The year 2006 was an interesting one for director Steven Soderbergh's filmmaking experiments. Last January saw the release of "Bubble," Soderbergh's indie gem that spanned multiple release formats yet still went relatively unnoticed. In December, Soderbergh unveiled "The Good German," his throwback to old noirs of the 1940s using only equipment available at that time in history.
"German," based on the World War II thriller from novelist Joseph Kanon, takes Soderbergh favorite George Clooney as Jake Geismer and sends him to the Potsdam conference as a military journalist covering the meeting of the "Big Three" after Germany's fall. Driven around the ashes of Berlin by Tully (Tobey Maguire, who should stick to playing Spider-Man and not attempting to speak German), Geismer stumbles upon America's plot to transport ex-Nazi scientists out of Germany to begin building bombs for the forthcoming Cold War with Russia; all the while Lena Brandt (Cate Blanchett), the wife of one of the dead scientists, wants to escape the rubble of her homeland.