Review

COLUMN: Young the Giant neatly concludes a saga on 'American Bollywood: Acts III & IV'

By Grant Wheeler · Tuesday, Oct. 25,2022 4:42 p.m.

This release is the final two parts of a four-act album.

COLUMN: Melancholy, memories and misunderstandings: exploring the poignancy of ‘Aftersun’

By Chloe Fulk · Tuesday, Oct. 25,2022 3:52 p.m.

Paul Mescal shines in Charlotte Wells’s debut loosely based on her own life.

COLUMN: Taylor Swift’s ‘Midnights’ and the myth of perfectionism

By Ellie Albin · Sunday, Oct. 23,2022 4:40 p.m.

Taylor Swift’s vulnerability on her tenth studio album only strengthens her relatability.

COLUMN: The Arctic Monkeys continue to evolve with earnest grandeur on ‘The Car’

By Erin Stafford · Sunday, Oct. 23,2022 1:57 p.m.

The smooth falsetto of frontman Alex Turner coats "The Car" in silky soundwaves.

COLUMN: Mainstream cinema is weird again: how ‘Halloween Ends’ plays with our expectations

By Chloe Fulk · Tuesday, Oct. 18,2022 3:13 p.m.

The final film in the Halloween saga was released Oct. 14 in theaters and on Peacock.

COLUMN: ‘Expert In A Dying Field’: Happy and sad at the same time

By Charlotte Jones · Tuesday, Oct. 11,2022 11:01 a.m.

The Beths’ songs are upbeat, their lyrics are depressing and their third album is incredible.

COLUMN: ‘COPINGMECHANISM’ refines WILLOW’s sound, proves her mettle

By Grant Wheeler · Monday, Oct. 10,2022 2:53 p.m.

The singer-songwriter’s fifth solo album continues her push into punk rock territory.

COLUMN: 5 years after the release of ‘Columbus,’ the film’s impact is stronger than ever

By Chloe Fulk · Thursday, Oct. 6,2022 3:25 p.m.

The film was shot entirely in Columbus, Indiana, and features many locals as background extras.

COLUMN: Despite its energy, Pixies’ “Doggerel” is stale, uninspired

By Grant Wheeler · Thursday, Oct. 6,2022 1:28 p.m.

The band’s eighth studio album overall is their fourth since their reunion in 2003.

COLUMN: ‘Bros’ is the silly gay romantic comedy we all need

By Charlotte Jones · Wednesday, Oct. 5,2022 4:36 p.m.

Not all gay love stories are centered around traumatic and painful experiences.

COLUMN: Björk’s ‘Fossora’ presents daring and bizarre soundscapes

By Grant Wheeler · Tuesday, Oct. 4,2022 1:46 p.m.

The Icelandic singer’s tenth studio album lacks structure, but not spectacle.

COLUMN: Andrew Dominik wants Marilyn Monroe to suffer in ‘Blonde’

By Chloe Fulk · Tuesday, Oct. 4,2022 1:44 p.m.

The film is a misguided and uncaring depiction of Monroe’s tumultuous life.

COLUMN: Djo’s sophomore album ‘Decide’ is an expertly produced odyssey about change

By Chloe Fulk · Thursday, Sept. 29,2022 11:33 a.m.

The actor and singer’s new album was well worth the wait.

COLUMN: Maya Hawke’s ‘MOSS’ shines brightest in its risks, rarely takes them

By Grant Wheeler · Tuesday, Sept. 27,2022 4:43 p.m.

The "Stranger Things" star begins to prove herself in her second studio album.

COLUMN: Harry Styles was right: ‘Don’t Worry Darling’ is a movie that definitely feels like a movie

By Chloe Fulk · Tuesday, Sept. 27,2022 4:37 p.m.

An intriguing premise and stunning visuals can’t save the film from its own writing.

COLUMN: ‘Pearl’ is an unhinged, technicolor nightmare that you won’t want to wake up from

By Chloe Fulk · Thursday, Sept. 22,2022 6:12 p.m.

The film is the second installment of Ti West’s “X” franchise.

COLUMN: Elliott Fullam is indie rock’s newest protégé

By Charlotte Jones · Thursday, Sept. 22,2022 6:08 p.m.

Fullam made an Elliot Smith inspired album of the year with “What’s Wrong.”

COLUMN: ‘Do Revenge’ is a candy-colored, Gen Z-ified take on one of Hitchcock’s classics

By Chloe Fulk · Wednesday, Sept. 21,2022 10:36 a.m.

The dark comedy features a stellar ensemble cast and a killer aesthetic.

COLUMN: 'Girl Of My Dreams' is the lesbian pop album we’ve been waiting for

By Charlotte Jones · Wednesday, Sept. 21,2022 10:23 a.m.

Singer-songwriter Fletcher creates a narrative of the lesbian experience in her debut album.

COLUMN: Lake Street Dive brings a fresh sound to classics on ‘Fun Machine: The Sequel’

By Grant Wheeler · Monday, Sept. 19,2022 3:41 p.m.

The EP features the work of Carole King and The Cranberries, among others.

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