Indie band of Montreal brings their psychedelic live show to The Bluebird
For flag-bearers of a genre as concerned with authenticity as indie rock is, of Montreal is surprisingly fake.
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For flag-bearers of a genre as concerned with authenticity as indie rock is, of Montreal is surprisingly fake.
Hoosiers at home and abroad Wednesday celebrated the second annual IU Day. IU history was celebrated, therapy dogs were cuddled and cupcakes were consumed. Check out the full festivities below.
For those looking for a sloppily interactive and vaguely competitive way to wait out the madness of Little 500 this weekend, look no further than a good drinking game. If you’re older than 21 and know of even a few seedy streaming sites, the possibilities are practically limitless. Watch a “Fast and Furious” movie and have a drink every time Vin Diesel growls about family. Have a “The Hobbit” viewing party and take a swig every time an elf stares off into the distance and whispers “war.” Or just rewatch “Donnie Darko” and knock one back every time you’re both in awe of its melodramatic majesty and embarrassed by its overwrought pathos.
WIUX brought a diverse lineup of artists including Noname, SALES, FlasherCG and Post Animal to headline this year’s Culture Shock music festival. Indiana Daily Student reporter Kathryn Jankowski [@KathrynJanko56] scored an exclusive interview with Post Animal's Joe Keery, aka, Steve from Netflix's "Stranger Things."
Before Kendrick Lamar’s latest hip-hop opus "DAMN." drops Friday and blows everyone’s mind, catch up on the five greatest albums, mixtapes and playlists of the year’s first quarter.
If you’ve ever spent an evening skimming Netflix without deciding on a movie to watch, you’ve probably thought to yourself, “There is nothing good on Netflix.”
Dinosaur Jr. understands that rock music's most valuable asset is its rich and varied history. Since the band’s 1985 debut “Dinosaur,” guitarist and singer J Mascis has crafted songs that recall at once the bloated majesty of ’70s rock excess and the amateur brevity of punk. They played the Bluebird Nightclub on Thursday night with Easy Action.
Sunday’s Academy Awards proved we’re all prone to error, and I’m no exception. Last week in my column examining Atlanta trap star Future’s mixtape legacy, I wrote that his recently released self-titled project “will be remembered as the last time recovering trapaholics cared about a Future album." At press time, it seemed like a reasonable assertion. Not so much anymore.
Today, the Indiana Daily Student celebrates 150 years of printing news. The staffs have covered stories of beginnings and ends, the big and small, the local and national. Here is a collection of some of the defining headlines of the last century and a half.
2015 was, in the opinion of this admittedly indie-rock addled columnist, the best year ever for rap music. Kendrick Lamar’s sprawling “To Pimp a Butterfly” loomed monolithically over everything released that year in any music genre. Lupe Fiasco returned with “Tetsuo & Youth,” his best record since his 2006 debut. Vince Staples’ “Summertime ‘06” was a conceptual double-album that absolutely banged.
The room was hot, and on a cloth on the floor lay little wooden squares inscribed with arcane shapes.
The 59th Annual Grammy Awards aired Sunday. Maybe you saw them. If you didn’t, Adele swept, Beyoncé got snubbed, and Chance the Rapper thanked God but not corporate America in his speech.
Internet clown Neil Cicierega released “Mouth Moods” about two weeks ago, and so far it’s my favorite album of 2017.
Following President Trump's executive order banning travel from seven Muslim-majority countries Friday, senators and educators took to Twitter to share their thoughts. Meanwhile, IDS reporters covered protests in Bloomington and Indianapolis.
“Beware the Slenderman,” a true crime documentarydirected by Irene Taylor Brodsky, is a chilling film. And it's not because of Slenderman.
Joan of Arc’s frontman discusses his band’s newest album, growing up with musicians and poetry as a lifestyle.
Migos — "Culture" — Jan. 27
Dear Reader,
When I was 10, my mom bought me the “Shrek 2” soundtrack. It became a singular obsession.
Gamers, a notoriously fickle bunch, have come to loathe the Long Delayed Game. Look at Silicon Knights’ action RPG “Too Human” or Maxis’ god game “Spore.” They promised to revolutionize not just their respective genres, but the entirety of electronic entertainment, before budget cuts and missed deadlines hobbled their 2008 launches.