Posts archived in Jakes Nightclub

NOMO in full-on instrumental attack mode.

NOMO in full-on instrumental attack mode.

NOMO got a tough break when they played at Jake’s Nightclub Tuesday night. Besides it being a Tuesday, and Bloomington in summer, fierce thunderstorms throughout the day had scared everyone into staying at home. The result? An audience of about 30 intrepid souls, including opening act Jip Jop, the Jake’s staff and myself.  But, for those of us who risked incurring Mother Nature’s wrath, it proved to be quite a show.

Bloomington locals Jip Jop started things off with a combination of jazz, funk, hip-hop and soul.  It was reminiscent (to my ears) of late-90s ska/funk/rock crossover acts like Sugar Ray, Smash Mouth and Third Eye Blind; an association made keener by their novelty song “Pluto’s Still A Planet To Me.”

Despite Jip Jop’s efforts, things were still looking pretty glum by the time NOMO took to the stage.  However, their vibrant mix of Afrobeat, Krautrock, funk, jazz and other assorted things with loads of beats, brass, and sax proved to be infectious.  Before long, the Jip Jop guys and friends had started an impromptu dance party in the audience that churned throughout a show ranging from tracks off NOMO’s latest album Invisible Cities to covers of Kraftwerk and Sun Ra.  Things reached their ultimate climax as the band ventured out into the audience for a drum circle/sing-along (pictured below).

Who says you can’t party on a Tuesday night?

Jip Jop

Jip Jop covering Johnny "Guitar" Watson's "Ain't That A Bitch."

Covering Johnny "Guitar" Watson's "Ain't That A Bitch."

Jip Jop vocalist Ben Gershman.

Vocalist Ben Gershman.

Performing "Pluto's Still A Planet To Me" (I think).

Performing "Pluto's Still A Planet To Me" (I think).

NOMO

Dan Bennett on baritone sax

Dan Bennett on baritone sax.

Elliot Bergman on saxophone

Elliot Bergman on saxophone.

Justin Walter on trumpet

Justin Walter on trumpet.

Clearly having fun.

Clearly having fun.

As was the audience.

...As was the audience.

The grand finale:  Out into the audience!

The grand finale: Out into the crowd!

After hearing Sunset Rubdown’s third full-length album, Dragonslayer I couldn’t help but anticipate their arrival to Bloomington.

I saw them when they played at The Bluebird back in September, and although that was amazing, their was something even more fierce, emotional, and put together about their set on Thursday night.

Sunset Rubdown frontman Spencer Krug at The Bluebird.  September ‘08.

Straightforward pop trio, Witchies started off the night with a fun and likable set. Also from Canada and sonically similar to Sunset Rubdown, they were a perfect fit for openers.

They experienced some technical difficulties but they didn’t let it deter them from having a good time. It was the last night of their US tour, and they told the audience that theywere having so much fun that they didn’t want to go home. It’s always great to feel like a band really wants to be there with you, sharing the experience.

Elfin Saddle played next and brought a much darker and stranger sound to the night. The band was very multi-talented, playing everything from the upright bass to the singing saw.

They reminded me of Beirut a bit in that it was gypsy-like, world music. Elfin Saddle was much more melancholic however, and they kind of made me feel like I was at a funeral. Despite some of my adverse feelings towards their music, they were really great musicians.

Not long after, Sunset Rubdown took the stage, opening with the emotionally driven song, “The Empty Threats Of Little Lord” off their first album, Shut Up I Am Dreaming followed by “Idiot Heart” off Dragonslayer.

Spencer Krug was also a lot more talkative than the last time I saw him perform and even apologized to a couple of people from his record label for being an asshole, which was pretty funny.

“The Mending of the Gown” and “Silver Moons” were played, as well as “Paper Lace”, which Krug deemed a cover song, although its from his other band, Swan Lake and appears on Dragonslayer. I was kind of hoping for some David Bowie or Nirvana, but Paper Lace was still incredible live.

Shortly after Spencer Krug apologized for having a cold, they encored with “Us Ones In Between”. This piano driven tune was incredibly beautiful and it was hard to believe that Krug was even sick, for he and his band put on such an amazing performance.

I’m not sure if Sunset Rubdown was more put together as band or if their new album just really struck a chord in my heart, but seeing them this time around was phenomenal. I don’t think I’ll ever stop loving their potent poetry and catchy hooks.

-Katie McKenna

Kool Keith: Dr. Dooom vs. Dr. Octagon Tour
Jake’s Nightclub
April 17, 2009

Last Saturday night Jake’s Nightclub hosted the infamous, free flowing hip-hop artist Kool Keith. While having an old school hip-hop icon perform in Bloomington was something great to look forward to, in this case the anticipation outweighed the payoff.
A mix of hard-core Kool Keith aficionados and casual hip-hop fans, the audience filled half the room at most. Troy Thompson, a long time fan of Kool Keith, was not particularly impressed with the performance.

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The Hold Steady's Craig Finn explains just how many lengths his girl's horse won by in "Chips Ahoy."

The Hold Steady's Craig Finn explains just how many lengths his girl's racehorse won by in "Chips Ahoy".

B-Mac

So, did The Hold Steady own Jake’s Nightclub on Saturday night?  Of course they did.  The Hold Steady are one of the great rock bands of this decade, and if you claim to love what Reverend Lovejoy calls the “rock and/or roll,” you owe it to yourself to check them out.

Fortunately, if you missed them this time, you’ll probably get another chance:  The Hold Steady clearly like Bloomington.  Before the show at Jake’s, they played The Bluebird with Drive-By Truckers as recently as last November, and frontman Craig Finn told the crowd Saturday that the band had played Bloomington seven times in the course of its existence.  AND they have a new song called “One For The Cutters”

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I got a chance to have a lengthy discussion with Aaron Pillar of the Appleseed Cast last week as he made the drive to his day job. The band kicks off its April tour at Jake’s on Wednesday, beginning a string of dates in the US with what’s sure to be a great show in Bloomington. With a stellar new album, a new bassist and drummer, and the Cast’s second-ever Bloomington show fast approaching, we had a lot to talk about.

Live Buzz: Why did you name the new album Sagarmatha? That’s the Tibetan name for Mt. Everest, right?

Aaron Pillar: There’s a book I read a few years back in Europe called Into Thin Air, so I just got this whole interest in mountain climbing and what-not. I had remembered that name and basically it was just something to sort of stimulate visuals and ideas. I thought the Sagarmatha thing could just mean a lot of different things. There are a couple different translations for it too—I’m using it more as allegory for some imagery. We were drawing this sort of ambiguous story about zombies and an apocalyptic future and I was watching a lot of television at the time. It just sort of gave us something to put to the music that turned out to be a bit darker than we had a vision of the songs being. It was just a starting point, a weird name we could call the record and write about.

Continued interview after the jump!

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THE GAME

West Coast hip hop’s self-proclaimed savior The Game brought a little taste of Compton to Central Indiana Tuesday evening. The packed show at Jake’s Nightclub was one of the final stops on Game’s World Tour in support of his latest release – L.A.X. Here are a few photos from the show!

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