Film

COLUMN: November film round-up: reviewing ‘Bones and All,’ ‘She Said’ and more

By Chloe Fulk · Monday, Nov. 28,2022 4:14 p.m.

Here are some reviews of the big-name films this year.

COLUMN: The most wonderful time of the year: predicting the 2023 Oscars nominations

By Chloe Fulk · Thursday, Nov. 17,2022 5:20 p.m.

‘Tis the season of big swings and even bigger misses.

COLUMN: ‘Black Panther: Wakanda Forever’ is a moving tribute for a fallen king

By Chloe Fulk · Tuesday, Nov. 15,2022 12:53 p.m.

The film comes two years after the passing of Chadwick Boseman.

COLUMN: Sink your teeth into season one of ‘Interview with the Vampire’

By Chloe Fulk · Thursday, Nov. 10,2022 3:39 p.m.

The new show improves on the 1994 film based on the same novel.

COLUMN: Harry Styles sucks the life from dull melodrama ‘My Policeman’

By Chloe Fulk · Tuesday, Nov. 8,2022 12:15 p.m.

“My Policeman” is a tired tale of forbidden love that’s been done many times before.

COLUMN: The master of stop-motion animation is back with ‘Wendell & Wild’

By Chloe Fulk · Thursday, Nov. 3,2022 2:03 p.m.

This is Henry Selick’s first film since 2009’s “Coraline.”

Black Voices: IU film expert Cara Caddoo discovered lost Black film from 1916

By Jay Upshaw · Wednesday, Nov. 2,2022 3:21 p.m.

Caddoo is a professor in the Media School and teaches courses on Black film.

COLUMN: ‘Triangle of Sadness’ is an ambitious satire finding an easy target in the mega-rich

By Chloe Fulk · Tuesday, Nov. 1,2022 2:25 p.m.

The “Lord of the Flies” style satire won the Palme d’Or at the Cannes Film Festival.

COLUMN: Melancholy, memories and misunderstandings: exploring the poignancy of ‘Aftersun’

By Chloe Fulk · Tuesday, Oct. 25,2022 3:52 p.m.

Paul Mescal shines in Charlotte Wells’s debut loosely based on her own life.

Free Halloween film screening to be held at Radio-Television Building Oct. 27

By Chloe Fulk · Thursday, Oct. 20,2022 12:44 p.m.

“Trick ‘r Treat” and “Donnie Darko” will be shown.

COLUMN: Mainstream cinema is weird again: how ‘Halloween Ends’ plays with our expectations

By Chloe Fulk · Tuesday, Oct. 18,2022 3:13 p.m.

The final film in the Halloween saga was released Oct. 14 in theaters and on Peacock.

Constellation Stage and Screen to premiere 17th annual screening of Rocky Horror Picture Show

By Tory Basile · Monday, Oct. 17,2022 3:01 p.m.

The cult-classic film is known for its early LGBTQ+ representation and its interactive audience participation.

COLUMN: 5 unconventional horror films to watch this October

By Chloe Fulk · Tuesday, Oct. 11,2022 11:24 a.m.

Branch out from the classics and watch something new this Halloween season.

Black Voices: Black Film Archive creator Maya Cade concludes IU Cinema project

By Maria McComish · Sunday, Oct. 9,2022 12 p.m.

Curator of The Black Film Archive Maya Cade discussed the motivation behind her work.

COLUMN: 5 years after the release of ‘Columbus,’ the film’s impact is stronger than ever

By Chloe Fulk · Thursday, Oct. 6,2022 3:25 p.m.

The film was shot entirely in Columbus, Indiana, and features many locals as background extras.

COLUMN: ‘Bros’ is the silly gay romantic comedy we all need

By Charlotte Jones · Wednesday, Oct. 5,2022 4:36 p.m.

Not all gay love stories are centered around traumatic and painful experiences.

COLUMN: Andrew Dominik wants Marilyn Monroe to suffer in ‘Blonde’

By Chloe Fulk · Tuesday, Oct. 4,2022 1:44 p.m.

The film is a misguided and uncaring depiction of Monroe’s tumultuous life.

Black Voices: 'Home is Where the Heart is' screens ‘Dreaming Rivers’ and ‘Black Mother’

By Jay Upshaw · Sunday, Oct. 2,2022 11:31 a.m.

Maya Cade’s film series had its third showing on Sept. 22.

IU Moving Image Archives to start monthly screenings Sept. 29

By Sophie DeWael · Wednesday, Sept. 28,2022 9:42 a.m.

Each month’s screening will connect to a different theme.

COLUMN: Harry Styles was right: ‘Don’t Worry Darling’ is a movie that definitely feels like a movie

By Chloe Fulk · Tuesday, Sept. 27,2022 4:37 p.m.

An intriguing premise and stunning visuals can’t save the film from its own writing.

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