Printmaking
Day pulls the plate through a press to print it in the printmaking workshop located off 11th street near the power plant.
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Day pulls the plate through a press to print it in the printmaking workshop located off 11th street near the power plant.
Bachelor of Fine Arts printmaking senior Carson Day stands in front of a drawing he is working on in his printmaking studio. Day found inspiration after attending the Indiana University Venice Summer Program in Printmaking last summer.
Day applies hard ground, basically a tar, that resists acid from touching the copper plate to make a drawing in the copper. Normally, he'd cover whole plate with the tar and draw into it with a needle to make marks but Day perfers the uncommon method of drawing with the tar.
Day paints an acid resist, much like tar, onto a copper plate to create a drawing for a print.
Day explains the process of lithography, in this case using a greasy crayon to draw on stone to create a print.
Day grinds the stone to level it out so there is a smooth level to draw on to create the print.
Day looks for a stone to grind in the printmaking process called lithography.
Day looks for a stone to grind in the printmaking process called lithography.
As his prints flatten, Day works on getting paper ready to print on by soaking the paper in water and pulling out the water to create dampness.
Day created a poster for a band with his printmaking skills.
Day shows how copper reacts with acid to create a printing plate.
In the first step of the printmaking process called intaglio, Day wipes ink off a plate's edges for a clean plate to print with. Beforehand during a process called etching, Day etched on the black image seen on the copper plate.
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