Review

REVIEW: ‘High Life’ is a stunning space oddity

By Chris Forrester · Tuesday, April 23,2019 6:11 p.m.

Claire Denis’ new film is sublime and unforgettable.

REVIEW: Beyoncé’s ‘Homecoming’ is a celebration of black culture and black love

By Jaden Amos · Monday, April 22,2019 4:57 p.m.

The new film premiered on Netflix on April 17.

REVIEW: Indie coming-of-age flick ‘Booksmart’ is an instant classic

By Chris Forrester · Wednesday, April 17,2019 5:49 p.m.

Olivia Wilde’s directorial debut is a surefire hit.

REVIEW: ‘Guava Island’ is a love letter to art and summertime

By Annie Aguiar · Sunday, April 14,2019 4:58 p.m.

The movie stars Donald Glover and Rihanna.

REVIEW: Billie Eilish’s talent is undeniable. Get used to her.

By Annie Aguiar · Sunday, April 7,2019 5:48 p.m.

The 17-year-old singer-songwriter’s debut album is beyond impressive.

Double Feature: ‘Us’ is just as good, if not better, than ‘Get Out’

By Annie Aguiar and Chris Forrester · Thursday, March 28,2019 12:13 p.m.

Jordan Peele’s newest feature is a complex triumph of a sophomore film.

REVIEW: ‘Shrill’ is everything I have ever wanted in a television show

By Annie Aguiar · Monday, March 25,2019 3:51 p.m.

Aidy Bryant of “Saturday Night Live” fame plays aspiring journalist Annie.

REVIEW: 'Us' didn’t live up to its high expectations

By Joe Schroeder · Sunday, March 24,2019 5:59 p.m.

The film was riddled with confusing plot points and unanswered questions.

Double Feature: Vacations gone wrong in 'A Bigger Splash,' 'Spring Breakers'

By Annie Aguiar and Chris Forrester · Friday, March 22,2019 1:12 p.m.

This week, Annie Aguiar and Chris Forrester are escaping life, thanks to movies.

REVIEW: New singles from ScHoolboy Q, Anderson .Paak, Black Keys

By Kevin Kratz · Tuesday, March 19,2019 6:14 p.m.

Decent trap, funky hip-hop, and raw rock n’ roll — what more could you want?

Double Feature: Reflections on Noir with ‘Vertigo’ and ‘Mulholland Drive’

By Annie Aguiar and Chris Forrester · Wednesday, March 6,2019 6:21 p.m.

Both films play with ideas of power and control in film noir.

COLUMN: The Jonas Brothers are back and I can feel happiness again

By Hannah Reed · Sunday, March 3,2019 5:36 p.m.

The Jonas Brothers are back, and so is my will to live.

REVIEW: Panda Bear creates a delicate, poignant soundscape in new album 'Buoys'

By Kevin Kratz · Wednesday, Feb. 20,2019 5:48 p.m.

The album is Panda Bear's sixth, and his most personal to date.

COLUMN: We all need to stop taking 'Saturday Night Live' so seriously

By Ben Portnoy · Wednesday, Feb. 20,2019 1:58 a.m.

President Trump attacked “S.N.L” for its portrayal of him early Sunday morning on Twitter.

REVIEW: ‘Russian Doll’ is a brilliant, layered viewing experience

By Annie Aguiar · Sunday, Feb. 17,2019 4:57 p.m.

The Netflix original is a star vehicle for lead actress Natasha Lyonne.

REVIEW: ‘Velvet Buzzsaw’ is a flawed, dumb movie. I didn’t entirely hate it.

By Annie Aguiar · Tuesday, Feb. 5,2019 3:57 p.m.

The attempt to criticize the world of art and art criticism falls flat.

Double Feature: 'First Reformed' and 'The Tree of Life' aptly discuss faith

By Annie Aguiar and Chris Forrester · Thursday, Jan. 31,2019 12:24 p.m.

Some faith-based films tend to be pandering, flat and derivative.

REVIEW: Deerhunter's eighth album bridges gap between melancholy, mania

By Kevin Kratz · Tuesday, Jan. 22,2019 6:35 p.m.

“Why Hasn’t Everything Already Disappeared?” ventures into the territory of baroque-pop.

REVIEW: Sobon offers comforting Korean food to get you through the cold weather

By Varda He · Wednesday, Jan. 16,2019 8:25 p.m.

Head to Sobon to enjoy your favorite classic Korean dishes without going off campus.

REVIEW: With its past intensity, 'True Detective' is back and better than ever

By Ben Portnoy · Tuesday, Jan. 15,2019 6:37 p.m.

Mahershala Ali leads a star-studded cast as a detective investigating an abduction.

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