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Thursday, April 16
The Indiana Daily Student

IUPD


'Jaws' celebrates 30 years of scares

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While the new "Anniversary Edition" of Martin Scorsese's "Casino" does its job by giving fans an aesthetically pleasing transfer of the quasi-sequel to 1990's "Goodfellas," it completely fails in presenting an otherwise interesting DVD.


The Indiana Daily Student

Hey, it's that one guy!

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So, I'm out here in New York interning at a magazine right now. I've been going to a lot of intern functions in the city, meeting people who have a lot of the same journalistic aspirations as me. And the other night, my former features editor back when I worked on Weekend invited me to a party with a bunch of his coworkers. We're all taking, having a few beers and making small talk about what colleges we are from, etc., when the weirdest thing happened.


Brandon Foltz

'Hours' of enjoyment

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A year ago I found out about the British badasses known as Funeral for a Friend by way of the Casually Dressed & Deep in Conversation LP and Seven Ways to Scream Your Name EP and you could color me impressed. With a fresh pop sound mixed with European melodic metal conventions and hardcore mentality, FFAF have a unique style and approach that is reconfirmed on their sophomore release, Hours.


Brandon Foltz

'Man' sure isn't 'Perfect'

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There are several problems with "The Perfect Man," a few being a complete lack of authenticity, a simple plotline and the unbearable pretense of anything resembling comedy. Director Mark Rosman and screenwriter Gina Wendkos have pieced together such an unbelievably typical, ordinary movie that it is hardly worth the hour and half it takes to watch it, let alone the $8 it will take to gain admittance.


Chris Pickrell

'Everything' electronic

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Four Tet laptop guru Kieran Hebden seems to have abandoned the beautifully sublime "folktronica" stylings found on his 2003 release Rounds, replacing them with a glitchier, eclectic collage of free jazz samples, and darker, beat-driven tracks on his latest release, Everything Ecstatic.


The Indiana Daily Student

What happened to horror movies?

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I'm sick of horror movies. There, I finally said it. Nothing is scary anymore and I am saddened by this current state of non-horrific affairs. I think the last time I was actually scared in a movie theater was when I saw "The Exorcist" re-release back in 2000. Why was I scared? The situations were horrifying, the dialogue was disgusting and the movie was just plain creepy, all reasons why others seems to consider it a horror classic.


Chris Pickrell

Better than real

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Bringing timeless rockers like Led Zeppelin and Guns N' Roses to Bloomington is an impossible task for Dave Kubiak, the manager at Bluebird Nightclub, but that's not stopping him from bringing the best imitation of them that he can.




The Indiana Daily Student

Clapacs: No jobs will be cut

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IU vice president and chief administrative officer Terry Clapacs said he does not foresee the University being forced to cut jobs to make up for budget cuts


The Indiana Daily Student

Former assistant named new coach

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Former IU assistant coach Tracy Smith left Miami University of Ohio to replace Bob Morgan as IU's next baseball coach Wednesday.



The Indiana Daily Student

Board to vote on background check plan

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The IU board of trustees is expected to vote on a measure Friday that would implement background checks for academic appointees and certain members of the faculty if approved.



The Indiana Daily Student

Meet Neko Case

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Country noir artist Neko Case's last album, The Tigers Have Spoken, may have only been 35 minutes long, but that doesn't mean she doesn't have plenty to say. After her June 13 show in Bloomington, she took a few minutes to discuss music, politics and the glamorous life of a touring musician.





The Indiana Daily Student

Better than real

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Bringing timeless rockers like Led Zeppelin and Guns N' Roses to Bloomington is an impossible task for Dave Kubiak, the manager at Bluebird Nightclub, but that's not stopping him from bringing the best imitation of them that he can.