Bertolucci film may be cut in U.S.

VENICE, Italy -- Oscar-winning director Bernardo Bertolucci is worried that his sexually-explicit new film "The Dreamers" might be cut in the United States out of concern it is too graphic for American audiences.\nThe film, presented Monday at the Venice Film Festival, is about three college students in 1968 Paris who engage in a claustrophobic love affair.\nBertolucci said his U.S. distributor, Fox Searchlight, is concerned the film may get the dreaded NC-17 rating, which is the equivalent of an X-rating and typically reduces audiences considerably.\n"The film risks coming out in the United States amputated and mutilated," the Italian director said. "Perhaps someone thinks that the U.S. public is too immature to see this."\nEfforts to reach Fox Searchlight for comment were unsuccessful when calls to its Los Angeles offices went unanswered on the Labor Day holiday.\nThe American co-star, Michael Pitt, said explicit shots -- including his full-frontal nudity -- shouldn't be an issue. He argued that U.S. viewers would not be offended by the movie.\n"They're not going to be given the opportunity to be offended, which I'm offended by," he said. "What they're afraid of is that the youth would accept it if given the opportunity."\nYouth is at the center of "The Dreamers," which tells the story of a young American student (Pitt) who moves in with a Parisian brother and sister whose wild lifestyle changes him. The love triangle is framed by their obsession with movies -- but is initially untouched by the social uprising that shook Europe in 1968.\nThe film may appeal most to the 1960s protest generation but Bertolucci said the work was aimed at today's young.\n"I asked myself, 'Why not tell this story to the kids of today, whose parents have censored this period because they consider it a failure?'" Bertolucci said.\nThe director, whose 1986 film "The Last Emperor" won nine Oscars, has faced controversy before over sexually -charged films. His 1972 work "Last Tango in Paris," starring Marlon Brando and Maria Schneider, initially had distribution trouble and ended up a critical success.\nAlso Monday, the makers of "Imagining Argentina," starring Antonio Banderas and Emma Thompson, had the task of defending their film after one of the worst receptions yet at the festival.\nThe film, which was loudly booed during the press screening, deals with Argentina's 1976-83 military dictatorship, when authorities tortured and murdered thousands of people.\nIn the movie, Thompson is kidnapped by the military and her husband (Banderas) gains supernatural powers to "see" what is happening to her and other victims. The magical and melodramatic elements seemed to have troubled many viewers.\nDirector Christopher Hampton said that above all the aim is to educate people about this appalling period in Argentina.\n"Whatever people think about the film, people need to talk about this issue," he said. "This is a wound, and if you deal with an open wound, people are going to react in a very tender fashion, so it's not surprising."\nThompson said some audiences like the film.\n"I think there was always going to be a great deal of different kinds of responses," she said. "When you're dealing with a subject that is so tricky, such as state-sponsored torture, and mixing it with magical realism, you're stepping a fine line."\nAlso Monday, the Italian producer Dino De Laurentiis was being honored with a Golden Lion award for career achievement. Among his numerous films, De Laurentiis produced Federico Fellini's "La Dolce Vita" (1960); Sidney Lumet's "Serpico" (1973); and Ridley Scott's "Hannibal" (2001).