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Magnolia Electric Company's Jason Molina

Magnolia Electric Co.'s Jason Molina.

Roots were rocked last night at Russian Recording as Bloomington’s own Magnolia Electric Co. were joined by San Diego time travelers The Donkeys for the kickoff of their 2009 Summer Tour.  The show, broadcast live on WFHB Bloomington Community Radio, drew a crowd that thoroughly packed Russian Recording’s small live room and spilled out into the hallway outside.  And I dare say they weren’t disappointed, as both bands; known, respectively, more for tending towards the melancholy (Magnolia Electric Co.) and the laid-back (The Donkeys); interspersed their ballads with surprising turns into wild beats and guitar-heroism in sets that focused heavily on material from their newest albums.  In short: the metaphorical posterior was given a taste of the boot, and you should’ve been there to see it.  Photos are below.

The Donkeys

the joint was packed!

Sadly, the best group shot I could get. Like I said: the joint was packed!

Co-vocalist and keyboardist Anthony Lukens, live on the airwaves!

Co-vocalist and keyboardist Anthony Lukens, live on WFHB!

Guitarist Jessie Gulati in the midst of a solo.

Guitarist Jessie Gulati in the midst of a solo.

Co-vocalist and drummer Sam Sprague.

Co-vocalist and drummer Sam Sprague.

Magnolia Electric Co.

Packed!

Again: Packed!

Jason Molina again, looking like he could use a hug.

Jason Molina again, looking like he could use a hug.

Jason Groth (also of The Coke Dares) on guitar.

Jason Groth (also of The Coke Dares) on guitar.

Pete Schreiner (also of The Coke Dares) on bass.

Pete Schreiner (also of The Coke Dares as well) on bass.

My favorite photo of the night.

Easily my favorite photo of the night.

The Crowd was hot, sweaty and loving every moment. Russian Recording was packed with old friends, relatives and a few newcomers, curious to see what the hype was all about on Friday night. The Impossible Shapes wrapped up their ten-year career in fine fashion. Although the crowd was sad to see the band go, the mood wasn’t somber, but rather a celebration of the band’s music.

The night started off with Indianapolis-based band, and Secretly Canadian label mates Marmoset, who got the crowd moving with their lo-fi indie pop. The band that was formed in 1995 played songs spanning their catalogue, but also showcased some songs off of their up-coming Joyful Noise release Tea Tornado

Next up was Intro to Airlift, a Bloomington band featuring members of some important band of the Bloomington music scene in the early nineties, such as Yardmarvins and Yellow Based Red, and also Pete Schreiner on drums who plays in the Coke Dares with Impossible Shapes Members Chris Barth and Mark Rice. Although the band only plays shows roughly once every 18 months, they still sounded tight, and provided the crowd with indie-punk infused with Peter Hook style baselines that gave the music a subtle dark element.

Once Intro to Airlift was finished warming up the place, the 180+ crowd jammed into the Russian Recording live room, and lounge to witness a seminal event for Bloomington music. The Impossible Shapes had the crowd in the palm of their hands, as they had everyone dancing and nodding along in a psych-pop trance for the duration of their 1 hour 20 minute set. The band was reaching back playing many fan favorites from their five-album career. When all was said and done, everyone in attendance had witnessed an incredible show that didn’t intensity and passion on all fronts. Everyone on the band played as if there was no tomorrow, and left us with one helluva swan song.

-Chris Werner

Mark, Aaron, Chris and Jason

Mark, Aaron, Chris and Jason

Local Legends, The Impossible Shapes , have decided to called it quits after an illustrious ten-year career. The show will take place tomorrow, July 3, at Russian Recording(1021 S.Walnut, behind Art Hospital).

The show starts at 9 p.m. All Ages. $5.

Formed in 1998 by Aaron Deer(organ, bass), Christopher Barth(guitar, vocals), Mark Rice(drums) and Jason Groth (guitar), The Impossible Shapes have been pleasing audiences worldwide with their lo-fi psychedelic jams. 

Over the course of the past ten years the band has released five full length albums including critically acclaimed Horus (2005) and their latest effort Tum (2006), both released on Secretly Canadian. Members of the Shapes are also the forces behind bands such as The Coke Dares, Magnolia Electric Co. , John Wilkes Booze, NormanOaks and Horns of Happiness.

Through their diligence and hard work the band has helped the Bloomington music scene become known for more than just John Mellencamp.

Check back to LiveBuzz for show coverage

-Chris Werner

The story of how I fell in love with indie-rock and snagged an interview with Sonic Youth

Music: it’s the one thing in life with which I am completely and irrevocably obsessed. Ever since I heard the first line of “Don’t Know When But A Day Is Gonna Come” by Bright Eyes in the 8th grade, I have had an insatiable need to see, hear, and discover new music. This obsession only escalated when I heard Elliott Smith, Built to Spill and Joy Division. When I listened to their songs, something inside me was transformed.

Obsession can be hard to define. It’s difficult to understand when you’ve gone too far; when you’ve hit that point of obsession. For me, flying to New York City to see Bright Eyes when I was only 14 years old wasn’t too far. It was logical. If Conor Oberst wasn’t coming to the Midwest in the fall, then I would go to the East Coast. Of course, over the period of the next two years he would come to Chicago and Bloomington, and I saw him both times. When I was 14 and obsessed, the realization that he would eventually come to my part of the country was irrelevant. My desire to see him was so great that I simply couldn’t wait a few months. I had to go at that very moment and when my plane landed in the JFK terminal, I finally realized the extent of my obsession. The trip of course, was more than worth it.

Since those earlier years in junior high and high school, my obsession has only become more fervent. When I enrolled at IU, I realized that I could actually volunteer at WIUX, IU’s student-run radio station, and write about bands and review albums for the newspaper. Ultimately, I could meet people who shared their music and were even more obsessed with it than me. I swapped music collections with people who had bookshelves jammed tight with vinyl and CDs stacked as high as skyscrapers. It gave me such an intense feeling of happiness that I knew I was exactly where I was supposed to be.

Eventually I interviewed a couple of small, indie bands, like Beach House and Bishop Allen. In the spring, I interned at the Bloomington record label, Secretly Canadian and went to as many concerts as was realistic. The need to get my foot in the door and to hold onto any part of the music that I could was even greater than before. Simply reading about these bands that I loved in Spin or Under the Radar magazines wasn’t enough. I wanted to meet these people, ask them questions, and figure out why I had such powerful feelings when I listened to their music. Why was it that they had seemed like such close friends when I went through depression and the death of a close family member? How could these people that I didn’t even know, touch me so deeply that it felt like I was born inside their music?

When I received an email this morning that said I was going to interview Sonic Youth at the Vic Theater in Chicago, I could barely move. It was just a few weeks ago that I sent an email with my name, call letters of the radio station at which I worked, and my position there. I needed a drink of water, but my whole body was shaking too hard for me to stand. I wanted to scream or cry, but instead I made a couple of phone calls to share my exciting news. I was both terrified and excited. I didn’t know what I was going to ask them or how I would even manage to not be too nervous to properly conduct the interview. After realizing that I would be nervous regardless, I drove to the post office to try and snap back to reality, but a mundane task like slapping a stamp onto an envelope made everything seem less real.

Interviewing any band is exciting for me, but the members of Sonic Youth are legends. Forming back in 1981 before I was even born, Sonic Youth is known for its avant-garde experimental rock sound scapes and its ability to help other indie bands make it music industry. Hundreds of musicians have since tried to recapture their sound and have found inspiration in them; Nirvana and Blonde Redhead being only a couple among many.

While at this point I’m not sure what I’m going to ask them or where I’m going to be staying that night in Chicago, I’m just going to have to try to get back to reality and remember that obsessions aren’t always a bad thing. If it weren’t for my obsession and deep desire to be involved with music, I wouldn’t be writing this right now.

Make sure to check back on Tuesday June 30th for my interview with Sonic Youth.

xoxo,

Katie

The Hold Steady's Craig Finn explains just how many lengths his girl's horse won by in "Chips Ahoy."

The Hold Steady's Craig Finn explains just how many lengths his girl's racehorse won by in "Chips Ahoy".

B-Mac

So, did The Hold Steady own Jake’s Nightclub on Saturday night?  Of course they did.  The Hold Steady are one of the great rock bands of this decade, and if you claim to love what Reverend Lovejoy calls the “rock and/or roll,” you owe it to yourself to check them out.

Fortunately, if you missed them this time, you’ll probably get another chance:  The Hold Steady clearly like Bloomington.  Before the show at Jake’s, they played The Bluebird with Drive-By Truckers as recently as last November, and frontman Craig Finn told the crowd Saturday that the band had played Bloomington seven times in the course of its existence.  AND they have a new song called “One For The Cutters”

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Blk Jks profile

I got the chance to chat with the boys in Blk Jks a couple weeks ago, and wrote a profile on ‘em in this week’s WEEKEND mag. Read all about it here.