is unnecessary, but hey, why not. Summertime is perfect to show off soft brown skin. The biggest part of the summer wardrobe is letting it all hang out. So invest in a pair of hoochie shorts, white Nikes, a sun dress, linen pants, a thong and tank top. You can't go wrong with hoochie wear when the temperature rises and and the three-month fashion show begins. If you need pointers, watch a Cassidy video and take notes.
(04/22/04 5:59am)
Saturday night at the "Chicken Ranch," a crowd of about 100 people saw the only student runway show this semester. Jesse Deckard, a senior majoring in fashion design through the Individualized Major Program, said goodbye to IU with style. In a rustic setting on the outskirts of Bloomington, friends and family gathered under a white tent to see Deckard's final project, "Because I'm a woman." Before the show started, all of the guests received a free glass of wine. The speculation was present on everyone's face as they looked at the white 50-foot runway bearing the collection name "Esseja Creations." The event was complete with flowers on each table, a cash bar and a decorated runway. Anticipation was hard to contain as old classmates returned to Bloomington to see the show everyone had been talking about. Allison Elkins, a 2003 graduate of the Costume Construction Technology Program and Deckard's tutu model in the 2003 Apparel Merchandising fashion show, was excited to see what Deckard had put together.\n"I haven't talked to him since I graduated," Elkins said. "This is everything I expected."\nThe extravagant show was an ode to Deckard's idol, singer and songwriter Dolly Parton. Each piece was a reflection of Parton's town trash-inspired image. Deckard even dressed each model in a Dolly Parton wigs and make up. Each model had a male escort that represented Deckard's expression of his chosen lifestyle. The models played off of each other, with the female models spanking the male models, and the female models singing to remixed version of Dolly Parton songs. \nMichael Vollbracht, head designer of Bill Blass, said he was proud of Deckard for sticking to his guns. Deckard interned at Blass for three seasons. It was there that Deckard had chance to work with Vollbracht and explain his vision. \n"I love someone who has a point of view," Vollbracht said. "I am happy he did not give into the fashion industry and he went along with the Dolly Parton theme because she is not that fashionable." \nVollbracht said he completely understands Deckard's inspiration, and he can relate to how he feels.\n"As a person in love with Elizabeth Taylor during the 1950s, I understand his love affair with Dolly Parton," he said.\nThe crowd cheered when the first model, Cissy Saylor, arrived on the runway wearing a teal green sequined strapless mini dress with a teal organza princess seamed overdress. She was followed by a male model wearing a teal organza shirt with green satin drawstring pants. \nThe third look on the runway was an alternative piece called "I Can See the Light of The Clear Blue Morning." This piece was a red butterfly silk dress with a diamond neckline, puff sleeves and glass panel inserts. The male model, CJ Vallero, wore a glass panel male corset with black leather striping and clear vinyl hot shorts over a red butterfly g-string. \nDeckard, who said he lives by the Pantone color book given out New York Fashion Week, was right on time with the outfit titled "High and Mighty." The entire outfit was pink, with model Kerry Hall wearing a hot pink sequined strapless princess dress with a metallic pink organza overdress that draped off the shoulder and sleeves. The look was completed with thigh high gold boots. The male model, Robert Kane, wore a stretch organza turtleneck top with an open back and hot pink sequined shorts. "High and Mighty" was one of his more conservative looks, but the color pink and the sequence commanded attention on the runway. \n"It took hours to make the fabric -- we stretched it and pulled the yarn with rubber gloves to get the squiggly look I desired," Deckard said. "I was amazed at how well the model pulled off the essence of the dress, with the whole high and mighty theme." \nDeckard said the models and their display of the clothing was what he was looking for. \n"I think all my girls transformed on stage and that is what I wanted," he said. \nDeckard said he wanted the models to own the runway and not show the clothes in a traditional way. \n"I didn't want it traditional; I didn't want a traditional walk on the runway. I wanted them to own that runway and say we are here and we are not messing around," Deckard said. \nThe next look was one of Deckard's favorite pieces. It was an alternative piece called "Shine," made completely out of mirrors. The crowd oohed and aahahed as the model slowly strutted down the runway in a black bra and panties underneath a bandeau-style dress with fringe made out of mirror. The look was paired with black thigh high boots, which complimented the outfit as model Vanessa Brenchley sang to the music.\n"The model for the mirror dress worked it," Deckard said. "She looked really good."\nBoth the female and male models had a chance to express their sexuality with the outfit, "I'm the queen of the sleazy tabloids." The models danced on the runway clad in black faux leather. The theme was inspired by a dominatrix with the female model wearing a black leather top with a sheer front panel, a fitted mini skirt with black sheer die panels and chain detail. The male model was dressed in a black sheer shirt, with a black satin collar and chain lacing. The black leather pants had a sheer front and back panel, worn with a black satin g-string and laced up the side with chains. \nThe outfit embodied the homoeroticism of the show as both male and female models were shakin' it to the music. \nDeckard said he choose to do menswear for several different reason. \n"Nobody ever does menswear at IU," Deckard said. "I thought how could I convey me as a person struggling through high school with my definition of self." \nDeckard said he felt the audience appreciated the homoeroticism of the show -- and he received no criticism for making it such a big part of the show. \n"I think they enjoyed seeing something like that on the runway if anything, they thought it was going to be worse," Deckard said. "When people see homoeroticism, they apply a negative connotation to the word, it's not negative it's a part of people. It was a part of the creativity of the show." \nA hush came over the crowd as model Kate Walter walked down the runway in the final piece. The outfit was titled "Heartbreaker," wedding dress made of white silk brocade trimmed with mercury beads, sequins, and mercury crepe flounces. The model had a custom-made parasol, and a kimono brought back from Okinawa, Japan by Deckard's grandfather. The male models were more like flowers boys dressed in white silk hot shorts with matching mercury beads and sequined neck ties. Deckard was most proud of this ensemble.\n"I think my favorite piece of work was my wedding dress, and the mirror dress comes closely behind," he said. \nThe crowd cheered and clapped to the music as Deckard came out to thank his friends and family for all of their help and support. \n"Without all of these people who have helped, this show would have never lifted off the ground," he said. \nAfter the show, the audience let loose, ate catered food and watched performances by Miss Gay Indiana 2003, Alana Steele, and newly crowned Miss Gay IU 2004, Bianca Defy. Deckard said he was pleased with how everything turned out. He said everything down to the last detail was a reflection of him. The audience seemed to love the event, and many were not surprised at the magnitude and extravagance of the show. \n"As usual he exceeded expectations, but I knew it would be something fabulous," Elkins said. \nKate Rowold, an IU fashion design professor and curator of the Elizabeth Sage Collection, agreed.\n"I knew it would be terrific, it was a wonderful culmination of the program," she said. \nDeckard had so much fun with the show, he is looking into having another on campus open to the public. \n"I would love to do an encore show to represent my work, the students and the quality of the students at IU," Deckard said. \nDeckard isn't sure if an encore show is possible because of funds, but Deckard's mother, Marcella Brinson Ruth, had one thing to say. \n"Anyone who didn't come to the show missed a spectacular event," she said. \nFor more information contact Jesse Deckard at essjacreations@yahoo.com.\n-- Contact assistant arts editor Patrice Worthy at pworthy@indiana.edu.
(04/22/04 5:49am)
While flipping through my April issue of Vogue, I stumbled across a letter to the editor about one of the most important accessories a woman can have, the handbag. The writer, Jessica Scicchitano, said she never understood the rule of fashion for having one must-have handbag per season. I must say, I completely agree, I have never had one bag for one season. I know there are must-have bags, but one bag -- that is crazy. \nWhat is a girl to do on a date if she is wearing a pink skirt and has a brown handbag. If anyone needs an excuse to have multiple bags, college is it. I have found in college you have to have a bag for books, and even that bag has to look good. I prefer a black bag for my books, but of course I have to be able to take it anywhere. I personally like cloth bags for my books, but right now I'm using a black Kipling bag one my my writers brought back for me from New York. The black bag is convenient, considering most of the school year takes place during fall and winter, and who can resist New York black? \nNow spring is here there are so many different colors to choose from. Right now, I am using my orange Coach oversized tote for just about everything. I am in love with that bag, just because it is orange and no one is wearing an orange bag. I see lots of girl with the pink bag and the Louis Vuitton bags, but I have always gone against the grain. The orange Coach bag suits me fine, plus orange is a color that is in this season. As I began examining my bags, I realized something. None of my bags are the standard handbag or purse. I have a Liz Claiborne brown leather purse used for interviews and conservative day and afternoon settings, but everything else is meant to be something else and is doubled as a handbag. \nIn an attempt to save money, I have begun using makeup bags as purses, especially for parties. I have a bag from Bath and Body Works that is a makeup bag but works even better as a purse. It is the perfect size and shade of irridescent sea green. I like to use this bag in the summer, when I go out to lunch. \nRecently, I sent one of my fashion writers on a mission to bring me back a bag from New York. She brought back a MAC makeup bag. When I saw the bag, I didn't think of makeup, I thought\n"Ohh this will be so cute when I go out." The bag is a small black pleather clutch bag with white stitching and a round silver zipper puller that fits perfectly around my finger. When I wore it to a fashion show, no one knew it was a make-up bag. In fact, I received compliments. \nYou have to have multiple bags for all occasions. A www.msn.com article encouraged women to have multiple bags. The last time I was at home, I went on a shopping spree in Victoria's Secret. I accidentaly walked out of the store with one of those shopping bags you aren't supposed to take. Now it is mine, and I will definitely wear it this summer when in NYC.\nEvery woman should have one for work, play and dressing up. A simple black bag for school works, but a leather bag in orange, red, brown or green is great because those colors can go with different outfits. You should also have a bag for just sitting around and having fun and a bag that is an expression of your own personal style. But please, please avoid the backpack handbag at all costs, because the tiny shape does not look good on top of an adult rear end.\nLast summer in New York, a lot of people were wearing bags shaped like shoes. I didn't give into that particular trend, but I just obtained a catalog from Frederick's of Hollywood that has a purse shaped and decorated like a corset. So I guess all I have to say about the one-bag-per-season rule is, what rule?
(04/16/04 6:00am)
When a small-town boy from Spencer, Ind., sets his sights on bigger dreams, many would call it impossible. This weekend, Jesse Deckard, a senior majoring in the fashion design program will prove with hard work and determination, anyone's dreams can come true. \nDeckard will present his final project in the form of a runway show titled "Because I'm a Woman." The show will start at 7 p.m. Saturday at the "Chicken Ranch." It will include 60 pieces with 17 different looks, all inspired by singer songwriter Dolly Parton. \nDeborah Christiansen, a fashion design professor, said Jesse excels at production and extravagance. The show will have a 50-foot runway, cocktails from 6 to 7 p.m, a free glass of wine for all in attendance and a reception celebration ball, including a performance by 2003 Miss Gay IU. \nExtravagance and going all-out has always been a part of Jesse's style. As a young boy, he used his creative talents to enhance whatever it was he was creating. Growing up, Jesse was a member of the 4-H club. He said he didn't have much of a life because he was always working with cows. \n"I won the herdsmen award every year," he said. "I would doll up the stalls and transform the area into huge exhibits and themes and built on them every year."\nDeckard said his career choice is a far cry from the farm boy he used to be. \n"It is interesting the path I have evolved from. Coming from the background I come from, you would never think I would be doing what I am doing," Deckard said. \nWhat he is doing is following his heart and working to become a designer for his role model Dolly Parton. His inspiration has won him several awards in fashion competitions and the chance to intern at Bill Blass for three seasons. \n"He is a very talented young man," said Michael Vollbracht, head designer at Bill Blass. "He is diligent and a hard worker. I enjoyed the experience working with him, and I hope he enjoyed it, too."\nDuring his internships at Bill Blass, Vollbracht said Deckard was able to work with top models in the industry, help put together the runway shows and accomplish everything he was asked to do.\n"I think the experience was beneficial to him," Vollbracht said. \nDeckard said he has always liked being able to create. He loves party-planning and big, fabulous events. He has decorated for weddings since he was 13 years old, and his upcoming show isn't too far from what he has done all of his life. \n"My show is like a big, gay wedding," he said. \nThe collection is named "Esseja Creations," and Deckard said the show will feature a wedding dress, the best drag queens in Indiana and colorful and racy looks inspired by country singer Dolly Parton. Dolly has been a big inspiration to Deckard since he was in the second grade. In high school, his appreciation for the singer grew because of her love of diversity. \n"I grew up in a community that turned it's head on diversity; Dolly always had something positive to say about diversity," Deckard said. "A vast majority of her fans are gay men. She loves that she is represented, and people love her it's her following." \nDeckard said eventually he started looking at Dolly not as a person or what she had to say, but for her clothing. The clothes in the show are based on Dolly Parton's DD chest and small waist. \n"It is extremely difficult with a chest that big and a waist that small," Deckard said. "It is like putting six yards of fabric in one seam." \nThough the process were challenging, Deckards talents prevailed. All of the female looks are a reflection of Dolly and her "town trash" inspired look. The male pieces are a reflection of Jesse and his pride for his sexuality. \n"The line is inspired by fetish and homoeroticism," he said. "I wanted to convey what I think of sexuality and my sexuality." \nHis designs feature black pants with a sheer front panel that lace up the side with a G-string. Another look for men is a pair of red pants that lace up the sides with silk and a matching female outfit made of red silk brocade with flounces in the front. The models will be wearing wigs and platform thigh boots in red, silver and gold to match the sexy outfits. \n"The models will be playing characters on the runway," Deckard said. \nThough a runway show isn't a requirement for the seniors' presentation of their collections, Christiansen said the show will definitely be a reflection of Jesse and his inspiration.\n"A huge, over-the-top runway show is not a requirement of the program nor is the number of ensembles he created, but this was his dream and desire, and he wouldn't have done it any other way!" she said. "It is Dolly Parton inside and out."\nFor more information about the show, contact Deckard at essejacreations@yahoo.com.\n-- Contact assistant arts editor Patrice Worthy at pworthy@indiana.edu.
(04/15/04 5:30am)
Tommy Hilfiger visits Indianapolis and signs photos. Tommy Hilfiger goes to California, and a runway is built, the stars came out and it looked like a good time. I must admit, saying the Midwesterners are with it is one thing, but where is our party? When they said progress is slow, they meant it. The fashion gods are wearing half smiles, not a full grin. Bloomington is moving into the future, but the progress seems to come only with the force of a Mac truck. \nAnnette Askew, events coordinator for Lazarus-Macy's, said when the store begins carrying a new line, most designers do not go to Indianapolis to introduce it. The fact Tommy Hilfiger came to Indianapolis is progress within itself. Most people who are into fashion sit around and wait for the next big thing to come. We love people-watching and seeing who looks fly. We love going to the fashion shows and watching them on television or on the computer. There is no business like the fashion business. No one parties like fashion people. \nNow that the end of the semester is approaching, there is plenty to look forward to. Jesse Deckard is hosting one of the biggest fashion shows of the year. No organization is putting it on, but he -- a fashion design student -- is putting it on, and from what I hear, it is going to be fabulous. Finally, something to be excited about, a place to dance, drink and surround yourself in fashion. A runway and tents, now that's what I'm talkin' bout. Not to mention a cash bar. Another design student, is holding a show with a more avant-garde twist. The clothes will be on display while people walk around from one look to the next. Can we say classy? The slew of shows this year has been amazing. It has been fashion, fashion and more fashion. Oh, people of Bloomington and IU, we are getting somewhere!\nI want to give a shout out to the Apparel Merchandising Organization, the Black Student Union, the School of Law, all of the writers who have written about fashion and of course, the photographers. We have finally convinced everyone, "No really, we do wear clothes." Now, with the ending of the school year we get to see the fashion design students do their thing. They get to put on their own personal shows like a mini-fashion week. Yes, I said it, a mini-fashion week. I figure if we can all join together to write the articles, organize the shows and go see them, a mini-fashion week isn't too far off. Our peers are presenting their work, and we should all be proud and show our support. Instead of dissing each other, we should work together to make it even better next year. We should also work together and pray IU is represented in the Women's Wear Daily college issue, and we should strive to make it every year. Whoever said there was no fashion at IU was blind. Maybe the Mac truck will run them over. Fashion is an art form, and it should be celebrated properly. \nThe students deserve our support, and why not? Our athletic department isn't looking too good, so this year the fashion crowd has picked up the slack. If President Adam Herbert wants to see a good football game, he is going to have to wait until next year. While he is waiting, he can come see a show and find out what everyone has been talking about. Fashion is IU's new sport, complete with verbal violence, competition and girls in skimpy outfits. \nI hope to see plenty of people at the student shows, as it will be a fun time. Besides, how else would you spend this weekend? IU is proof if you build a runway ... they will come.
(04/08/04 5:50am)
There comes a time in every person's life when he or she has to let go of certain things they hold dear. Ever since I was a little girl, I have had a hard time letting go of certain articles of clothing. It could be anything -- old shoes or jeans with holes in the bottom. \nWhen I like something, I tend to get really attached, and if someone tries to take it away I will get a crazed look in my eyes followed by unreasonable actions. One time, I got into a screaming match with my boyfriend over a pair of old shoes I wore until they had holes in them. What can I say? I get attached. I still wear Pumas I have had since seventh grade. \nNow that I am older, I've found letting go is a part of growing up. Over the past month and-a-half, I have cleaned out my closet several times, but I still have lots of things I will probably never wear again. Each time I go back, I have to think of a different strategy to rid myself of some very tacky items I still have stored away. Every time I clean out my closets, I find the same clothes I never wear are still there. I'm pretty convinced I black out when I am cleaning my closet and the items just don't go into the trash bag.\nIn the April issue of Vogue, there is an article titled " Behind Closed Doors" about reselling your old clothes. Of course, the women in the article were selling back couture items and some very expensive clothes, but I decided to follow suit. I have nice clothes to give away, or so I thought.\nI tried to give away a pair of green suede pumps and some other items to Plato's Closet and they wouldn't take them. I was so embarrassed. It was at that moment I realized I have a problem with letting go of old clothes. Come on, if Plato's Closet wouldn't take them, then they must have been really outdated. \nSo I have decided to clean out my closet and get rid of everything I do not wear, regardless of how special it is to me. To be quite honest, some of the stuff is no more than junk. In the same issue of Vogue, there is an article about ex-model Jennifer Gimenez and her battle with letting go of clothing. Apparently, her weight has fluctuated over the years, and she has learned to let go of clothes that do not flatter her figure. \n"What you won't find in her closet are clothes that are too small for her ... She hasn't even saved any of her beloved Azzedine Alaia from back in the day when she modeled for him," the article read. \nThe article inspired me in so many ways, especially since it concluded her actions are a sign of not living in the past. So I have decided to live in the present and throw away things which I cannot fit into. I have a pair of cargo jeans from five years ago I haven't thrown away -- and let's face it -- even if I could get into them I would not wear them in public. I am a pack rat, and a I need to unburden myself. \nFor instance, I have a pair of white windbreakers I wore with a North Carolina Tar Heels jersey. I would still have the jersey if one of my so-called friends wouldn't have stolen it from me. Anyway, I think it is time to rid myself of these pants, but it is so hard to let go. \nThey hold so many memories. I wore those pants when I was dating my first boyfriend, and now that I think about it, I will throw them away. Hindsight is 20/20, and your vision should be too when looking over old clothes. \nSo if you see a trash bag full of Pumas, green suede pumps and tacky shirts, it is probably mine. Of course, I am going to burn the white windbreakers. Maybe the sayings "if you really love something let it go," and "if it was meant to be it will come back," will prove true. Maybe -- just maybe, my old sneakers will come back as lace up Gucci boots.
(04/06/04 5:20am)
Tommy Hilfiger, a designer known for his stylish casual wear, is growing up and bringing his clothing with him. Hilfiger greeted fans Friday at the Castleton Square Mall in Indianapolis to introduce his new upscale clothing line, H Hilfiger. The new collection came out of a need for a luxurious line that catered to adults and to boost declining sales in his mens' line, Hilfiger said.\n"As I grow up, I think my customers should come along with me," Hilfiger said. \nHilfiger described the line as a more refined line of clothes that can be worn from day into evening. H Hilfiger will be a more expensive line because of the fabrics and quality used to create the clothing. \n"We have never used 100 percent silk before -- now we are using silk, fine cottons, leather, suede and stretch fabrics with new colors and silhouettes." Hilfiger said. "I took the idea from Seville Row in England with the English bankers that would wear flannel suits with bright colored shirts and ties." \nHilfiger said he wanted to inject color into the mens' line, but many people questioned it asking if men were really going to wear pink button downs and brightly colored striped shirts. \n"Now that our shirts are selling, we can't keep them in the store. Jay-Z and Puffy wear the shirts, saying they traded in their jerseys for button downs," he said. "Button downs are the rage among young college kids and golfers. We are selling a lot of knits." \nThe line will be sold exclusively at Federated Department Stores, and the Castleton Square Mall is the state's only location where the H Hilfiger line is available. Annette Askew, special events director at Lazarus-Macy's, said there is one primary store in each city that will have the line. Other cities carrying the line are Cincinnati, Louisville, Ky, Dayton, Ohio, Memphis, Tenn. and Atlanta. Askew said she is excited about the new line and has high hopes. \n"I am very thrilled he came to Indy," Askew said. "We hope we will profit. Everything is selling. We are getting the tailored suits, and while not all stores have the men and womens' lines, we have both."\nHilfiger said the idea behind the line came from him having to make clothes for himself when he wanted to dress up.\n"I had to start making clothes myself, like the tailored jacket, and button downs with two buttons on the collar," he said. "I would make them, and everyone would want one." \nThough the Tommy Hilfiger collection caters to casual styles, many upscale styles could be seen on the runway, but not found in stores. \n"We would put the dressier clothing on the runway, and only make a few styles for the stores," Hilfiger said. "You would see ads that said 'sold exclusively at Tommy Hilfiger stores,' but there weren't that many."\nHe said the production of the new line completes the Tommy Hilfiger collection.\n"I had been wanting to do a more upscale line for some time now," he said. "I felt like the label wasn't complete until now."\nTo help sell the new line, Hilfiger got the idea for an ad campaign featuring Iman and David Bowie wearing pinstripe suits. He said he wanted to use the couple because they represent the current social climate.\n"They, as a couple, make the H Hilfiger line more refined and grown-up," he said. "I like that they are a diverse couple -- It says being in an interracial relationship is OK."\nAfter he introduced his line, he did a walk through one of his sections within Lazarus - Macy's, and then greeted a crowd of fans from all over Indiana. \nAngela Dunn, a loyal customer to Hilfiger, said she was happy Hilfiger came to Indiana because there are so many people in the state that love his clothes. \n"We have so much Tommy stuff," Dunn said. "You pay a little more but it holds -- the shoes and jeans last forever." \nWhen most designers introduce a new line, they usually begin the production of a fashion show, but Hilfiger is opposed to the idea. \n"I am not terribly excited about putting on an elaborate show for the press," Hilfiger said. "The consumers don't get to see the show, and they need to see the clothes, so we are putting the show on the road." \nHilfiger said he will incorporate some of the H Hilfiger collection into the regular fashion show, but he wants the consumer to be a top priority. As a part of his expansion, Hilfiger has launched Tommy Hilfiger Woman, a line that includes up to size 16 and Tommy Petite. He has also just signed Beyonce Knowles as the new face for his Tommy fragrance. He is also opening stores in China, Japan and India that will include the look of H Hilfiger. He also said the company will be selling the same clothes in Indiana, New York and L.A. \n"The Midwest are just as with it as people in New York," he said.\n-- Contact assistant arts editor Patrice Worthy at pworthy@indiana.edu.
(04/01/04 5:57am)
The fickle weather is really beginning to bother me. I have been waiting to write this column for some time now, but I can wait no longer. I thought I'd write a column about shopping when the weather is nice, but spring break brought snow and it still keeps raining. So, in an impatient tantrum I looked at the forecast for this weekend, and I am happy to report it will be partly cloudy with a 95 percent chance of shopping. The weather will finally permit for spring shopping to commence. What a blessing. \nBloomington is one of those places that is great for eclectic, vintage shopping. One of my favorite stores is Cactus Flower, located at 322 E. Kirkwood Ave. The store is appealing because it has the trendy bohemian clothes and the vintage, circa-1950 embroidered jackets all under one roof. You can't beat it. It's full of clothes that can satisfy any feminine flight of fancy. I especially like its collection of Indian-style earrings and scarves. The store is perfect for anyone indulging in the feminine look and looking for spring styles. Plus, they sell Prada knock-offs at a good price.\nPitaya and Cha Cha are also good stores to visit if you are trying to find something feminine for spring. These two boutiques cater to the eclectic, yet in-style college student. They have everything from pink lace shirts to the A-line pink, white and black skirt currently seen in the window. The look of Kirkwood is definitely in this season. \nIf you are looking to take a weekend getaway, Chicago would be my No. 1 choice because it is close and harbors some really off-beat places for shopping. I can't front. Chicagoans know how to style. \nJust a couple of weeks ago, I sent a fashion writer to Chicago to check out some of my favorite spots. Of course she went to Michigan Avenue and Marshall Fields on State Street, but there is so much more to shopping in Chicago. There are the boutiques in Wicker Park, Bucktown and Lincoln Park that carry well-known designer labels next to local designer lines at reasonable prices. Although I love those places, one of my favorite spots to go shopping is at Indian Town on Devon Street. Indian Town is perfect for a full day of shopping or for fashion design students looking for material. The streets are lined with fabric stores, clothing stores, restaurants and beauty salons. \nThey sell some of the most ornate strappy sandals for really cheap prices, along with those chandelier earrings that are in style. \nAnother great perk is the variety of fabric stores. You can get all kinds of silk satins in just about any color. The only catch is you have to buy them in seven-yard pieces because the fabric sold is for saris. Of course there are ways of getting around that. If you go, always ask for the scrap box. The scrap box contains pieces of leftover fabric used to make saris and veils. You can get up to three or four yards of silk for $10. Last time I was there, I found a two-and-a-half-yard piece of pink silk charmeuse for $10. The best part is you can negotiate prices and come out with a ton a fabric for $30. After you're done shopping, you can take advantage of the culture on Devon Street. I like to go get my nails done and my face threaded for about $15. Threading is a hair removal process that uses actual thread to twist the hair off the face. It doesn't hurt much and leaves your face feeling smooth. Between shopping and threading I get hungry, so I usually visit one of the many Russian eateries and feast on bean pies, spinach pies, meat pies and caviar spread. \nWhen in Chicago, don't skip the Salvation Army. You can find vintage Pucci and Gucci for almost nothing, and no one can beat a Pucci dress for $20. \nIf anyone is planning on going to New York, I suggest visiting the obvious places like Fifth Avenue, SoHo and NoLita. These places are great for people watching, eating and, of course, shopping. Another neighborhood becoming fashionable is Williamsburg, Brooklyn. Williamsburg is the neighborhood you enter right after you get off the Williamsburg Bridge. It used to be my hideout from all the hustle and bustle of Manhattan; now it has become very fashionable with little boutiques, unique clothes created by up-and-coming designers, and restaurants and clubs that have a laid back style synonymous with Brooklyn. \nSo if you have been itching to shop the way I have, I hope this column was helpful. Shopping and saving money go so well together. While taking those weekend shopping expenditures, don't forget to catch a bite to eat in Indian Town or get a cup of joe at a coffee shop in Bucktown or Williamsburg. It is so relaxing to be able shop, sip coffee, eat and not think about homework until it starts to rain again.
(03/25/04 5:17am)
I have realized the fashion industry is very exclusive. The most people get to see of the industry is on television and through magazines. This limited view of the industry tends to create stereotypes concerning fashion and the people who love it. Although some of the stereotypes can be scathing, others are quite comical. \nOne of the biggest stereotypes of fashion people is that we are all derelicts who sit around sipping martinis talking about the next orgy we are going to attend. I have concluded this stereotype was taken out of thin air by someone who did not understand the passion or process of design, photography or writing. \nTo set the record straight, fashion people are not stupid. They are some of the smartest people I have ever met. When statements that undermine the intelligence of fashion people are made, it doesn't make the perpetrators look like rocket scientists. Making such a statement takes for granted the mathematical intelligence needed in order to design, pattern, draft and sew. \nMaking patterns from scratch isn't easy -- and it doesn't come easy to most people the first time around. You have to be able to calculate measurements in your head accurately. For instance, when drafting a neckline you have to draw lines that are 1/12 of a bust measurement minus 1/4, and then do 1/12 of the bust or 1/6 of the neck measurement plus 1/2 , and that is just a part of the process. \nBesides the calculations being difficult when dealing with measurements like 38 and 3/4, you have to be able to do them in a timely manner on a ruler. I dare anyone to say fashion people are stupid to a fashion design student who just finished making a tailored suit for a hunchback. The reaction won't be pretty. \nAnother stereotype I find amusing is fashion people are always dressed to impress. I remember bringing pictures home of Ralph Lauren and Michael Kors, and my boyfriend's little brother saying, "Why are they dressed like that? If I were him, I would be fresh from head to toe." I usually ignored remarks like that, because I thought, "They know not what they say." \nThen one day a co-worker said, "You don't dress up. Most fashion people dress up. The ones I see are always dressed up."\nI thought to myself, "The ones I see" -- as if he was schmoozing with these people everyday, and "they are always dressed up." Meaning every time you see them in a magazine/television, or meaning after they just got done working until 3 a.m.? Statements like this are weird to me. When people go to fashion week, they will see designers come out and take their bows in jeans, a wrinkled shirt, sneakers and with bags under their eyes. If you have ever seen a model in passing, not on the runway, they are not dressed up. In fact, I noticed the look is "I just got out of bed and decided to put on cowboy boots." \nIf you want a show, build a runway and hire a make-up artist. If you want real life, go to a designer's studio during fashion week. The grueling hours and the pressure to create a great show are apparent when you meet the photographers, models, designers, seamstresses and writers. \nOne of the most irritating and far-fetched assumptions is fashion is irrelevant and tripe. To say fashion is irrelevant is a narrow-minded view of the world. As long as the law says we have to be covered in public, fashion will always be relevant. Clothing appeals to us for the exact reason it is considered to be a tripe subject -- because of adornment. \nIf fashion doesn't matter, then go to a job interview wearing a warm-up suit. When an intern for Vogue writes me and says "jobless and creditless" college students can't afford designer threads, it begs the question, what did she wear during her internship, and has she noticed the Louis Vuitton bags, Juicy Couture sweats and Kenneth Cole coats on campus? Of course many people notice it and that is why there are internships at Vogue. To claim college students can not and do not pay attention to fashion ignores the buying power of students trying to make a good impression, or just wanting to be in style. \nTo claim nothing fashionable is going on in Bloomington is like saying the fashion shows student organizations coordinate are not worth the coverage they receive. If fashionable events weren't taking place on campus, they would not be in our paper. If fashion wasn't important, I wouldn't get letters. Economist Thorstein Veblen summed it up when he said fashion is just as important as war, sports and politics.
(03/25/04 5:00am)
Maxim's Hottest Woman of the Year for 2003 is now starring in one of her most complex roles, with a movie due out April 9. Elisha Cuthbert, siren and star of "The Girl Next Door," and award-winning actress on the dramatic series "24" speaks about her experiences in a starring role. In this interview, Cuthbert speaks candidly about her experiences playing a porn star, co-starring with Emile Hirsch and her future endeavors as a rising sex symbol and full-time actress. \nEditor's note: This interview took place as a conference call between several writers including Weekend writer Patrice Worthy.\nQ: How did "The Girl Next Door" differ from your other movies?\nA: "I am used to playing on a drama that involves real-life issues like death and pregnancy, so being in a movie where I have to be funny all the time was challenging and different. At the time I was filming "The Girl Next Door," I also had to be on the set of "24," so it was a challenge going from a dramatic set to playing a porn star. I would come to the set of "24" with my costume from "The Girl Next Door" on and everyone would be like, 'Whoa!'" \nQ: What was the most challenging part of playing Danielle?\nA: "Well, I picked the role because it was challenging. I have never played a character like Danielle before, and the transformation she makes from being 'the girl next door' to Athena, the porn star, is a real challenge. She goes from being normal to this out-there girl in nails, a wig and boots."\nQ: Were there any inhibitions you had to let go of to play the role in "The Girl Next Door?" \nA: "I had to definitely begin to let my guard down. I researched the role by talking with some porn stars, and asking them what (making a porn movie) was like. I realized you have to be very self-confident to be a porn star, and I had to let go of some of my own stereotypes about porn stars and their feelings. I learned the porn industry is a huge industry and lots of people are making money. It's crazy! Luckily for me, this girl was not happy with her life, so that made it easier on me." \nQ: Why didn't you do a nude scene in the movie? \nA: "When I took the role, I had a meeting with the director and I told him I would do the movie, but I would not do a nude scene. I felt it was unnecessary in the movie, and I really wanted to develop the role. It made me really proud because to go to a director and say I am not doing a nude scene in a movie about porn is crazy." \nQ: Do you think as you get older your views on nudity will change? \nA: "I know as girls get older their body image changes. I'm not saying I don't feel secure enough to do one now, but I don't see myself doing a nude scene in the future. It is not something I want to do." \nQ: How do you feel about being voted Maxim's Hottest Woman of the Year? \nA: "Oh my God, it is crazy. When I found out I thought it was great, but it is going to take some getting used to."\nQ: Do you ever get the stereotypical diva attitude?\nA: "Sometimes it comes out, but only around close friends and family. It comes out when I have had a rough day, or I am really tired and I come home and go on about this and that happening. I am really careful about it, and it only comes out in private or behind closed doors." \nQ: What other roles would you like to tackle in the future? \nA: "I would really like to do drama. Like I said before, I am really interested in roles that are a challenge and where I can bring something unique to the table. I picked "The Girl Next Door" because of her transformation from everyday life to a porn star. Even though doing comedy is challenging because you have to be funny all the time, I would like to do more drama."\nQ: What movies have influenced you as an actress?\nA: "The Girl Next Door" was very much like the movie "Risky Business" ... I like movies like "Risky Business," and the "Breakfast Club." Those are the movies that I am inspired by and that is the feel I like into bring to a role." \nQ: What about Emile Hirsch, would you date him? \nA: "Emile is such a sweetie, and he is really cute. I think I would date him in real life"
(03/24/04 8:29pm)
Maxim's Hottest Woman of the Year for 2003 is now starring in one of her most complex roles, with a movie due out April 9. Elisha Cuthbert, siren and star of "The Girl Next Door," and award-winning actress on the dramatic series "24" speaks about her experiences in a starring role. In this interview, Cuthbert speaks candidly about her experiences playing a porn star, co-starring with Emile Hirsch and her future endeavors as a rising sex symbol and full-time actress. \nEditor's note: This interview took place as a conference call between several writers including Weekend writer Patrice Worthy.\nQ: How did "The Girl Next Door" differ from your other movies?\nA: "I am used to playing on a drama that involves real-life issues like death and pregnancy, so being in a movie where I have to be funny all the time was challenging and different. At the time I was filming "The Girl Next Door," I also had to be on the set of "24," so it was a challenge going from a dramatic set to playing a porn star. I would come to the set of "24" with my costume from "The Girl Next Door" on and everyone would be like, 'Whoa!'" \nQ: What was the most challenging part of playing Danielle?\nA: "Well, I picked the role because it was challenging. I have never played a character like Danielle before, and the transformation she makes from being 'the girl next door' to Athena, the porn star, is a real challenge. She goes from being normal to this out-there girl in nails, a wig and boots."\nQ: Were there any inhibitions you had to let go of to play the role in "The Girl Next Door?" \nA: "I had to definitely begin to let my guard down. I researched the role by talking with some porn stars, and asking them what (making a porn movie) was like. I realized you have to be very self-confident to be a porn star, and I had to let go of some of my own stereotypes about porn stars and their feelings. I learned the porn industry is a huge industry and lots of people are making money. It's crazy! Luckily for me, this girl was not happy with her life, so that made it easier on me." \nQ: Why didn't you do a nude scene in the movie? \nA: "When I took the role, I had a meeting with the director and I told him I would do the movie, but I would not do a nude scene. I felt it was unnecessary in the movie, and I really wanted to develop the role. It made me really proud because to go to a director and say I am not doing a nude scene in a movie about porn is crazy." \nQ: Do you think as you get older your views on nudity will change? \nA: "I know as girls get older their body image changes. I'm not saying I don't feel secure enough to do one now, but I don't see myself doing a nude scene in the future. It is not something I want to do." \nQ: How do you feel about being voted Maxim's Hottest Woman of the Year? \nA: "Oh my God, it is crazy. When I found out I thought it was great, but it is going to take some getting used to."\nQ: Do you ever get the stereotypical diva attitude?\nA: "Sometimes it comes out, but only around close friends and family. It comes out when I have had a rough day, or I am really tired and I come home and go on about this and that happening. I am really careful about it, and it only comes out in private or behind closed doors." \nQ: What other roles would you like to tackle in the future? \nA: "I would really like to do drama. Like I said before, I am really interested in roles that are a challenge and where I can bring something unique to the table. I picked "The Girl Next Door" because of her transformation from everyday life to a porn star. Even though doing comedy is challenging because you have to be funny all the time, I would like to do more drama."\nQ: What movies have influenced you as an actress?\nA: "The Girl Next Door" was very much like the movie "Risky Business" ... I like movies like "Risky Business," and the "Breakfast Club." Those are the movies that I am inspired by and that is the feel I like into bring to a role." \nQ: What about Emile Hirsch, would you date him? \nA: "Emile is such a sweetie, and he is really cute. I think I would date him in real life"
(03/11/04 5:17am)
I had to see what all the fuss was about. Everyone was talking about the new Target opening. I couldn't go anywhere without hearing about it -- the bus, the newsroom, campus. "Target has a Starbucks and a Pizza Hut Express. They have everything," they tell me. So yesterday, I finally did it. I made my pilgrimage to the new Target. Before I made my journey, a friend called me on her cell phone and said, "Everyone and their five kids are here." \nThen another friend told me about the new magnetic controlled cart that stops just before you go into the mall. So my anticipation was mixed between excitement and a fear of hearing screaming babies every five seconds. But I went anyway.\nFirst, I checked out the home accessories, and I saw stuff I never knew I needed. Pretty trash cans, decorative foot stools and pillows -- and the coveted vanity stand. I didn't have any money, though, so I was safe. I wanted everything from the bath towels to a wooden hole punch. I must admit, Target has great home décor. \nThen I made my way over to the clothes, and I saw a few things I liked. I saw lingerie that even had the new built-in garter belt pantyhose. Go Target!\nOne of my friends tried on a pair of cargo pants with a low-cut V neck sweater, and it looked really good. Then I got to the shoe section and saw a pair of brown boots and brown heels I really liked. The heels looked like something women wore in the 1970s when they would go out to dance all night. They covered the heel and the toe, leaving the middle of the foot exposed, with a strap around the ankle. I was starting to see what all the fuss was about, but, once again I didn't have any money, so I had to keep moving. \nAs I looked at and examined more clothes, I stumbled across something that shocked me. It was an Isaac Mizrahi shirt with "ISAAC MIZRAHI" across the front. I thought to myself, "Is Isaac Mizrahi the Tommy Hilfiger of Target?" And at $14.99 each, that wasn't too far-fetched a question. Isn't Target supposed to be reasonable? \nHaving names plastered across the front of your chest was out years ago. While it is nice Target is offering designer labels, or former designer labels at good prices, some things just shouldn't happen. \nSoon, every town with a Target is going to have girls walking around looking like Isaac Mizrahi cheerleaders. They might as well sell pompoms to go with the neon-colored shirts. I was happy to see that the rack of shirts looked untouched. Offering designer clothes is one thing, but exploiting the life out of them is another. \nThings got worse when they said they didn't have any chili cheese nachos, and then my boyfriend turned to me and commented on a little girl wearing a pink and red striped shirt with pink and white striped pants. \n"Look at that little girl. I can't believe her parents dressed her in that," he said. \nAt that moment, I knew it was time to go. Target had gone to our heads. \nI can see it from my apartment -- the massive structure that glows in the night. It sits there, waiting for us to come and spend our money in the new Starbucks and on the Isaac Mizrahi line. I admit I appreciate having a Starbucks within walking distance -- it's a really nice addition to the east side. But, I have to say one thing, consumers should remember it is not Targét, it is Target.
(03/09/04 4:41am)
Rumors have been circulating about Bloomington's College Mall. Why stores are leaving and what is going to happen next are some of the questions many Bloomington-area residents have been asking. \nThere have been several store closings in College Mall, including Lazarus, Baby Gap, Gap, Freshens Smoothies, Gingiss, MCL Cafeteria among others. Mall employees say many residents blame the mall, but Billie Scott, public relations representative for Simon Property Group which owns College Mall, said the closings have absolutely nothing to do with College Mall or Simon.\n"Many of the corporations have chosen to close stores because of bankruptcy or other reasons," Scott said. \nLazarus, a department store that was once located in the mall, closed as a result of a corporate decision. \n"Lazarus made the decision corporately to close a number of their stores," Scott said. \nLazarus isn't the only store that has closed as a result of corporate bankruptcy or a drop in profits. \nB.Moss and Wilson's Leather are also feeling the effects of an economic downturn. B.Moss closed last month and Wilson's Leather is in the middle of clearing out the nearly-empty store. Tina Terrell, a manager at Wilson's Leather, said the closing came as a surprise. \n"The store wasn't doing well. It struggled, but they told us we would stay open," Terrell said. \nTerry Skirvin, College Mall manager, told Business Network magazine, a Bloomington Chamber of Commerce publication, that many of the stores aren't just leaving College Mall, but the corporate offices are closing other stores as well. Wilson's Leather decided to close 155 stores, including the College Mall location. \n"The decision was corporate. They just decided to downsize," Terrell said. "Indy is saturated with Wilson's stores." \nIn the same article, Skirvin said the results of an economic downturn are usually seasonal. \n"If stores or companies are going to file for bankruptcy, you usually see it at the first of the year after the Christmas season," she said. \nScott said the store closings aren't a trend within the Simon Property Group. \n"Occupancy percentages in our mall stay pretty steady," she said. \nThough the process seems slow, it is a part of what happens in malls, Skirvin said. \n"Most of the leases expire at the same time," she said. \nThough there have been several closings in the mall, Scott said it isn't a sign of things to come. \n"There are stores planning on coming to College Mall, so be on the lookout," she said. \nAccording to the article, Dena Mayes-Marietta, marketing director for College Mall, said when stores leave the mall, it gives them more options. \n"When stores leave, it just creates an opportunity for us to fill niches in the market that aren't being served by somebody else," she said. "Just because one tenant leaves doesn't mean there is nothing going on behind the scenes at that store space."\nAbout 95 percent of the store spaces in the mall are leased, Mayes-Marietta said. \nThough a number of stores have left, new stores have also popped up in the mall. Yankee Candle, Motherhood Maternity, 5-7-9, Subway, Hot Topic and Target are all new to College Mall. \nScott said Simon tries to accommodate multiple interests in its malls. \n"Obviously, we try to make each of our malls the best it can be for people and the community," she said. \n--Contact assistant arts editor Patrice Worthy at pworthy@indiana.edu.
(03/04/04 5:37am)
Two British supermodels, Twiggy (1960) and Kate Moss (1990), strutted down the runway at five-foot-five and five-foot-seven, weighing less than 100 pounds each. The standard of fashionably thin was set. The standard was to be tall and very slender, with legs up to one's chin. \nOne of the most mysterious aspects of the fashion industry is that it harbors some of the most beautiful people in the world: the supermodels. The supermodel or the goddess of beauty is a rarity not just in American society, but around the world. I don't know many who can name five people who could become a model. It is almost impossible, because the supermodel is more like a mythical figure than a day-to-day girlfriend. \nPeople always ask me, "Patrice, do you ever get intimidated by all those models?" I answer no, but there is a reason for this. In the fashion industry, everyone has a role. Your role may be to design, dress, report or just watch. Most people don't spend a lot of time gawking at the models. Even when they are on the runway, you are looking at the clothes, not the models. I only get intimidated by their height -- when you are five-foot-five and try to dress a person who is five-foot-ten, it presents a challenge. Especially when you have to help them put on a shirt or jacket. Models are just models, human clothes hangers who walk down the runway. They have a job -- being thin. \nOf course, you have to appreciate the beauty of the model/supermodel, but I think appreciation is a as far as it should go. I believe this because like so many other industries, the product is manipulated into being something it is not. Considering all the models I have met and dressed, I will say most of them look exactly how they are portrayed in magazines. But are they a true representation of the model and women in general? The Victoria's Secret catalog stirs up a lot of questions, such as is it humanly possible to be that tall, thin and still have a D-cup? Many experts agree the answer is absolutely not. \n"Their proportions are improbable if not as preposterous (as) those of the women in Playboy," said Holly Brubach in her article "The Athletic Esthetic," published in the New York Times Magazine in June of1996. \nBrubach, along with Nancy Etcoff, author of the book "Survival of the Prettiest," go on to say large breasts are nearly impossible at that weight. \n"Because breast tissue is composed mostly of fat, a woman that bosomy would be fuller in the hips and thighs as well." (Height and weight included) \nBrubach goes on about the Victoria's Secret model and the fantasy that is exploited in the catalog. \n" … Is the result not of what they've done but what has been done to -- or for -- them: breast implants and in some cases liposuction. Even so their legs and arms are never scrawny. Unlike fashion models, these women look as if they have an extra layer of upholstery gently cushioning the sharp corners of their joints," Brubach wrote. \nI don't know if all models have had cosmetic surgery, but I will say the first time I ever saw a pair of breast implants was behind the scenes of a runway show. \nI think American women and all women should take into perspective the model's country of origin. Most runway models aren't from America. Many of them are from Africa or Europe, such as Naomi Campbell, Alec Wec, Iman, Naomi Lenoir, Isabeli Fontana, Karolina Kurkova, Elle Macpherson, Carmen Kass, Heidi Klumm, etc. Out of a list of 50 models, only about nine of them were Americans, supermodels included. Of course, women from countries where they don't eat as much and the food portions are smaller are naturally going to be thinner. Sounds like the standard isn't necessarily American. \nWhile it is nice to appreciate the rare beauty of the Victoria's Secret and runway models, it should all be put into perspective when judging one's self.