Jazz musician leaves behind more than great music

NEW YORK -- There was more than musical magic on stage that day in 1936 when Lionel Hampton joined Benny Goodman in a Manhattan ballroom; it was a breakthrough in American race relations.\nHampton, a vibraphone virtuoso who died Saturday, broke a barrier that had kept black and white musicians from performing together in public. Through a six-decade career, he continued to build a name for himself as one of the greats in jazz history.\n"He was really a towering jazz figure," said saxophonist Sonny Rollins, who played with Hampton in the 1950s. "He really personified the spirit of jazz because he had so much joy about his playing."\nThe 94-year-old showman and bandleader died of heart failure at Mount Sinai Medical Center, said his manager, Phil Leshin. Hampton suffered two strokes in 1995 and had been in failing health in recent years.\nHampton played with a who's who of jazz, from Goodman to Louis Armstrong to Charlie Parker to Quincy Jones. His own band helped foster or showcase other jazz greats including Charlie Mingus, Dexter Gordon, Fats Navarro, Joe Williams and Dinah Washington.\n"With Hampton's death, we've drawn closer to losing part of the origins of the early jazz era," said Phil Schaap, a jazz historian.\nJones, the Grammy-winning producer and composer, said in a statement that Hampton was a mentor for more than 50 years. Jones was 15 when he first played trumpet with Hampton.\n"He taught me how to groove and how to laugh and how to hang and how to live like a man," Jones said. "Heaven will definitely be feeling some backbeat now."\nDuring his career, Hampton performed at the White House for presidents Truman, Eisenhower, Johnson, Nixon, Carter, Reagan and Bush. When he played for Truman, his was the first black band to ever entertain in the White House, Hampton once said.\nRep. Charlie Rangel, D-N.Y., remembered Hampton's 90th birthday party at the White House, when the man known as the "vibe president" invited President Clinton to grab his saxophone and jam.\nIn 1997, Hampton received the National Medal of Arts while wearing a borrowed suit, socks and shoes, because all his clothes and much of his bands' arrangements and other memorabilia had been destroyed in a fire two days earlier.\n"He was an American music legend and will be sorely missed," President Bush said in a statement Saturday.\nHampton's music was melodic and swinging, but audiences also responded to his electric personality: the big smile, energy and bounce that contributed to his style. When not playing the vibes, he drummed, sang and played his own peculiar style of piano, using two fingers as if they were vibraphone mallets.