Sidewalk runway
Senior Tiffany Leonhard (left) and Julie Duhon. describe themselves as "an odd pair" for the fashion runway. On their style: Leonhard described her style as "whatever matches" and Duhon as "just me."
Senior Tiffany Leonhard (left) and Julie Duhon. describe themselves as "an odd pair" for the fashion runway. On their style: Leonhard described her style as "whatever matches" and Duhon as "just me."
Reza Aslan, an expert on Islam and the Middle East and author of the book "No god but God," addressed the issue of Islamic reformation in a speech entitled "Welcome to the Islamic Reformation: The Religion, Politics, and Future of Islam," Wednesday evening in the Whittenberger Auditorium of the Indiana Memorial Union. In his speech, which was sponsored by Union Board, he addressed the religion of Islam today, as well as how Muslims perceive Osama Bin Laden and his radical idea of Islam.
Former Environmental Protection Agency Head Bill Ruckelshaus said he thinks we need to change the way we live. "How do you convince (people) that we all need to live somewhat differently?" he asked. "You've got to convince them that it's their idea." In honor of the 35th anniversary of the EPA, Ruckelshaus spoke to the audience-packed Wells-Metz Theater Wednesday afternoon.
Sophomore Tanah Combs often finds herself naked in the middle of a classroom full of people staring at her, but it's not a bad dream. It's her job.
Scattered across tables in common rooms around campus sit paper triangles urging students to register against rape with the IU Student Association rape crisis fund on one side and another important message on the other. "The Little 500 Weekend -- protect yourself, protect your friends." Little 500 riders have helmets to help shield them from dangers during the race, students who participate in any of the activities associated with Little 500 week don't have protective gear to keep them safe during the parties and substantial drinking that accompany the week.
Little 500 weekend is coming up, and many students will have the honor to host a slew of guests at their houses, in the dorms or at their apartments. But along with that comes a frazzled state of mind on how to accommodate them. Having guests can be quite an overwhelming thought, but some careful last minute planning could help ease the stress of having Little 500 squatters at your house. There are essentially three main components that guests are going to need from their hosts: food, a place to sleep and entertainment.
Little 500 has been dubbed the "World's Greatest College Weekend," but what does that mean? Surely IU students would be able to shed some light on why this weekend is better than any event that takes place on any other campus throughout this big blue marble. Let's start with junior Ashley Timberlake, a student walking past the Indiana Memorial Union. She probably has some crazy story from past Little 500 weekends. "The last couple years I've had tests all week; so, I haven't been able to go out," she says.
A couple weekends ago while donning Showplace West 12 with my presence during a screening of the retched "The Hills Have Eyes," I saw a teaser trailer for yet another upcoming horror remake of the classic film, "The Omen." The trailer featured a lingering shot of a creepy-looking demon child, perched on a slow-moving swing set. The music was eerie, the Amish-looking child was motionless and the audience in the theater was silent. As I watched the fairly intriguing trailer, I began to think to myself, "Well, Warner, this is pretty much the only good that will come out of this film."
"An Unfinished Life" is a charming story that is parallel with reality. With a superb cast featuring the likes of Robert Redford, Morgan Freeman, Jennifer Lopez, Josh Lucas and newcomer Becca Gardner, "Unfinished" is able to please the audience as well as entertain. Jean Gilkyson (Lopez) and her young daughter, Griff (Gardner), travel from the Midwest out to Wyoming in an effort to escape Gilkyson's abusive boyfriend. With no money and no place to go, Gilkyson decides to go to the ranch of her dead ex-husband's father, Einer (Redford), who blames her for the death of his son.
Imagine if when you were six years old you'd found some of your daddy's mescaline in the medicine cabinet, took it, ate 10 Oreos and watched "Sesame Street." That's "Wonder Showzen," MTV2's usually demented, often scatological, always brilliant kids' show knock-off created, directed and voiced by the members of obscure indie rock band PFFR. The format of "Wonder Showzen" is not unlike that of "Sesame Street," "Barney & Friends" and their ilk. Real live kids between the ages of five and 12 interact with a host of puppet pals, and then there's the occasional cartoon, public service announcement or trip to the local farm/factory/zoo.
"Wolf Creek" is a horror movie that, like most horror movies, you'll either love or hate. And like most horror movie fans, I give them a chance because I rarely dislike even the most asinine of horror delights, mostly due to how exaggerated or unintentionally comedic they often turn out to be. Unfortunately there was none of that in "Wolf Creek." It's a horror movie that takes itself seriously, which is why its many shortcomings made it very displeasing to watch.
If someone told you at least eight different versions of a film existed, which version would you watch? Nobody has ever had more trouble when it came to editing control than the legendary Orson Welles. Granted "Citizen Kane" remained under his control, the rest of his output rarely was. While "The Magnificent Ambersons" and "Touch of Evil" became the victims of deadly studio scissors, nothing was more admittedly painful for Welles than watching his own "Mr. Arkadin" be torn from his grasps and shredded to pieces. There may be many versions of this fateful film, but the general story follows that of Guy Van Stratten (Robert Arden), a smuggler hired by tycoon turned amnesiac Gregory Arkadin (Welles himself with curly wig and curlier beard) to investigate his forgotten past.
By 1977, Pink Floyd had achieved the kind of lucrative success of which most bands only dream. The consecutive releases of Darkside of the Moon and Wish You Were Here launched them into international stardom. So how did they follow up these two career defining albums? By releasing what was easily their least accessible, and yet in many ways best album: Animals. With all of the songs coming in at under a minute and a half or well over 10 minutes, the album received zero radio play. The clear message was that Pink Floyd was not going to cater to their fans. And the result is a brilliant album that seems to have escaped the eye of most listeners save the true Floyd fan. Behind The Wall, Animals is Pink Floyd's most clearly conceptualized album. It is loosely based on the George Orwell book "Animal Farm," although it is influential more in its theme than its actual content.
The year was 1979. Ambient music pioneer Brian Eno and Talking Heads frontman David Byrne began work on a two-year exercise in the experimental that would take their budding creative marriage to new heights. In 1981, My Life in the Bush of Ghosts was released to much acclaim, earning immediate status as a groundbreaking work, a synthesis of world music, ambient and the polyrhythmic funkiness of the Talking Heads. Twenty-five years after its initial release, My Life has been given new life with seven bonus tracks and extensive liner notes by Byrne and Eno. The re-release is a complete package, shedding new light on the creative process behind one of the definitive experimental works of the last quarter century.
Reviewing a new Built to Spill album is like reviewing a new Sonic Youth or Fall album. Granted, they've only been around since the early '90s (and, unlike the Fall, don't have 100,000 albums), but there's a certain weight on your shoulders when critiquing anything new by Doug Martsch and whatever new band members he's acquired for his latest release. This is the band, after all, that put out two absolutely phenomenal albums in the late '90s: 1997's Perfect from Now On and 1999's head-exploding Keep it Like a Secret. At their zenith, they managed to foil Martsch's emotive songwriting with even more emotive guitar work. And what's more, it was good.
The angry American returns - a little less angry. Toby Keith has been somewhat of a venerable journeyman in the country music business for the past 13 years, releasing everything from radio-friendly country to politically-charged agit-prop, all to the delight of his core fan base. His 10th long-player, White Trash with Money, fits nicely with the more radio-ready of his body of work. The title comes from a confrontation Keith's daughter had with a schoolmate in which said schoolmate criticized her for being glorified trailer bait, a notion which Keith seems to embrace about himself on this record, always with a wink and a smile.
Imagine opening your front door one morning to find a VHS tape wrapped in a piece of white paper with a child's drawing on it. Poorly sketched, the picture depicts a child's face covered in blood. You place the tape in your VCR and all you see is two hours worth of footage containing the front of your home. Nothing exciting, nothing unusual, just nothing at all really. "Caché" ("Hidden") shows us just how paranoid one can become when unknown surveillance is placed upon them. Georges Laurent (Daniel Auteuil) and his wife Anne ("Chocolat" beauty Juliette Binoche) deal with the aforementioned problem almost daily.
If during your daily routine today you happen to witness someone trip, stumble or fall down, congratulations, you've pretty much seen "Scary Movie 4." Looks like the "Scary Movie" franchise has run out of steam, and rather abruptly too, considering "Scary Movie 3" was surprisingly entertaining. The film begins with a weak "Saw" parody featuring Dr. Phil and Shaq, especially when compared to the hilarious intros spoofing "Scream," "The Exorcist" and "The Ring" that began the previous three films. This unfunny sequence sets the pace for the rest of the painful film.
Almost all animated movies lately have been great and very well done. With that said there was no reason to think that "The Wild" would be anything but another superb Disney masterpiece. Unfortunately this particular film wasn't anything to brag about. "The Wild" is about Ryan, a lion cub (Greg Cipes) who wants to be able to grow up and be able to roar like his father, Samson (Keifer Sutherland). After living in the New York Zoo his entire life he thinks the only way he will be able to do this is if he escapes to the wild.
Seven Championships. Two Poles.