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(02/13/14 5:01am)
____simple_html_dom__voku__html_wrapper____>Don’t tell me your love life is complicated. Follow this: Paolo is an Italian bus driver who is engaged to a German stewardess by the name of Greta, but he starts to fall for a French girl on a bicycle named Cécile, who has two Australian kids. Oh, and he’s best frieds with a British guy named David who seems to be a catalyst to the entire situation.With such a convoluted, multicultured plot, I’m just thankful it comes with a simple title, “Girl on a Bicycle.”Though critics aren’t raving about the Valentine’s Day release, the film seems to promise a quirky yet witty simplicity that reminds me of a Woody Allen flick. But I’m not a film critic. What I can tell you is that the film had great potential to have an amazingly vogue costume design. But costume designer Catherine Leterrier decided not to.Leterrier is most famous for her work in “Coco Before Chanel” in 2009, which gave her an Oscar nomination and France’s prestigious César award. Her designs were brilliant. They not only showcased Coco Chanel’s early style selections but contrasted them with the extravagance of her late nineteenth-century, early twentieth-century French peers.So, when Leterrier signed on to “Girl on a Bicycle” with Indiana native Jeremy Leven, screenwriter of “The Notebook,” I was expecting her to suit the multi-cultured cast each with their particular brand of Euro-chic.Instead, we see solid color oxfords for Paolo, plain blouses for Cécile and a graphic tee with an unnecessary short sleeve plaid button-up.The most exciting piece shown was Greta’s stewardship uniform or possibly Paolo’s tacky red tie worn during his bus tour shift. Oh, or the kid’s dinosaur pajamas. But what the designs do happen to do is offer simplicity to a topic — love — that can be anything but.No design threatens the dialogue or has me daydreaming of some French boutique. It’s natural, and it goes with the subtleness of the film while serving as a realistic alternative to the pressed Euro-chic stereotype.I’ll confess, my first time in Paris, I was an underwhelming teenage American tourist with denim, converse and a Nikon. Don’t be that. But don’t ignore the bliss in the understated effortlessness of a European look or your relationship.And though you may still plan to spend V-day with a lover and Chanel No. 5, or with indulgent German chocolates like me, just remember that it’s okay to be simple, and sometimes the best things should be.Share your favorite simple selections. Be mine. — kcollisi@indiana.eduFollow columnist Kelsey Collisi on Twitter @kelcollisi.
(02/06/14 4:22am)
____simple_html_dom__voku__html_wrapper____>I tweeted an invitation for a road trip with me this week, but only got favorited. So, I’m spending New York Fashion Week in Chicago. Lucky for us, however, I spoke to Emily Farra, editorial coordinator at STYLE.COM and former Indiana Daily Student fashion columnist. I not only miss her dearly, but it’s wonderfully handy that she’s now on the inside of this fashion-fierce world.As one of my personal fashion icons, I vouch for Emily’s picks. Though my fashion-stalking skills may be impeccable, you can’t beat an insider. So this week I’m taking Emily’s word on #NYFW and profiling her favorites for you to watch out for — but don’t forget to tweet me yours.I quote from Emily,“I am really excited to see ...”@ALTUZARRASTUDIOThe concept behind Altuzarra is based around the modern woman. It’s strong and confident, and I’m obsessed. Its claim is to help sophisticated women feel seductive. The inspiration for Fall 2014 seems tailored for confidence. It has the traditional prep influence of trench coats and striped ties with a modern elegance of tailored collars in sleek black. It’s a duality I can’t wait to see.@DELPOZOofficialDelpozo is delicate. Often fashioned in floral patterns of silk, the softness is only enhanced with facets of bright colors. So, with infamously dark fall winter lines, it will be refreshing to see a dab of color among the drab. Look to see Delpozo be the only place flowers bloom amidst the cold. Also, catch their beautiful video archives on their site. @THEROWMy childhood self is bubbling with excitement to see the names behind this line. Let me state Mary-Kate and Ashley Olsen have matured in the sleekest of ways. Though branded with the words relaxed and timeless elegance, the range of ready-to-wear, eyewear and handbags have a prominent edge to their otherwise simplistic designs. It makes sense as the 2006 line began with ideas for a simple white T-shirt and evolved into a line of leather goods and a Fall 2013 presentation of strong collared shirts mixed boxed blazers of slick black. Their Resort 2014 collection reaches out a bit more, even dabbling in leathers of pale yellow. The twins have described it themselves as “defined minimal luxury that is wearable.” I support that. It’s a line I will definitely be following.@proenzaschoulerThere might be controversy as the usual NYFW host Lincoln Center has decided to expand from Upper East Side studios to Brooklyn, but you can tell New York line Proenza Schouler is at home no matter the venue. It’s a newer line started in 2002 by designers Jack McCollough and Lazaro Hernandez, but it’s anything but amateur as the brand has won five Council of Fashion Designers of America awards. Its simplistic patterns with strong bases give it an urban decadence that is bold but not loud. I’m interested to know your opinions. Tweet me. “And of course @MarcJacobsIntl!”“Of course” hints that watching out for Marc Jacobs is obvious, and I agree. Last winter we saw indigo, marigold and purpled burgundy line his runway. This year, urban caps with classic pinstripes are something GQ previewed for gentlemen. But his live show is highly anticipated for reason, and just as Emily suggests, you’d be smart not to miss.So this week, be a follower. Follow the designers, follow me and, of course, follow our inside girl Emily Farra @emilyfarra.Follow columnist Kel Collisi on Twitter @kelcollisi.
(01/30/14 4:40am)
____simple_html_dom__voku__html_wrapper____>Let’s discuss the elephant in the room. OK, it’s not an elephant. But as we’ve all heard, the Vivienne Westwood hat Pharrell Williams rocked at the Grammy Awards was just as big as one. Williams won Producer of the Year, Nonclassical, at this year’s 56th Grammy Awards. But, according to the Internet, his hat was the most memorable part of his appearance. The day after the hat meme explosion, I tweeted IU graduate turned big-shot Condé Nast News Editor, Mickey Woods for his comments on the pick. He replied, “Pharrell pulls off most things because he’s so damn suave.” Shockingly, I agree, and here’s six reasons you should too. No blackmail, trances or Potter Befuddlement potions used. Pharrell didn’t even have a stylist who might have chosen his hat as a publicity stunt.The hat was a free will choice. Pharrell told the 56th Grammy Wrap-Up Show hosts fashion is supposed to be DIY. Pairing what he coined the “Buffalo” hat with a classic adidas jacket, an i am OTHER t-shirt and a Chanel necklace, Pharrell did just that. He said it’s time to celebrate individuality and we’re going to see that in music this year. The star also predicted a return to a genuine interest in real musicianship, referencing artists like Blondie and Donna Summer — it’s only ironic that the ’70 artists were from the same era as his hat. Despite that, I respect a man that makes his own decisions. Hat’s got history. It’s vintage. This isn’t the hat’s first celebrity appearance. It’s quite vintage, making its first debut in Malcolm McLaren’s 1983 video “Buffalo Gals.”As former manager of English punk rock band Sex Pistols, McLaren has a musical background, as well as one in the fashion design world with punk marvel Vivienne Westwood, who actually designed the mountain hat. Pharrell said he liked the history and simply liked the hat. The best part is, it’s the exact same hat McLaren wore. Now, that’s creditable. Hat is going places.Though the hat might be vintage vogue, similar designs are emerging. Pharrell said music, architecture and fashion are going their own way. Looking at Vivienne Westwood’s Spring/Summer 2014 collections, we find similar statements are considered au courant. In her Red Label, we see her World’s End hat in natural colored straw as well as many prop hats in her Gold Label runway. We also see a slightly more urban style hat with the name Climate Revolution. This would better fit Pharrell’s sense of style, but we wouldn’t be talking about him if he didn’t go buffalo-style. It’s not part of his own Billionaire Boys Club and Ice Cream Collection.The Mountain hat is more hip, in my opinion, than anything we see in Pharrell’s own line Billionaire Boys Club and Ice Cream. Launched in 2005 with Japanese designer Nigo and Pharrell’s manager Robert Walker, the line is what I’ll describe as an amateur attempt by some college freshman with a graphic press. Maybe not that terrible, but I wouldn’t consider it stylized. I prefer Pharrell in something a bit more mature. The mountain hat is about 30 years more mature. It’s Pharrell. Pharrell told Grammy Wrap Up Show he’s just happy to be a little punctuation in the sentence of cool things that happened that night at the award show. I’d like to call him the exclamation mark, but he’d disagree. He’s not big-headed, just big-hatted. Among all of the rapper/producer/designer’s achievements this year, he’s like the modest counterpart to the Kanye ego, which we all need in our lives. He even played along with Arby’s breakthrough tweet, “Hey @Pharrell, can we get our hat back? #GRAMMYs.” “Y’all tryna start a roast beef?” he responsed.Funny, Pharrell. You can be a Mountie, too. Lastly, there’s no reason to diss Pharrell because you can now become a Mountain man or woman yourself. According to Vivienne’s Twitter account, there have been mountains of orders. Oh, and it comes in black. Follow columnist Kel Collisi on Twitter @kelcollisi.
(01/22/14 5:01am)
(01/15/14 4:14am)
____simple_html_dom__voku__html_wrapper____>Blondie says keep it. You should listen. It might be a new year, but looking ahead is severely similar to looking back. The artist that most comes to mind also has a comment on your potential New Year’s resolution.Neatly clearing your closet doesn’t apply to Deborah Harry, and it shouldn’t to you. Debbie told STYLE.com her favorite pieces are those shredded dear things we all love and claims them as stylemonger must-haves. The rumors are true. Blondie will be back with their new album “Ghosts of Download” this spring. It has many asking if the loudness of this punk icon’s fashion of the 1970s and '80s will return too. But first, let’s go back. Blondie’s popularity built during the '70s with its self-titled debut album “Blondie” in '76 and regular appearances at New York’s infamous CBGB club. But when the band went mainstream with the ’78 release “Parallel Lines,” so did the interest in Blondie frontwoman Debbie Harry and her virile sense of fashion. The punk scene was already riveting in the United Kingdom with designers like Vivienne Westwood and her SEX collections with the Sex Pistols’ Malcolm McLaren. However, the new wave genre was simultaneously washing over the underground scenes in the United States, adding hot pink gloss to the punk movement with Harry leading the way. Harry still claims she never knew much about fashion. She confesses she’d pretty much wear a blindfold, grab random things from her closet and wear that for the day. Nonetheless, it worked. As Harry began to wear black pleather boots, body suits and short shift dresses, so did the rest of the United States.Though her style started simpler, eventually too much started to feel exactly right. She said fashion was a process, and she was still learning. But with returning fashions this season, Harry might just have the sophisticated upper hand that only comes with experience. Throughout the years, Harry would remain a pop culture canvas as she was featured practically everywhere. In her “Heart of Glass” music video, Harry dances with a sheer gray scarf. We’ll see similar sheer trends that differ from past seasons. No longer is sheer suggested to be subtle or soft. We see hints of attitude by designers like Alexander Wang with his sheer shirt design with bold black text reading “Parental Advisory Explicit Content.” We also see trends returning from the '70s like wide-leg trousers and fringe accents from designers like 3.1 Phillip Lim. With more of an '80s flair, boxy crop jackets and shirts are in again from designers like BCBG Max Azria’s line . It’s only a coincidence BCBG and CBGB are so close. And as the music and trends return, so does Harry as magazines’ “It girl.” This week, Vanity Fair announced Annie Leibovitz will photograph Harry for an upcoming issue. So, “one way or another,” follow Debbie’s advice. Don’t clear the closet. Keep the clothes. And though some might still be waiting for their fashion revival — cough, David Bowie — some might just be lucky enough to make a comeback. Follow columnist Kel Collisi on Twitter @kelcollisi.
(05/16/13 4:00am)
____simple_html_dom__voku__html_wrapper____>The t-shirt has possibly the most contradictory reputation an article of clothing can have. What was once pictured as that baseball tee you stole from your high school boyfriend has now been made into Hermès crocodile and chiffon prints that go for over $90,000.The t-shirt is in a state of refinement and merits careful reconsideration. Here are some of the dirty details that come with this new versatilitee — pun intended. 1. Fabric & Stitching Using 100 percent cotton is as classic as it gets, but don’t feel obligated. Fabrics not only affect the feel of the t-shirt, but how you feel in them. If you want a shirt that’s softer to the touch, which also results in a lighter, more intimate fit, consider blends with rayon and silk. Polyester is often a go-to mate for cotton, and though it creates a more durable, wrinkle-resistant, color-retaining fabric, it can often feel less comfortable. As far as stitching goes, detailing is crucial. Consider the color and visibility of the stitch. Also, beware of raw hems. Though common, they can also lead to your sleeves rolling after washing. 2. ColorColor is meant to be played with. Tie-dye, however, is a toy I suggest leaving in the DIY memory box. Instead, consider big, bold color patches like the ones we saw trending this spring with designers such as Christian LaCroix. This look not only has a slightly nostalgic nineties Brooklyn hip-hop feel, but invokes a modern art aesthetic with Piet Mondrian-like cobalt blue and yellow blocks. 3. Tees that Talk Rule No. 1: don’t be a Chatty Cathy. Clubs around the U.S. have started to add to their dress codes that Affliction, True Religion, Tap Out and other such designs and logos are not allowed. This shouldn’t have to be said, but I’ll reiterate. Even if you aren’t in a club on a Saturday night, they’re tacky. In fact, any tee that has a brand name posted like a billboard across your chest should be avoided. We didn’t need to see LL Cool J on Late Night last week in an LL Cool J graphic tee. With that said, a few graphic tees (not the ones with crude or juvenile humor) can still serve admirably in grassroots activism. But pick your battles, or get a blog. 4. Inves-T-ingIt’s true, the fact a single Hermès croc tee could equal 25,000 Hanes basics is outrageous. But then consider this. A Hanes Nano T-shirt goes for $10 — only one third the price of American Apparel’s Le New Big Tee, ladies. A Hanes Signature T-shirt is $20, which means you could get two for the price of one Ben Sherman’s Antique Garment V-neck, gentlemen. And though those rates still might make some of you hesitant, check the details mentioned earlier and you’ll find you’re paying for fabric percentages and more specific fits. It will simply last longer and be something you subconsciously take better care of. 5. Crossing the Tees When you have a good tee, you have to treat it like one by completing the look. For guys, this will come primarily in the form of jackets. Pair looser necklines with blazers and do a casual half-tuck with a statement belt such as Lacoste. For the statement tees that can stand alone, consider a complimentary (opposite the color spectrum) pant paired with brown loafers and maybe hanging Ray Bans at the point of any V-necks. Ladies, blazers go as well. Always. Looser fits like ModCloth’s pattern tees can be tucked into waist-high patterned skirts for full looks. Boxy oversized color tees can be accented with long thin necklaces or stacked chunky bracelets in gold. After all, though versatile, there’s still an element of nostalgic “simplicitee” that needs to be respected.
(05/13/13 9:03pm)
____simple_html_dom__voku__html_wrapper____>The Bishop Bar's playboard read Bleeding Rainbow Saturday night because about a year ago Portlandia’s Carrie Brownstein decided she didn’t like the name Reading Rainbow.As the band was already living in fear of a cease-and-desist letter from PBS, the Philly foursome decided to switch "reading" to "bleeding."“Probably the best name of all time was already taken,” frontwoman Sarah Everton said. “That being Sonic Youth, and I’m not saying that just because they’re awesome.”The band said it agreed that the name wasn’t a hard decision and in a post on their website they termed Bleeding Rainbow “trippy as shit.”Guitarist Rob Garcia said they’re sticking with the name for this reason and that a mere name shouldn’t matter much as the sound.Pitchfork reviewer Stephen Hyden, who in his review of Bleeding Rainbow’s latest album, “Yeah Right,” claimed the name switch signified the change from “twee” and “cutesy” to a darker “shoegaze-infused pop” sound where the band attempted to be cool. The band came back with a public response that basically tagged the review as condescending.Everton said the timing was more coincidence than planned, and lead guitarist Al Creedon just said it was a general time of transition.“We just took too long to do the album because we were still trying to find out who we were,” lead guitarist Al Creedon said.Over a short span of time Everton moved from drums to bass to highlight her vocals, they signed Greg Frantz to drums and added Creedon to guitar with Garcia just before dropping Frantz altogether and picking up Dominique Montgomery. “But now we’re hyper-prepared,” Creedon said. “We know what we want.”With a new confidence that might have been spurred by a recent tour, fans can expect a new album no later than the beginning of next year, the band said. But before the band could get home to start working, they had to finish their tour — last stop, Bloomington.Garcia thanked the Bishop sound engineer, saying the acoustics sounded good from stage with a response that sometimes the high frequency needed bodies to pull it off. There were about 10 summer attendees in attendance, included one man who resorted to covering his ears to the increasing volume of the set.Two fans after the show joined the band at a back booth to ask them a few questions of their own, the first being who the band was influenced by.“No one,” Everton said. This did somehow spur into a conversation of bands they liked to listen to including B-52’s, which got a laugh from the fans.Fans will have to wait for the students to return and eventually Bleeding Rainbow to with their next album to see if it worked. “We’ll always catch Bloomington either coming in or out from tour,” Everton said.
(05/13/13 6:58pm)
The Bishop Bar's playboard read
"Bleeding Rainbow" Saturday night, because about a year ago
Portlandia’s Carrie Brownstein decided she didn’t like the band's original name
- Reading Rainbow.As the Philadelphia-based band was already living in fear of a cease and desist
letter from PBS, the four-some decided to switch "reading" to
"bleeding."“Probably the best name of all time was already taken,” Bleeding Rainbow's
front girl Sarah Everton said. “That
being Sonic Youth, and I’m not saying that just because they’re awesome."The band agreed that it wasn’t a
hard decision and in a post on their website they termed Bleeding Rainbow
“trippy.”Thus, vocalist/guitarist Rob
Garcia said they’re sticking with it for that reason and for the fact a mere
name shouldn’t matter as much as the sound.But to some, that was like saying
"it’s what’s on the inside that counts," and they subsequently disagreed.This included Pitchfork reviewer
Stephen Hyden who, in his review of Bleeding Rainbow's latest album "Yeah
Right," claimed the name switch signified the change from “twee” and
“cutesy” to a darker “shoe gaze-infused pop” sound where they were attempting
to be cool.The band came back with a public
response that basically tagged the review as condescending.As far as the name change goes,
Everton said the timing was more coincidental than planned and lead guitarist
Al Creedon just said it marked a general time of transition.“We just took too long to do the
album because we were still trying to find out who we were,” Creedon said.This seemed true. Over a short
span of time Everton moved from drums to bass to highlight her vocals, they
signed Greg Frantz to drums and added Creedon to guitar with Garcia, just
before dropping Frantz altogether and picking up Dominique Montgomery.“But now we’re hyper prepared,”
Creedon said. “We know what we
want."With a new confidence that might
have been spurred by this recent tour, fans can expect a new album no later
than the beginning of next year.But before the band could get
home to start working, they had to finish their tour — their last stop,
Bloomington.Garcia thanked The Bishop Bar's
sound guy saying it all sounded good from the stage with a response that
sometimes the high frequency needed bodies to pull it off.It was true, there were about a
handful of 10 summer attendees that showed, including one man who
resorted to covering his ears from the increasing volume of the set.But no one seemed to mind as
much as two guys vividly danced along to the music - one flapping his arms as if a bird and the other mimicking
Creedon’s vertical playing.Another man said he had never
heard of Bleeding Rainbow before, but danced with his boyfriend nonetheless and
even bought a record at the end of the short-lived set.
(04/25/13 4:00am)
____simple_html_dom__voku__html_wrapper____>Catherine Martin is nothing short of brilliant, and though her astounding work on her husband Baz Luhrmann’s blockbusters “Romeo + Juliet,” “Moulin Rouge” and “Australia” has not made her famous, she should be. The fantastical videography in each of the films have always allowed her work to be just as exuberantly beautiful. But with “The Great Gatsby,” it is different. Though surely fantastic, Gatsby has a standard of cool that none of the Luhrmann’s Parisian Bohemian or Shakespearean flicks have had thus far. With this, there will be special attention paid to the men of the film, particularly Jay Gatsby (Leonardo DiCaprio). After all, it’s just as Daisy Buchanan says: “You always look so cool. The man in the cool beautiful shirts.”Gatsby is absolutely cool, and the film follows suit. I blame this on authenticity. Every striped tie, boater hat and tailored blazer has been carefully selected from Fitzgerald’s brand of choice: Brooks Brothers. Archive selections accurately depict the author’s imagination outside of text. Ralph Lauren was the main designer for Jack Clayton’s 1974 film adaptation and Brooks Brothers has quite an example to follow. However, I have no doubt they’ll exceed expectations, and with personal ties to Fitzgerald, I find them the best candidates for the job.It’s the attention to detail and the collaboration with Martin that will give viewers the dirty specifics of the era and plot. For example, don’t miss the embroidered Skull and Bone Yale Social Club logo stitched on the interior of Tom Buchanan (Joel Edgerton) and Nick Carraway’s (Tobey Maguire) blazers. Edgerton said he’ll have to make a note to flip his jacket open to showcase the detail at least once. But even if you overlook it, the overall gentleman purveyor cannot be missed. The trailer already showcases DiCaprio in white suits, thick-knit sweaters, pastel oxford shirts and bold ties complete with pocket squares. I think it will serve as a prime example of what completing your outfit can do. Better yet, Brooks Brothers will not only serve as this remodel, but sell it through their Gatsby collection that went on sale last Friday.As for the ladies, Martin said there is a certain ‘crispness’ to every costume choice. After working with Prada for the wedding scene in 1994’s “Romeo + Juliet,” the Prada-Martin duo is back together, and they’re no doubt a couple just as luxurious as Martin and Luhrmann. Seriously, I love them, and once you see Prada’s sketchbook, you will too. The collaboration has currently revealed 40 dresses from Prada and Miu Miu archives for adaptation. Everything from pearl embroidery to sequins to silk and crystals will be nostalgically represented and modernly tailored. Brilliant party scenes will place the designs in their deserved extravagant atmosphere, the only downfall being that they might be spritzed with a few champagne showers. But then again, these designs were made to glisten.Martin made sure of this by pairing yet again with none other than Tiffany Co., who have released their 20-piece line of Gatsby jewels in their 2013 Blue Book Collection. Pay attention to the overwhelmingly dazzling pieces such as Daisy Buchanan’s headpiece, which has a detachable brooch priced at $200,000. Unfortunately, the prices are a college fashionista’s buzzkill, but don’t fret because you don’t need a trust fund to get the look. I suggest Ted Baker or even my go-to Forever 21 winter white beaded shift dress, which runs just under $40. Then go to Stella and Dot for longer, multi-strand jewels to accompany.Whether you’ll be embracing it or not, it’s going to be a Gatsby summer, ladies and gentlemen. After all, what Carraway said about the year 1922 can still be said today. The tempo of the city is changing sharply, the buildings are still getting higher, the parties are bigger, possibly the morals looser and though the liquor not quite cheaper, I’m sure we’ll still be toasting to Gatsby.
(04/18/13 4:00am)
____simple_html_dom__voku__html_wrapper____>I spilled a drop of passion fruit tea on my white shirt the other day, and a tear just about came to my eye. We needed recently deceased, famed designer Lilly Pulitzer (1931-2013) in the world for girls like me — the clumsy type who needs to be reminded every now and then there can be bliss in a little imperfection. This column commemorates her life and proves Lilly shouldn’t be brushed off as just a preppy brand that sprinkles North Jordan in spring. Lilly proved there was joy to be found in every little splash of color, even if it was accidental. Born a New York socialite, Lilly and her husband Peter Pulitzer (yes, that Pulitzer), made their home in Palm Beach, Fla., where she first found inspiration for her designs. It was while working at a juice stand that Lilly decided to make a colorful dress that wouldn’t show a little splattered fruit juice. In 1959, the Lilly dress became branded and the closets of resort-goers and members of high society were colored with her bright floral prints.Though it’s rare to have a brand that has kept such a constant line and still remained successful for more than 50 years, Lilly has, at first glance, appeared to do so. The classic Lilly shift dress cut is the same she was first taught in home economics class. Even with the additions of her home, office and sorority collections, the prints remain as proudly bright as ever. However, with strong ties to the beach elite and preppy community, the statements Lilly prints make sometimes get overlooked in the array of patterns.Take a closer look, because Lilly is bolder than you thought. She thrived socially but also thrived for social rights. In fact, the loud prints persisted after the juice stand days to rebel against the prim and proper dullness of some high fashion. Her prints also grew political. For example, look past the swirl of yellow pink and green on one print and you catch a naked figure dancing between the floral. Lilly was big on the streaker movement — she always suggested no underwear beneath any of her dresses. Lilly Pulitzer — the designer herself and her brand — is about art and expression. The line was a child of the sixties, so it makes sense that her array of prints and encouragement for individualism has continued to help others discover theirs. But of course, if Lilly the barefoot tycoon doesn’t speak to your style, I encourage you to open a fruit stand all your own. I’m sure Lilly would be up for a little healthy social contest — my bet’s on the pantiless Queen of Color.Cheers to Lilly.
(04/11/13 4:00am)
____simple_html_dom__voku__html_wrapper____>You don’t pronounce my last name (Collisi) as "Khaleesi" but lately I’ve just been going with it. I’m starting to wonder how many people even know my first name, as my friend recently showed me a left-over spring break tweet from a guy friend that read, “Why do I have a girl in my phone as ‘mother of dragons?’” It was funny at first, but when my phone wouldn’t stop buzzing during Sunday night’s premier, I began to question how far people are going to take this.One thing about a name doppelganger is that it makes you curious. I mean, who is this mother of dragons? Well, after much stalking, I can tell you she’s my latest fashion obsession.When Khaleesi is not dressed in “Game of Thrones” designer Michele Clapton’s creations, she’s on Broadway playing Holly Golightly, the role formerly held by fashion’s most delectable 1960s icon, Audrey Hepburn. She’s naturally brunette and naturally British, which makes her rendition of Golightly delightful. But she’s also the perfect fit for costume designer Colleen Atwood’s (“Chicago” and “Alice in Wonderland”) 1940s costumes — everything from nude silk nightgowns to strappy heels, pearls and fur coats. One thing Atwood capitalized on for “Breakfast at Tiffany’s” was mixing the 1940s style, which the novel and Broadway rendition were based on, with the 1960’s vibe from the Blake Edwards film adaptation.Khaleesi’s personal style definitely draws from both of her roles for an interesting mix of classy fierce. Pairing a high neckline white dress with loose curls to one side and red lipstick for her David Letterman interview last month resembled a Jaclyn Kennedy look. However, with strappy black heels and a hemline way too high for a first lady, Khaleesi shows a more boldly wild side. The red lipstick seems to be a go-to for Khaleesi to show that queens aren’t a force to be reckoned with. She paired the hue this past week on Jimmy Fallon with a Versace nude dress and Nicholas Kirkwood heels placing her on style watch lists. I don’t see her going anywhere soon, and even if you don’t watch “Game of Thrones,” I advise you watch her.And to help you do so, you might want to jot down that Emilia Clark is her real name. After all, we can only have one real Queen of Dragons — me, Kel Khaleesi.
(03/07/13 5:00am)
Try out these crazy new fashions this spring. I triple-dog-dare you.
(02/28/13 5:00am)
____simple_html_dom__voku__html_wrapper____>Summer means blue and yellow, leaving green for the grass. Hermès claimed citron as a color of the year, and I think the yellow hue is as tasty as a lemon in an afternoon Pimm cocktail. This summer we’ll be keeping things classy, and, just like a good cocktail, perfectly tailored to the individual. Let’s start from the bottom up, gentlemen. Very bottom
(02/21/13 3:59am)
____simple_html_dom__voku__html_wrapper____>I’m going to call Eiko Ishioka for the win — but it’s a close call. I became the proud winner of a $50 bet last year when I called Mark Bridges (The Artist), but that was just because my contender obviously knew nothing about costume design. How could a designer in a black-and-white silent film not win the Oscar? The costumes were the only things that could speak. But, it’s different this year. The selections are all very audience-specific. We have intellectual period pieces to romances to fantasy pictures, all with very explicit personalities, which happens to be the key word. This year’s winner and your personal pick will come down to your personality.The Novelist: Paco Delgado for “Les Misérables”The story of “Les Misérables” demands a lustrous, emotional touch that I’m not sure Delgado was passionate enough to give. Granted, he did his homework. The French uniforms are perfectly depicted and the peasantry garb specific to the era, but I’m not sure his designs carry enough emphasis to land him his first Oscar. Though certain features, such as Anne Hathaway’s blue hood and ragged red dress, are excellently reveal her emotional desperation and beauty, they would have been lifeless without her body movements. I don’t think the wicked rags of Helena Carter could have done too much either without the hair and makeup and, of course, the actress’ famous personality. Though the use of blues, reds and browns each tend to label the classes, they wouldn’t have made nearly the impact without heavy color production. So, though novelists might find Delgado’s work to be the perfect complement to a story they find moving, I don’t think it’s fair to say he has a strong enough impact on his own to tell the story. I think other Oscar nominees have done what he hasn’t. Thus, he lands fourth on my Oscar list. The Historian: Joanna Johnston for “Lincoln” It was accurate. Congrats, Johnston can do her homework, too. However, you can only implement so much individuality with a period film, and I feel Johnston didn’t even pursue that. So, she might earn the respect of historians for making Lincoln’s top hat just the right height, but she will not earn the attention of an Oscar.The Fashionista: Jacqueline Durran for “Anna Karenina”I wanted to place Durran first so badly. The romance of Russian style in the premier age of war and ballet is all too beautiful. Anna Karenina’s necklines dip elegantly, and when complimented with more prominent fur caps or veils, they give the character an air of refinement that cannot be matched. The jewels, pearls and golden details of the Russian uniform and jewelry are a more dignified depiction than the actual era probably deserves, but to fashionistas who love the luxurious, it’s perfectly acceptable. The above doesn’t even appeal to the sympathetic vote for Durran, as this is will be her third Oscar nomination that will go unsatisfied if she loses. Compared to previous work on “Atonement” and “Pride and Prejudice,” her progress is notable in “Anna Karenina.” However, though the beautiful designs might be a rarity, I cannot say the look has never been done before. Thus, I place Durran first in my heart but third on my list. The Artist: Colleen Atwood for “Snow White and the Huntsman” Colleen Atwood is quite resilient. This is her 10th nomination and possible fourth win. Most recently, she won for “Alice in Wonderland,” which was noted for its colorful yet obscure designs that seemed to be drawn straight from her own fantastical dreams. But this time, it’s as if she has sketched from nightmares. “Snow White and the Huntsman” is darkly brilliant. The gowns of the evil queen were her obvious guilty pleasures, as they draw from gothic patterns but also showcase feathers and wing-like architecture to illustrate the agent of dark magic. But I believe it will be the same thing that places Atwood high on my list that will keep her from the top. The queen’s gowns are so articulated that the rest of the characters could have shared a back page in her sketchbook. This might be her downfall.The Dreamer: Eiko Ishioka for “Mirror, Mirror”Eiko Ishioka’s last and only Oscar was for “Dracula” in 1992. Yes, it seems she has a bit of a fantasy fetish herself. And, though she was dormant for more than 20 years, Ishioka proves she never stopped dreaming. I mean, what better movie to show that bottled expression than one with seven little men and seven big personalities to play with. Oh but wait, there was also the evil stepmother’s gorgeous collection of gowns, the fair princess’s runaway cape and the court’s ballroom attire. It’s as if the film’s simple set was meant to allow Ishioka to paint it with her designs — which she did. I believe she is the only one to place an oversized leather rodeo hat on a three-foot dwarf, not to mention stilt ninja suits on all seven. She also took the typical fairytale ballroom attire usually filled with color and cream-washed it all, finishing with taxidermy chapeaus. She saved the color for Julia Roberts, whose gowns often filled the room and would have exaggerated the personality of any queen who wore them. And finally, when she hadn’t a clue for a costume, we get a nude prince. The details in every part of this movie and the imagination presented has to give this year’s 2013 Oscar to the dreamer. Best of luck, Eiko.
(02/07/13 1:51am)
____simple_html_dom__voku__html_wrapper____>Vivienne Westwood’s hair is as much on fire as her mind. She’s the essence of the 70s punk sex revolution, and her designs have inspired the fashion world and, more recently, the coffee table book publisher Taschen.His Soho bookstore consumed my lunch breaks when I worked at the neighboring office of Nylon two summers back. It’s safe to say I’m obsessed, but with him, not only Westwood. But as fashion/art culture is a circle, we must appreciate those who inspire the inspirers, and respect those ballsy enough to speak their minds. Thus I come to Viv and sharing her dirtily evocative designs with you.It’s first important to divide the genre of punk. You can’t compare the Sex Pistols to the Ramones just like you can’t compare Brit punk fashion to American. It’s just different, and Vivienne’s role in the scene’s style of clashing colors and rioting patterns only made the music seem louder and the European fashion world scream along. After all, she was the one who designed for Sex Pistol Malcolm Mclaren. She called her designs innovative, but they were more often just crazy. When she met Mclaren, Westwood had just gone through her first divorce and was hot to pursue the independence the punk scene thrived on. Making a scene was the scene, and Vivienne had the courage to do just that. She drew early inspiration from fetishists and sex workers, and voiced her feelings on democracy and liberation through her clothes. Her designs became her megaphone and declared her an international activist.Once the Pistols went platinum, the word got out and the decade turned. Vivienne decided it was time for another fashion revolution. A young girl on the tube Vivienne described as “cool” helped to turn the page for her boutique, called “SEX,” from raw punk to reworked tweed and ballet buns. After all, her Westminster Harrow School of Art education had to give her a little respect for prior revolutionists. This new collection would draw from 16th and 17th century paintings and pull from their own royal rock stars — like my character crush Marie Antoinette. Vivienne titled the phase “The Pagan Years,” and the collection was bursting with fur and corsets, now owned by private collectors and in the halls of The Victoria and Albert Museum, one of my favorite London institutions.Over the decades, Vivienne’s fearless designs have made her famous as someone who designs clothes meant to be stared at. She has surely made a dent in society and served as an inspiration to many — especially the late Alexander McQueen, as we saw the many “pagan-esque” designs in his own gothic collections. Her current designs have moved from the pieces displayed in Victoria and Albert, to what you’d consider more worthy of Tate Modern. They all seem to contain rich art-deco patterns of the current century. But what has always remained the same, and something I believe will stay constant despite the decade, is her sheer adamancy to speak her mind and remind you to do the same.
(01/31/13 5:00am)
____simple_html_dom__voku__html_wrapper____>Tegan and Sara are my twin idols. In terms of fashion, the duo intentionally defies the rules. They even had a phase where they tried mullet cuts, for goodness’ sake. Jointly, I’d depict them as that girl in art class who has a quiet fierceness to her as she paints a picture that no one else gets. The same goes for their sense of style. They’ve been a landmark case in proving rebellion is sometimes necessary for honest self-expression.When the twins announced on a radio show earlier this month they decided to hire a stylist, the word sell-out came to the minds of most indie fashion enthusiasts. However, I dare anyone with these initial thoughts to stop being so damn hipster and think about it from a different perspective.In light of their seventh album release, I thought this week’s column could focus on Tegan and Sara’s past quarrels with fashion standards and state their justification for the recent experiments. After all, their new album “Heartthrob,” with hit-single “Closer,” is all about experimentation, whether with music, sexual curiosity or even fashion. So listen while you read, and who knows? Maybe it’ll convince you to do a little experimenting yourself.LEATHER AND GLOBAL PATTERNS: When ‘60s styles flood the runways, Tegan and Sara have been behind by being ahead. They’ve had a taste for the ‘80s. We’re talking about highly reoccurring bulky bomber jackets and artsy paint tees. However, the recent switch has been to slim leather pieces like you’d see with Jason Wu’s skirts, more worldly patterned artistic tops and oxford shoes. They’ve managed to keep the jacket and laces, but simply modernize it a bit. Less gaudy, more sleek, with just as much fun with global patterns by designers like Duro Olowu.INK: No matter how much their ensembles are experimented with, their tattoo-stained arms will always make a statement that is all their own. It shows they are still firm in their initial motives as musicians as they continue to showcase them with rolled sleeves. It’s a personal statement that never stops speaking, despite whatever experiments they take on. If you choose to embark on this genre of experiment, you should do your research. STRIPES AND SUITS: The word punk hasn’t been on the tongues of fashion gurus since the prime days of Against Me! Tegan’s labret piercing helped fans distinguish her from Sara, and it complemented her numerous Popkiller graphic tees, which always seemed to be worn in black. However, the girls seem to have put a pause on the graphic attitude and black-eyed promo pictures to dabble in more poppy chic shoots, keeping the attitude for their lyrics. Tegan is still bold by experimenting with stripes you’ll see with designers like Marc Jacobs, black and white shirts and strong tailored suits to state her continuing dominance in the pop world.FLOURISHING FLORAL: This spring is boldly blossoming with bright floral prints and full designs by designers like Jenni Kayne. And though Sara looks quite chic in a high-collared floral oxford in recent fashion snaps seen on the web, the girl has never worn so much color in her life. But she carries it surprisingly well, and so might you. The album’s bright outlook might simply need brighter clothes, and there is nothing wrong with that.
(01/24/13 2:40am)
____simple_html_dom__voku__html_wrapper____>I like to read interviews of Sundance directors to pick out the liars. I have no real merit for my skepticism — just an intuition that some are faking it. Obscurity for the sake of obscurity kills any real artistic significance. The same goes for even the most prominent designers. We all saw Chanel’s Hoop bag last fall.But hidden in the muck of hype, you occasionally find gems such as Big Sur. The Michael Polish independent did not land on most-anticipated lists, but it still caught my interest as it aims at a humanistic rawness by depicting the maddening break down of Beat Generation novelist Jack Kerouac. The film based on a 1962 novel doesn’t only speak of a culture iconic for their existential mindsets, but illustrates one that speaks through their fashion as well. And as history repeats, so do its expressions. Spring 2013 is simply no exception.Costume designer Bic Owen dressed the film in a washed-out aesthetic that represents the muted underside of the era and hints at this season’s 60s cuts with subtle colors. The simplistic whites we’ll see on lead actor Jean-Marc Barr (Kerouac) contrast the abrupt Santa Lucia cliffs of Cali’s coast and mirror the whites we’ll see from top designers such as Bottega Veneta as we return to more feminine styles from before the days of Valerie Solanas. And as winter loved rich jewel tones, spring will mellow the sapphires and leave us with hues of blue as well. We’ll see more of the high necklines that dressed 60s icons Twiggy and Françoise Hardy, with designs from Charlotte Ronson whose modest blue dresses take inspiration form water — similar to those of Big Sur’s Pacific.Though some designers will opt soft, the conflict of the inspiring generation will parallel that of the modern fashion world. Some cannot resist the quirkier side of the 60s because there seems to be a little bit of Cosmo’s Helen Brown in all of us too. It’s hard not to fall for this season’s gallant stripes such as Oscar de la Renta’s chevrons or bright statement sunglasses that have a more sexy, playful attitude. In fact, the cool colored trends might be to blame for the real-life romance that sparked between Polish and Kate Bosworth who plays the film’s sensual but arduous mistress Billie. And as the now-engaged duo quickly becomes one of our most fashionably smart couples, I have to give credit to the other latest trends all of our own. Not all of 2013 can resemble the poise or oddity of the 60s. Some will still prefer to swim against the rest with pieces tagged as peek-a-boos that are cut to reveal skin too risqué even for the era. But then again, going against the conformity might scream 60s louder than anything else — fashion, too, is all about individualism. Happy Sundancing.
(04/20/12 5:19am)
____simple_html_dom__voku__html_wrapper____>Bounce Music Festival founders Brandon Silverstein and Jared Lyons said they were in Mexico for their spring break tour in Puerto Vallarta when they heard Afrojack was coming to IU. They said they had to top it.“And I think we did it,” Silverstein said. In one month, the Bounce duo brought one of the world’s largest DJ’s, Tiësto, to Bloomington. He flew in Thursday night and left for Mexico on a private jet from Bloomington airport this morning. “But this isn’t just about us doing a Tiësto or an Alesso show, whatever,” Silverstein said. “We’re really trying to build a brand and the Bounce experience so it’s more than just a concert.”After bringing Avicii in November, Lyons and Silverstein said they had to not only outdo everyone else, but themselves as well, with an even bigger bill and even more stage production to create that insane Bounce experience. “The lights alone were five times bigger and 10 times more expensive than Avicii,” Silverstein said. “It’s stuff that has most likely never hit the Midwest before.”They not only produced the concert, but built the venue. Stretching across the open grounds of Pic-A-Chic Farms was an 80 foot stage surrounded by LED walls and $30,000 worth of fireworks — a production with lights they said cost $100,000 on top of Tiësto’s production requirements.“The entire stage, except for where he stands, is just fireworks everywhere,” Lyons said. The Bounce founders said Pic-A-Chic was the only venue that allowed them to be themselves by having no capacity limits and no restrictions. “The best part is that it’s out in the middle of nowhere,” IU graduate student Natalie O’Bryan said. “Campus has rules and noise limits. You can do whatever the hell you want out here.” And people did. As Tiësto took the stage, nothing could be heard except for the overwhelming bass. Sophomore Molly Crawford ran from the center of the crowd drenched in sweat and out of breath.“I tweeted at Tiësto last night,” she said. “I said ‘I’m preemptively thanking you for the eargasmic and body-popping beats you’re about to drop at Tiësto Fiesto tomorrow.” She pointed out that it rhymed as she yelled with the CLUB LIFE tracks behind her. IU alumnus Seth Walker asked if he was allowed to give the concert three thumbs up before putting on rave glasses and posing to take a picture with a woman in a bikini and panda headdress. Walker was wearing gold tights and a striped top, which was stuffed with grass to make it appear like he had breasts. “There’s a cross dressing bar crawl after, and I don’t have time to change beforehand,” Walker said. But he fit right in. Nikki Wagner from Louisville, Ky., bobbed her head slightly as she stood in the back of the VIP area. She said the beat, the bass and watching people, such as Walker, was the best thing about electronic concerts. “There seems to be more half-naked people here than I’ve seen in awhile,” she said. As Tiësto sounds from his upcoming album release CLUB LIFE: Volume Two Miami led the crowd to sing to mixes of Coldplay’s “Paradise” and Gotye’s “Someone that I Used to Know,” a woman mounted a man against the fence and started to remove clothing. “People are crazier here,” VIP and graduate student Roberto Opice said comparing the concert to the ones he’s attended in his native country Brazil. His only complaint was that there was no open bar, but he said the Bounce production measured up to every electronic concert he’s seen in Brazil. In a press release, Tiësto said that bringing the sounds of the club scenes to other places was his exact goal for his songs, and along with Bounce’s stage production and the festival’s giant bouncy balls, the concert did just that. Opice simply tipped his Red Bull Lite toward the stage and said, “Yeah, that’s the best part” as streamers shot from the stage illuminated by strobes through the smoke, which consumed the neon crowd before it. “It’s unbelievable here,” Silverstein said. “Avicii left and said that was one of his best shows in six months, but I’m curious to see how Tiësto responds.” But no matter how Tiësto responds, the crowd response alone spoke for the festival’s success. No one paid attention to the car alarms or sirens that whispered below the electronic bass lines. “Tiësto is just the fucking man,” Crawford said.Lyons said he agreed. “Tiësto is probably the biggest, but next time we’ll build a bill that not just hits electronic music but something else,” Lyons said. Lyons and Silverstein said they already have someone in mind, but they’re not willing to share just yet. However, Silverstein said they have a sentimental attachment to Bloomington and that students can expect a Bounce show next welcome week. Until then, fans will just have to be left in anticipation of Bounce’s next move. “Concerts like Bounce and Tiësto put Bloomington on the global map,” Opice said. “I’d definitely come again.”
(04/19/12 4:03am)
____simple_html_dom__voku__html_wrapper____>Nikita was a Latvian native, but he was studying in Paris when he told me he could pick out every American on Champs-Élysées Avenue because of two common traits: blue jeans and tennis shoes.Even though I was wearing neither of the two, I couldn’t necessarily disagree with his stereotype as I cringed at a pair of passing white New Balances. Though our shiny Condé Nast magazines might model a taste of American fashion and poise, the majority could humbly agree that the comparison is no close match between a Euro native and an all-American girl.He was right. I was helplessly jealous of his naturally cool European swag.But then he continued in a more pompous tone to say that if Americans wish to fit in abroad, they should simply avoid major European cities altogether. I disagreed — after all, if not for Prada, we are known for our American charisma and competitive nature.So, I’m taking this opportunity to accept his challenge and insist all of you Euro-dwellers do the same. Here are a few tips on fashion abroad that might be helpful while packing those suitcases and proving that handsome man wrong. We Americans can have Euro swag, too.1. Redefine casual: You might get away with wearing sweatpants while running to the corner store in Ohio, but unless you are literally running, European countries have a different definition for casual attire. Two casual pieces abroad are plain V-neck tees paired with a pashmina.2. Conceal color: Blues, mustards and corals are running rampant through American lines, but black is always a necessity in Europe. Wear all black here, and you’ll be tagged with satanic comments all day. Wear all black in Paris, finishing it with black ballet flats, and it’s considered Vogue worthy. Otherwise, stay clear of bright clashed hues. Instead, go for more muted tones and subtle hues.3. Short-live shorts: Shorts are seen as resort wear, so save them for the beach. Europe is a much more modest country, but don’t think boring conservative — just more elegant. Look for longer cuffed cotton shorts in navy or burgundy. Also consider straight-legged capris in black or white.4. Do denim: You might have heard no denim in the U.K., or most countries for that matter. However, it’s more about how you do denim that needs a Euro critique. Stay away from heavy back pocket logos and anything with holes. Stay simple. Go straight, dark and tight. If you must have some flare, do so with caution.5. Wear waterproof: On average, it rains three out of seven days in London in the summer. To someone with temperamental frizzy hair, that’s terrifying. These simple items are must-haves in rainy weather — pocket umbrella, water proof bag, rain boots, waterproof mascara and mousse. Also, the rain drops the temperature significantly, so carry cardigans or a light jacket.6. Surely sheer: The greatest thing about sheers is that they can be layered without adding too much bulk to an outfit. They’re soft and sexy, too. This is one fabric that craves bulky accessories. Pile on bracelets or go with a chunky necklace, but not both. 7. Smart shoes: Wedges are a perfect casual shoe for day walks, but stilettos are recommended for evenings. Also, remember that a lot of streets are cobblestone, which can threaten to twist ankles. Flats are best when traveling, so I’ll be packing my classic Tory’s and my Flats-to-go from Target. Remember, don’t leave behind your lace boots.8. Simple beauty: European street style is all about embracing a natural cool. Though we might feel the need to curl or straighten every strand, a tailored air dry might be more fit. Use product. The same goes for makeup. Use simpler shades of eye shadow, and watch the heavy bronzer when a light blush could suffice. Though these blanket tips will help, each city is diverse. Check out local blogs and magazines. Set your Twitter trends to your destination. Also, look books from ASOS, Topshop and Oasis can grant great inspiration along with visits to local boutiques. But the number-one tip is to remember your roots, so don’t feel smothered — if you want to slip on those comfortable Levi’s and Indiana sweatshirt, do it. But for those other times, whether prowling the streets of London, rowing the Venice canals or shopping the avenues in Paris, I hope these tips help your Euro-swag sensible mind-set.
(04/05/12 1:17am)
____simple_html_dom__voku__html_wrapper____>Though Sublime might not be as obviously out of style as denim overalls with one strap fastened, the surviving band is still as obsolete as carpenter jeans or thigh-high stockings.As for most things that thrived in the 1990s, the word “fad” comes to mind and brings with it images of catalogs and shiny magazines covered in the now-regretted clothing trends of our former generation.Our Little 500 concert directors might have had room in their hearts for this tacky kind of nostalgia by booking Sublime with Rome, but some things need to be left in the past.Yet unlike ska punk trios, fashion matures. So don’t protest every 1994 and 1996 piece that might have slipped its way back into your closet; some things do make successful comebacks.When analyzing the contents of closets past, one should start by summoning former fashionistas to get a mental image.Let’s look at two famous 1990s characters: the “clueless” Cher Horowitz and the “friendly” Rachel Green. They were both extremes, but so was the era. From popular schoolgirl Cher’s platforms and lipstick to city-girl Rachel’s slip dresses and Mary Janes, the two have a combined wardrobe that is a comprehensive representation of the time.In 1994, grunge was ending, and a new era of tailored feminism was eager to begin. It was a transformation that parallels our current shift from bandage dresses and studded details to more modest waist skirts and pearls.Take Mary Janes. Skip the cinematics, and you have quality closed-toed leather shoes with fitting straps. The comfortable and versatile shoes can be paired with shorts or knee-length skirts to add a cute good-girl look. But consider leaving the heavy soles and buckles in the 1990s.Instead, take a look at the cotton Mary Jane flats, which mix the classic style with brightly colored floral patterns. For a more sophisticated prep style, look for those 1990s-eque leather loafers and pair them with cuffed shorts and cardigans.Also allowed into this decade: bomber jackets. Granted, I’m biased after seeing Ryan Gosling strut one in “Drive” last fall, but who wouldn’t be? They’re the ultimate cool-guy prop. Whether layered with hooded zips, dress shirts or white T-shirts, the jacket is a statement. Paired with just about anything, a lighter tan bomber puts an edge on summer simplicity.Lastly, take the crop tops and denim fetish of 1995 and switch the color roles. The 1990s might have played bright tops with jorts (blue jean shorts), but we lean toward the opposite.Look for a simple off-white crop that can be paired with a modern hue, such as Free People’s Melon denim shorts; pair it with a bulky accessory and loafers; and call it a spring day.So there you have it: some appealing items from a not-always-appealing era. Leave the tacky behind, but dare to reclaim the pieces that deserve a revival. And if you must slip an old Sublime cassette into your old player when you slip on those Mary Janes, well, then at least someone’s still listening to Sublime.Merry Little 500.