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Film

COLUMN: ‘Kinsey,’ a biographical period piece, remains especially relevant

By Joey Sills · Saturday, Feb. 1,2025 12:52 p.m.

The Buskirk-Chumley Theater screened the film Thursday night.

COLUMN: A successful experiment in form can’t save ‘Presence’

By Joey Sills · Monday, Jan. 27,2025 6:30 p.m.

Steven Soderbergh’s supernatural thriller is unique but unengaging.

COLUMN: David Lynch’s visions of America

By Joey Sills · Thursday, Jan. 23,2025 1:04 p.m.

The acclaimed filmmaker and visual artist died Jan. 15.

COLUMN: ‘Sing Sing’ beautifully shows the power of creativity and vulnerability

By Sophie Albert · Wednesday, Jan. 22,2025 9:32 p.m.

The stunning film exemplifies the transformative power of Rehabilitation Through the Arts.

COLUMN: ‘Wolf Man’ is a typical, dull January horror film

By Joey Sills · Tuesday, Jan. 21,2025 4:18 p.m.

Director Leigh Whannell’s reboot is an uninteresting, predictable mess.

COLUMN: Brady Corbet’s staggering epic ‘The Brutalist’ delivers on all fronts

By Joey Sills · Monday, Jan. 20,2025 6:07 p.m.

The film, starring Adrien Brody, is perfectly crafted for the theater experience.

COLUMN: Behind A24’s rise to Hollywood acclaim

By Sophie Albert · Monday, Jan. 20,2025 3:19 p.m.

A24 has been redefining the film industry with its one-of-a-kind films.

COLUMN: 10 original films to look forward to in 2025

By Sophie Albert · Thursday, Jan. 16,2025 10:35 a.m.

In a sequel-heavy year, here are some distinctive movies coming to break the mold.

COLUMN: Pamela Anderson is a revelation in ‘The Last Showgirl’

By Joey Sills · Thursday, Jan. 16,2025 9:01 a.m.

Gia Coppola’s film is an imperfect, but earnest, look at working-class America.

COLUMN: ‘The Brutalist,’ among others, expected to win big at the Oscars

By Joey Sills · Tuesday, Jan. 14,2025 12:53 p.m.

Here are the films likely to receive the most enthusiasm this awards season.

COLUMN: 2024 films: a year of sequels

By Sophie Albert · Thursday, Dec. 19,2024 12:55 p.m.

With the top 2024 films being sequels and adaptations, originality is becoming rare.

COLUMN: Do movie stars still exist?

By Halie Jasinover · Sunday, Dec. 15,2024 9:25 a.m.

Has Hollywood evolved from the movie star system?

COLUMN: The ‘best’ bad movies of 2024

By Ursula Stickelmaier · Wednesday, Dec. 11,2024 6:40 p.m.

These movies are so bad, we have to laugh.

COLUMN: Must-see movie musicals for ‘Wicked’ fans

By Halie Jasinover · Wednesday, Dec. 11,2024 2:07 p.m.

You and these musicals deserve each other.

COLUMN: Have yourself a very vintage Christmas: Movie edition

By Lowrie McGeary · Wednesday, Dec. 11,2024 9:34 a.m.

Travel back in time with three classic films filled with Christmas spirit.

COLUMN: Was ‘Sidelined: The QB and Me’ a touchdown or a fumble?

By Ursula Stickelmaier · Tuesday, Dec. 10,2024 4:56 p.m.

The Wattpad original film is better than most might expect.

COLUMN: ‘Moana 2’: an underwhelming continuation with problematic success

By Sophie Albert · Thursday, Dec. 5,2024 9:50 p.m.

With messy pacing, forgettable songs and no consequences, the film does not go far.

COLUMN: ‘Emilia Pérez’ tries to say too much

By Sophie Albert · Thursday, Nov. 21,2024 2:42 p.m.

In covering so many large topics, none get explored with the depth they deserve.

COLUMN: The Hallmark Channel hits Netflix

By Ursula Stickelmaier · Wednesday, Nov. 20,2024 1:59 p.m.

These holiday Hallmark films are so bad they’re good.

COLUMN: Exploring technological innovation in ‘Here’, AI taking over film world

By Jaymi Curtis · Tuesday, Nov. 19,2024 3:49 p.m.

“Here” analyzes memory, loss and human connection through artificial intelligence, blurring lines across time.

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