Porch essentials
(10/09/14 3:41pm)
If you’re lucky enough to have one, you better put it to good use.
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If you’re lucky enough to have one, you better put it to good use.
Two former Weekend editors take on the greatest music festival for indie music artists. Francisco Tirado and Patrick Beane take on the glorious three-day ride.
Two former Weekend editors take on the greatest music festival for indie music artists. Francisco Tirado and Patrick Beane take on the glorious three-day ride.
Two former Weekend editors take on the greatest music festival for indie music artists. Francisco Tirado and Patrick Beane take on the glorious three-day ride.
I wanted to write my obligatory senior graduation column, but I’m writing about gay celebrities again.
“Shaking the Habitual” is a huge record, overflowing with forceful music designed to alienate its audience even as it draws us in.
Despite its emotional posturing, “Oz” doesn’t earn its warmth. This is a Disney cash grab at its most watered down.
With hi-def production and bedroom lyricism, “Anxiety” is a surreal pop/R&B ride through depression and uplift that always puts feelings first.
The tracks on “The Man Who Died In His Boat” were recorded after midnight during the same sessions as “Dead Deer,” and the album has a similarly sleepy sound. The songs can be short and sweet, but most head for space, like a retreat into memory or dreams to better deal with waking life.
Tensions between the United States and North Korea run high, and everyone’s favorite militaristic rhetoric is being tossed around like Oscar buzz.
The ban on women in combat has been lifted.
The film draws heavily from ghostly J-horror — “Mama’s” twisted maternal psychology, jerky body-horror, clicking vocal effects and cold color palette — but rarely unnerves as a creature feature.
A month after the Newtown, Conn., shooting, the gun rights organization’s latest campaign involves attacking President Barack Obama as an “elitist hypocrite.”
“LONG.LIVE.A$AP” is one of those rare debuts that lives up to the hype.
From stage to screen with style
A sub-par revival.
For starters, academia is not a monolithic institution of Marxists. Like, some of us are just communist free lovers.
No bite to the final "Twilight" movie
It can't be. It's impossible.
Can "Skyfall" make 007 cool again?
Solutions by The State News