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Photo
Group rallies for global warming prevention
In conjunction with International Day of Action in Bali, Indonesia, activists demonstrated at the local level Saturday morning on Kirkwood Avenue to get people to urge Rep. Baron Hill and other lawmakers to take prompt action against the perceived threats of climate change.\nThe activists carried seven-foot rectangular posters displaying messages from south-central Indiana’s farming unions and distributing pamphlets, hoping to “educate and mobilize the public” on the reality of global warming, and “to show support and put pressure on Congress,” to take action.\nThe group has already passed through 13 districts and plans to reach up to 50 by next year, said Edyta Sitko, Greenpeace Field Organizer.\nThe demonstration coincided with the International Day of Action, when 55 nations convened to discuss how to curb global climate change.\nFarmers from the Local Growers Guild “are feeling the effects of droughts and severe heat waves” that inflate the costs of growing and irrigating crops, Sitko said. This situation also creates conditions in which insects and diseases can thrive. \n“Farming is already not a high-income profession,” she added, arguing that this is a demographic crucial to the region’s health and stability, and it is experiencing both environmental and societal burdens. \n“Representative Hill has called upon the entire Indiana delegation to get the United States Department of Agriculture o sign (energy legislation) for all 20 counties in the 9th District,” Sitko said. \nBut the group insists more can be done.\nH.R. 6, the energy bill that passed the House in December with Hill’s support, was “a really good first step,” Sitko said. The bill outlines new incentives for renewable resources, invalidates tax breaks for “big oil” and gas corporations and sets fuel efficiency standards higher than any since the 1970s. \nIU senior and Greenpeace member Chiffone Puckett also credited Hill, but nonetheless believes he “should go even further” in setting limits for carbon emissions, saving people’s money and ending decades of dependence on foreign oil. \n“We have the power, the technology and the means to do it,” Puckett said. But Puckett mainly thinks Hill should mount a more aggressive campaign because she fears the threat of filibusters in Congress.\nIU senior Harry Luton said he is even more concerned about national leaders’ inclination to ignore and resist acting on the problem. \n“It’d be stupid for Bush to veto it,” he said of H.R. 6. If Bush does veto the bill, as activists anticipate he will, Luton believes it will still send a clear signal to those in power. As soon as a new president is inaugurated in January 2009, he or she “has to be more helpful than Bush has been, just by comparison,” Luton said.\nThe U.S. remains the only industrialized nation whose leaders have not signed the U.N. Kyoto protocol mandating 36 countries to substantively reduce their carbon emissions by the target year 2012. On Dec. 3, Australian Prime Minister Kevin Rudd announced his country’s ratification of the treaty. Speaking for Greenpeace, Sitko said the U.S. should commit to slashing 80 percent of its 1990-era emissions by 2050.
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New rendition of ‘A Christmas Carol’ a non-traditional treat
It would be unfair and undeserved to call the Monroe County Civic Theater’s boisterous, one-act adaptation of “A Christmas Carol” amateurish. It’s unfair because of the scant attention, publicity and money that is usually the plight of community theater, and undeserved because these actors are as committed to their artistic progress and achievement as those strutting the halls of IU’s Lee Norvelle Theater & Drama Center. \nDialogue from local playwright Russell McGee’s adaptation, which opened Monday at Rhino’s, is well articulated by the famous curmudgeon, Ebenezer Scrooge, played by IU alumna Hannah Moss. At the beginning, the audience witnesses Scrooge snorting and scowling as she sweeps their feet with her broom, and the classic refrain “Bah! Humbug!,” which she snarls throughout, is given proper ferocity. Considering the level of focus on the character, the fact that Scrooge is played by a young woman is negligible. \nHer costume changes go relatively unnoticed as a fluid ensemble of ghostly reindeer elves, played by Meggie Bontrager, Hayleigh Connor, IU freshman Kaylee Spivey and Paige Talbert, surround her at scene transitions and give the audience the signal they are now looking inside Scrooge’s mind. \nThe energy and timing so crucial to comedic action are demonstrated by IU sophomore Bradley Good in the roles of Bob Cratchit and Tiny Tim. His cheerfulness and utter lack of melancholic moments highlight his dramatic function as a reminder to all, particularly Scrooge, of the need to wish everyone on Earth, no matter their situations, a “Merry Christmas!” Unsurprisingly, this well-wishing does not sit well with Scrooge at first. Even after his many rebukes and grimaces, the gleeful, high-pitched voice cannot contain these words, even in his presence. \nIU sophomore Kerchanin Allen, playing Mrs. Cratchit and Martha, inflects both roles with tongue-in-cheek subtlety and a clear sense of on-stage professionalism. Her voice, with its distinctive rises and falls, is never excessive or overly mannered, and never fills more of the performance space than necessary. \nConsidering the scant funds, the costumes are quite elaborate. The ghost of Jacob Marley, played by Madeline Krause, who also plays a Christmas Angel, is resplendent in red-and-white sheets with a lampshade hat with similarly-colored ornaments hanging at its edges and shielding the face from Scrooge’s anxious gaze. He speaks in low, laborious tones mocking earlier film and stage depictions of the character. Nurses Belle, Fred and Fezziwig, played by IU senior Lauren Robison, sophomore Erika Heidewald and Charlotte Fitzek, wear lab coats while a hospital robe is placed on Scrooge. This offers a clear contrast between the characters and their state of mind, as well as a clue to Scrooge’s fate at the play’s climax when he is dragged offstage to a mental ward.\nThat said, this production of “A Christmas Carol” warrants some critiques. While the thematic underpinnings of Scrooge’s story (redemption, revelations about the fragile and finite in life) are both thorough and refreshingly funny, the focus on holiday cheer suffers. \nGiddy musical sequences, from Blue Oyster Cult’s “(Don’t) Fear the Reaper” to Gloria Gaynor’s “I Will Survive,” interrupt the course of the story, as well as the character development. Almost every song represents a stage in Scrooge’s psychological descent, and though this is a clever narrative device, it falls short of providing any recognizable Christmas or holiday nostalgia.\nThe spirit of pushing every actor’s limits, taking risks with the original material and enlivening the audience with an unexpected twist should never be discouraged. Creativity is by no means lacking in these students of various ages, backgrounds and talents. Their ambitions and intentions of revamping a 164-year-old story are certainly justified. But those intentions did not always produce results striking the audience in the same way, or to the same extent, as those onstage. \nThe civic theater’s “A Christmas Carol” will show at 7 p.m. Dec. 7 and 8, and at 3 p.m. Dec. 9 at the Cinemat,123 S. Walnut St. All performances are free, but donations are appreciated.