Young versus old, rural versus urban, farm life versus ... theater life?
The
story of the city misfit figuring out farm life is retold with a new
twist that explores the power of storytelling in Cardinal Stage
Company’s production of “The Drawer Boy.”
The play opens Friday and runs through March 7, with performances
Thursday through Sunday at the John Waldron Arts Center. Performances
are at 7:30 p.m., along with 2 p.m. shows each Saturday and Sunday. It
is part of ArtsWeek 2010.
In the show, characters Morgan and Angus, played by Ken Farrell and
Dave Cole, have lived on a farm since their return from World War II,
where Angus sustained an injury that has given him serious memory
problems. Morgan takes care of Angus until a big-city actor, Miles,
played by IU alumnus Harry Watermeier, shows up on the farm seeking
material for a play about rural life. Miles’s intrusion threatens to
dig deeper than Morgan wants when he discovers what parts of his life
are being exposed in Miles’s play.
“Because Miles is unfamiliar with farming and this kind of life, the
show is, in a way, this fish-out-of-water comedy at first glance, but
it’s really a character study of Morgan and Angus,” Watermeier said. “I
hope the play is, for an audience member, difficult to categorize. They
won’t leave saying ‘that was a great comedy’ or ‘that was a great
drama.’ It’s just a great story.”
The Canadian play was inspired by a true story of a collision between
actors and farmers in Ontario and the play the actors created about the
farmers’ lives. Since its first production in 1999, “The Drawer Boy”
has become the fourth most-produced play in the past decade.
“We wanted to do a piece that spoke to a different community that is
normally represented on stage,” director Randy White said. “So this is
a rural farm community, and the clash of that rural and urban
environment I think is something that we really experience here in
Bloomington.”
White said he also thinks the play is applicable to the experiences of students as well.
“Watching
this young person figure out how he can succeed, how he can move
forward, this is like his first steps in the world and he’s screwing up
terribly,” White said. “He’s naïve and earnest and well-meaning, but he
literally steps in all kinds of things on the farm, all the time.”
Farmers and actors collide on ‘Drawer Boy’ stage
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