Hersh is harsh but good in solo effort
When Kurt Cobain killed himself in April 1994 I didn't feel like listening to music much anymore. So I turned to Kristin Hersh's Hips and Makers and found amazing solace. Her pain, whatever might have caused it, was exquisitely felt. Her new record, The Grotto, is her best since that solo debut. In recent solo albums, Hersh had tried to over-arrange and while albums like Sky Motel and Sunny Border Blue were hardly bad, they sounded a little churned out. The Grotto is a return to sparsity. Released simultaneously with Throwing Muses' new self-titled record, Hersh haunts with her uniquely spooky voice and guitar playing.

