Ghosts and gore aren’t big box office draws these days. It’s been years
since the $200 million grosses of “The Sixth Sense,” “Jaws” and “The
Exorcist.”
Hollywood has taken notice.
Rather than putting
their faith in original concepts or actually scary movies, mainstream
Halloween weekend releases have tended toward low-budget subgenre films.
Torture-horror hit when the first “Saw” movie returned big on a modest budget.
Suddenly, “Hostel,” “Turistas” and other torture flicks were hitting screens.
Found-footage-horror
took off in the mainstream with the surprise success of “Paranormal
Activity,” which made $100 million off a $15,000 production budget.
These cheap movies get franchised and released around Halloween, when
casual moviegoers are expected to get their annual thrills.
This helps explain why “The Cabin In The Woods,” one of the best mainstream
American horror films in years, was quietly released in April.
The offbeat horror-comedy opened to $14 million, about half its estimated budget, in the blockbuster wake of “The Hunger Games.”
This
Halloween’s “Paranormal Activity 4” had a production budget of $5
million and earned $30 million during its opening weekend.
You
can probably expect another “Paranormal Activity” next Halloween. It’s a
surefire win for the studios, something they can depend on until the
next cheap horror sensation comes around.
The only original
horror film in theaters right now is “Sinister,” a not-too-bad spin on
found-footage, supernatural and slasher flicks.
It opened in third place with a meager $18 million and fell to sixth after the opening of “Paranormal Activity 4.”
By
no means a classic, “Sinister” is still a cut above the lamely paced
shock tactics of “Paranormal Activity.” Some of its better scenes even
go somewhere new with serial killers.
But Halloween means horror remakes, retreads and sequels nowadays as much as it means pumpkins and trick-or-treating.
If
cash cows like “Saw” and “Paranormal Activity” continue to capitalize
on small budgets and cheap thrills, it’s unlikely the studios will
pursue anything more creative or substantive.
The worst part is
casual fans don’t know what they’re missing. They get their seasonal
dose of scares and deny themselves the special experience of horror.
Don’t let Hollywood scare you away.
Horror movies are more than jump-scares, torture-porn and bad acting. They are more than Halloween novelties.
Horror
movies are the blood and guts of genre filmmaking, where some of the
boldest visuals make their mark and the best stories get told.
Instead
of routine scares from “Paranormal Activity 4,” go for the
character-fueled classics like “Rosemary’s Baby” and “Carrie” or the
freaky-fun gore of “The Descent” and “An American Werewolf In London.”
There’s nothing to be afraid of.
By Patrick Beane
Why Horror Scares Hollywood
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