'Soft Will' may be too soft

“Soft Will” is just that. It is much more subdued and less angsty than the band’s 2011 release, “Dye It Blonde.” Whereas that album moved quickly through its pop hooks and rippling guitar riffs, the new one takes its time in building up its soft rock anthems. That’s possibly the reason for the album’s accurate title. It’s the sound of a more mature group of musicians.

“3am Spiritual,” the opening cut from Smith Westerns’ third album, reminds me of what I think Arcade Fire might sound like if the band was younger and more subdued. The production is wide open, and it sounds like the band is performing in a church. The echo of the guitars creates a swirling soundscape. As the track closes, the band forgoes lyrics and sings a unison “whoa-oh-oh.”

Whereas “Dye It Blonde” sounded like the fast-paced glam rock of David Bowie and Marc Bolan, the new album takes more cues from the meddled acid rock of Pink Floyd. The instrumental “XXIII” sounds a lot like “The Great Gig In The Sky.”

But unfortunately for Smith Westerns, that sound is less exciting than that of “Dye It Blonde.” Most of the songs on “Soft Will” are in the same key and lack the catchy choruses of the band’s previous album. After the opener and “Idol,” the middle of the album gets monotonous.

That’s not to say the album is remiss of choice cuts, though. “Best Friend” features a wavy guitar riff much like the ones that were so prominent on “Dye It Blonde.” Lead single “Varsity” may well be the band’s best song. It features a shimmering synth riff and cheerful chorus, where lead singer Cullen Omori’s falsetto makes him sound innocent and carefree.

“Soft Will” is a bit of a disappointment after the band’s excellent previous release, but the album is still good summer listening. It’s perfect for those road trips with the windows down.