Talent drowns in musical experimentation

Like many artists today, Corey Harris has difficulties determining his true musical style. On his 1999 release, Greens from the Garden, Harris bounces all over the musical spectrum. Some parts of it are upbeat, New Orleans-style blues, while other aspects walk the beaten trail of Cajun-esque country. At times it works well -- really well.\nStandouts on the record include the blues-infused "Diddy wah Diddy," and the upbeat country flavor of "Basehead." But, at times, the album becomes too wrapped up in musical diversity, and Harris' personal style becomes awash in musical experimentation. While Harris had a good idea when entering the studio to make the album, it loses the listener about half way through. Too confused by the diverse styles, the listener is left wondering what exactly Harris intended to be taken away from this record.\nThe most upsetting aspects of the record are the 20- or 30-second blips of random talking, which occurs frequently. A common theme inherent in rap music, these conversational interludes just provide more distraction to a complex arrangement of music.\nBeing Harris' third album, it's a surprise why Greens from the Garden is so disconnected. The many bright spots of the album show off Harris' immense talent and abilities. But, the album leaves a bitter taste after listening. Recognizing the brilliant talent Harris displays at times, it's saddening to think of this album's potential in relation to how it turned out. Having witnessed Harris' talents live and the abilities shown sometimes on this record, it's wishful thinking that someday he will be able to create a record fitting of his gifts.