Posts archived in Featured

Rock critic Anthony DeCurtis started writing for The Bloomington Herald Telephone(now the Herald Times) when he was an IU grad student in the 70s. He went on to write for the likes of Rolling Stone and The New York Times, and is currently writing the liner notes for a box set of Bloominton’s own Johnny Mellencamp.

I talked to him on the phone this past Sunday, and wrote a piece on his life and career. Check it here. 

It was really awesome to talk to such an accomplished and grounded music journalist. He got to see Patti Smith at a hotel in Bloomington right after Horses came out., among a milion other things.

He also said The Bluebird was a real hot spot in the 70s. Now I really get why its not the cleanest bar in town.

Live Buzz will be hosting a  series this summer highlighting a killer WIUX DJ we think  you should tune in to.

This week: Jessie Davis!

WIUX Show Name and Time:

peterbjornandjessie Tues 2-4

Describe your show- is there a genre or theme you stick to?

New Music Tuesday kind of stuff. I really like to bring new music to life with my show but also snag in a few old favorites of mine. I have been really enjoying the new Dirty Projectors album

How long have you been at the station, and what made you interested in it?

I’ve been at the station for about 2 years now. I have always been into the indie rock genre and my friend DJ’ed for the station. So we had a show together for my first go at it. The rest, it be history.

Year in School/Major

Approaching my 5th year/ CMCL

Hometown

Indy

FAVORITES…


What were your earliest memories of listening to the radio? Did you have a favorite station growing up?

Growing up I was more of a pop diva but as I began to appreciate music I strayed away from listening to top Billboard hits. Besides listening to WIUX, I really enjoy listening to Last.fm’s radio.

What are your most memorable memories of Bloomington and music?

My most memorable music experience at Bloomington was when I was getting off of work and heard music from the Lotus festival. People were standing outside of the tent venue as Funkadesi was performing and engaging the crowd like none other! They brought the idea of world music to the forefront with that performance, and a group of straggling on-lookers together to enjoy their talents.

What are your ultimate summer jams?

The Doors’ greatest hits, Ratatat, Ra Ra Riot and Dirty Projectors.

Favorite ice cream on a summer day? Anything blizzard, anything peanut butter.

ETC.

If you could interview one artist- living or dead- on your show, who would it be and why?

Thom Yorke. Because it would be the hardest interview to host with a man so obscure and so full of talent at the same time. I wonder what our dialogue would consist of and I’m a big sucker for Radiohead, I would probably perspire to death before the interview even started!

What do you see for the future of radio? How do you think it will change over the years? Internet Radio. I think we’ve only begun to see its influence and its capability of reaching the masses.

Celebrity Crush

Jim Morrison

Past WIUX profiles: Sean Kase

I got a chance to have a lengthy discussion with Aaron Pillar of the Appleseed Cast last week as he made the drive to his day job. The band kicks off its April tour at Jake’s on Wednesday, beginning a string of dates in the US with what’s sure to be a great show in Bloomington. With a stellar new album, a new bassist and drummer, and the Cast’s second-ever Bloomington show fast approaching, we had a lot to talk about.

Live Buzz: Why did you name the new album Sagarmatha? That’s the Tibetan name for Mt. Everest, right?

Aaron Pillar: There’s a book I read a few years back in Europe called Into Thin Air, so I just got this whole interest in mountain climbing and what-not. I had remembered that name and basically it was just something to sort of stimulate visuals and ideas. I thought the Sagarmatha thing could just mean a lot of different things. There are a couple different translations for it too—I’m using it more as allegory for some imagery. We were drawing this sort of ambiguous story about zombies and an apocalyptic future and I was watching a lot of television at the time. It just sort of gave us something to put to the music that turned out to be a bit darker than we had a vision of the songs being. It was just a starting point, a weird name we could call the record and write about.

Continued interview after the jump!

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Psychedelic rock & roll will seamlessly blend with surreal pop sounds to create harmonious noise songs when Parts & Labor headline with Push-Pull and Prizzy Prizzy Please at Jake’s this Wednesday, Nov. 19.

I was lucky enough to interview the Parts & Labor about their new album, Receivers. Read the rest of this entry »

Find out mo’ about two of Bloomington’s crunkest DJs, Action-Jackson and Wally Wonder,  Q&A style below.

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Last week, some of us got to talk to Vampire Weekend, Santogold, and Zooey Deschanel via phone conference.

Stefania M., chatting up with Ezra of Vampire Weekend:

(Vampire Weekend with Chromeo at the MTVU Woodie Awards)

S: We just heard an awesome remix of “Cape Cod…” from a guy by the name of  Esau Mwamwaya. We were just wondering what you guys think in general of people that remix your stuff or. You know, I don’t know if you’ve heard that one in particular. Do you guys get to hear remixes or do they do it without your permission? What do you guys feel about that?


E: Well, a lot of them have been done without permission. We’ve been very kind of careful only to let people that we really admire do official remixes.

S: Right.

E: But it’s always cool to hear unofficial ones too. I’m really excited about the (Chromeo) remix of “The Kids Don’t Stand a Chance” that’s going to come out I think next week and because I’ve known those guys for a while and I really am a huge fan of them but yeah,  Esau Mwamwaya, I’ve actually met him and I collaborated with him on a song for his album and so he’s a really cool guy.


He lives in London and he was born in Malawi and he’s making this really great record with these producers called (Radio Clit) and to hear his take on that song… I think is awesome. So that’s actually an official remix. We like talked about it with them and I reckon they will put it out. Yeah, like that one a lot too.

S: And do you know on what medium the (Chromeo) remix will be released? Will it be digital?

E: I think it’ll probably be digital and on vinyl.

Kelsey McArdle’s all-too-brief chat with Zooey D.

Wow. Wow, wow, wow. Never did I think that I’d see the day where I’d get to speak one on one with one of my girly heroes (or heroines?). What is a girly hero, you ask? It’s one of those female celebrities that girls don’t actually loathe in secret. It’s one of those stars that girls want so badly to be, or at least emulate in any way, shape or form. It’s one of those famous artists that isn’t vain/pretentious/bitchy, only awesomely awesome (and adorable and well-dressed, but that’s neither here nor there), and that is Zooey D. in a nutshell.

I mean, who else can go from starring in “Elf” to writing music (not in that creepy actor-turned-musician type way) with a respected musician like M. Ward, creating one of the best (in my opinion) albums of 2008? She & Him’s Volume 1 is beyond fantastic and utterly charming, so chatting with my favorite half of the wonderful duo was just like a dream.

(Zooey in Elf)

(Zooey and M.Ward AKA She&Him)

Knowing that I (and Katie, as well) had only a brief moment to converse with Ms. Deschanel, we wanted to ask her something interesting. I couldn’t have asked for a better response!
Here is the transcript, as follows:

Me: Hi, there.

Zooey Deschanel: Hello?

Me: Hey, how are you?

Zooey Deschanel: Hi, good. How are you?

Me: Good. I just have a quick question for you. On Volume 1 you have two different covers, both from the 60s, which you mentioned that in the last question–the Beatles and Smokey Robinson. So what is it about the music of this era that you find so interesting?

Katie: And what is it that made you pick these particular songs?

Zooey Deschanel: You know, like the 60s I don’t know exactly why but it was just an era of, you know, there was just so much good music like spanning over that, you know, over that decade. I mean I think, you know, starting off in the early 60s with Motown and, you know, the songwriters from the (unintelligible) building writing a lot of, you know, songs for pop artists and later with the Beetles and the British invasion and, you know, bands taking a more executive role in terms of writing their own material. It just is a very diverse period and just so rich with like I mean such an incredible catalogue of music from the 60s.

“You Really Got a Hold On Me” is just such a classic song, the lyrics are it’s like, I mean just to hear that song, I mean just such a beautiful song. And then I Should Have Known Better also, you know, they’re just classic songs that both Matt and I had covered on our own in, you know, Matt had wanted to put I Should Have Known Better on another record and I had made a home demo of that and both of us had covered You Really Got a Hold On Me so it sort of seemed like pretty obvious choices.

But actually I Should Have Known Better, there was a cover of that on a Beach Boys record called Beach Boy Party and it was so different from the Beetles version but also so charming that I sort of, I was inspired to, you know, make another version of that song that hopefully was also charming.

Me: Oh, it was. It was great.

Zooey Deschanel: Thanks!

Me: Thank you so much.

END.

Ah, so there it was, my brief yet satisfying encounter with one of my girly heroes. Isn’t she a doll?